Historical evocation of Ludwig, king of Bavaria, from his crowning in 1864 until his death in 1886, as a romantic hero. Fan of Richard Wagner, betrayed by him, in love with his cousin ... See full summary »
Retired professor of American origin lives solitary life in luxurious palazzo in Rome He is confronted by vulgar Italian marchesa and her companions: her lover, her daughter and daughter's ... See full summary »
In an atmosphere of political tension when the French still control Algiers, an Algerian is killed on the beach and a French man who has lived in Algiers all his life is arrested for the ... See full summary »
Six vignettes follow the Allied invasion from July 1943 to winter 1944, from Sicily north to Venice. Communication is fragile. A woman leads an Allied patrol through a mine field; she dies ... See full summary »
In this adaptation of the Thomas Mann novel, avant-garde composer Gustave Aschenbach (loosely based on Gustav Mahler) travels to a Venetian seaside resort in search of repose after a period... See full summary »
Two shoeshine boys in postwar Rome, Italy, save up to buy a horse, but their involvement as dupes in a burglary lands them in juvenile prison where the experience take a devastating toll on their friendship.
Vittorio De Sica
Gino, a young and handsome tramp, stops in a small roadside inn run by Giovanna. She is unsatisfied with her older husband Bragana : she only married him for money. Gino and Giovanna fall in love. But Bragana is inhibiting for their passion, and Giovanna refuses to run away with Gino. Written by
This is a haunting, powerful Italian adaptation of James M. Cain's novel The Postman Always Rings Twice directed by the great Luchino Visconti. What is so interesting about the film is that in every way it transcends it's source material to become something bolder and more original (interestingly Camus also credits Cain's novel as the key inspiration for his landmark novel The Stranger). The film has a greater power and intensity than the novel because Visconti is able to create the filmic equivalent of Cain's narrative structure but offer a more complex exploration of gender. Cain's very American novel is also uncritically fascinated with the construction of whiteness (the lead character Cora is obsessively afraid she will be identified as a Mexican and embarrassed that she married a Greek immigrant), which is not relevant to the Italian rural context that Visconti is working in. This allows the class antagonisms to take center stage and dance among the embers of the passionate, doomed love affair of the two main characters. This film is a complex, suspenseful, rewarding experience.
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