At the start of WWII, Katie O'Hara, an American burlesque girl intent on social climbing, marries Austrian Baron Von Luber. Pat O'Toole, an American radio reporter, sees this as a chance to investigate Von Luber, who is suspected of having Nazi ties. As country after country falls to the Nazis, O'Tool follows O'Hara across Europe. At first he is after a story, but he gradually falls in love with her. When she learns that her husband is indeed a Nazi, O'Hara fakes her death and runs off with O'Toole. In Paris, she is recruited to spy for the allies; he uses a radio broadcast to make Von Luber and the Nazis look like fools. Written by
John Oswalt <email@example.com>
The question of top billing was resolved by having half of the prints with Cary Grant listed first, and the other half with Ginger Rogers listed first. The TCM print lists Grant first, but the programs distributed for the world premiere at the Radio City Music Hall in New York City listed Rogers first. See more »
While the Baron is interrogating Ms. O'Hara at the hotel in Paris (after the photographer is killed and she's arrested), the cross suspended from the Baron's neck disappears and reappears between shots. See more »
RE: Good "what If" story, now when you look back at the time...
When Leo McCarey made this film, America was only a number of months into WWII. The events leading up to the start of the war (at least in Europe) were known to some, with most of America still getting their news from the newsreels at the theater or radio. This film is a great way for people to learn about how the opening of WWII began, especially now where some schools are limited in their ability to cover the events. Two "average Americans" moving about Europe, sometimes steps ahead (or behind as in the Polish through Low Countries scenes) of the events which changed Europe. The time in the Polish Ghetto, as well as in Paris, allow for the audience to get to know the characters, without having to gather the facts as the story goes along. Just as National Treasure teaches about American History while entertaining, this movie belongs in the same group, as it tells a "You Are There" version of 1939-40 European History.
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