An office clerk loves entering contests in the hopes of someday winning a fortune and marrying the girl he loves. His latest attempt is the Maxford House Coffee Slogan Contest. As a joke, ... See full summary »
Temperamental saloon singer Freddie Jones, jealously shoots at her cheating boyfriend Blackie but mistakenly hits Judge Alfalfa J. O'Toole's honorable behind, forcing her to skip town under the guise of a schoolteacher.
Twenty years after his triumphs as a freshman on the football field, Harold is a mild-mannered clerk who dreams about marrying the girl at the desk down the aisle. But losing his job ... See full summary »
Gerry and Tom Jeffers are finding married life hard. Tom is an inventor/ architect and there is little money for them to live on. They are about to be thrown out of their apartment when Gerry meets rich businessman being shown around as a prospective tenant. He gives Gerry $700 to start life afresh but Tom refuses to believe her story and they quarrel. Gerry decides the marriage is over and heads to Palm Beach for a quick divorce but Tom has plans to stop her. Written by
Col Needham <email@example.com>
Preston Sturges's perfectionism slowed down production. He refused to move on to close-ups until he had a perfect master shot, and he would stop and do a new take if an actor changed a word of the script. William Demarest, who appeared in eight Sturges films, would later say, "He had a great memory. If you changed anything, he'd say, 'Wait a minute,' and, goddamn, he was right." See more »
The position of Tom's tie changes from when he first kneels at the wedding, and in the following cut. See more »
Even more dementedly frantic than The Lady Eve, this film is Preston Sturges's most delirious screwball/slapstick romance, with one of the most amazing bits of comic combustion in the Ale and Quail Club train sequence. It's not as neatly structured as The Lady Eve, but it's filled with hilarious gags, lines, and performances. Claudette Colbert and Joel McCrea are remarkably composed and relaxed, but Rudy Vallee, Mary Astor, and all the other performers outdo themselves in energetic tomfoolery. When Vallee complains, plaintively, that the problem with the world is that the men most in need of a beating are usually enormous, or when Astor slyly suggests that she grows on people, like moss, you know you're hearing Preston Sturges's wit at its peak.
19 of 22 people found this review helpful.
Was this review helpful to you?