Connie Ward is in seventh heaven when Gene Morrison's band rolls into town. She is swept off her feet by trumpeter Bill Abbot. After marrying him, she joins the bands tour and learns about ...
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When Phil Corey's band arrives at the Idaho ski resort its pianist Ted Scott is smitten with a Norwegian refugee he has sponsored, Karen Benson. When soloist Vivian Dawn quits, Karen stages an ice show as a substitute.
Thornton Sayre, a respected college professor, is plagued when his old movies are shown on TV and sets out with his daughter to stop it. However, his former co-star is the hostess of the TV show playing his films and she has other plans.
Connie Ward is in seventh heaven when Gene Morrison's band rolls into town. She is swept off her feet by trumpeter Bill Abbot. After marrying him, she joins the bands tour and learns about life as an orchestra wife, weathering the catty attacks of the other band wives. Written by
Steve Fenwick <email@example.com>
"At Last" (by Harry Warren and Mack Gordon) was originally written and recorded for Glenn Miller's previous movie, Sun Valley Serenade (1941). However, there was no on-screen performance and it was only heard instrumentally in the background of two scenes. Because he felt that film already had an abundance of great songs, executive producer Darryl F. Zanuck decided to save it for this follow up. See more »
How about you, Sinjin, when are you getting married?
What for? I got a lot of girls that are just pulling their hair waiting for me to call them.
Why don't you call 'em?
Are you kidding? I'm sick of running around with bald dames.
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On the road and behind the scenes with Glenn Miller.
On Australian television, this movie has always been shown as the second half of a double bill, following 'Sun Valley Serenade'. It's a neat balancing act, the upbeat nature of 'Sun Valley Serenade' being brought back to earth by the semi-documentary flavour of 'Orchestra Wives'. The latter is a compelling movie and as another reviewer pointed out, it didn't do well in the USA. At a guess I'd put this down to the non-melodramatic but seemingly realistic performances - unusual at the time. Having been a fan of Ann Rutherford since enjoying her in the 'Andy Hardy' movies, I was struck by her excellent but out of character performance. Once again the Nicholas Brothers provide the most memorable scene but all in all, it's a fine screenplay with great production values.
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