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The fictionalized biography of composer Cole Porter from his days at Yale in the 1910s through the height of his success to the 1940s. The film's attempted biography matches many public ... See full summary »
Clemson Reade, a business tycoon with marriage on his mind, and Effie, a U.S. diplomat, are a modern couple. Unfortunately there seems to be too much business and not enough pleasure on the... See full summary »
Beautiful young Virginian Jane steps down from her proper aristocratic upbrining when she marries down-to-earth surveyor Matt Howard. Matt joins the Colonial forces in their fight for ... See full summary »
At the start of WWII, Katie O'Hara, an American burlesque girl intent on social climbing, marries Austrian Baron Von Luber. Pat O'Toole, an American radio reporter, sees this as a chance to investigate Von Luber, who is suspected of having Nazi ties. As country after country falls to the Nazis, O'Tool follows O'Hara across Europe. At first he is after a story, but he gradually falls in love with her. When she learns that her husband is indeed a Nazi, O'Hara fakes her death and runs off with O'Toole. In Paris, she is recruited to spy for the allies; he uses a radio broadcast to make Von Luber and the Nazis look like fools. Written by
John Oswalt <firstname.lastname@example.org>
Cary Grant thought the screenplay was rubbish, but agreed to do the film because he had been condemned for allegedly dodging the draft in both the UK and the US. See more »
The photographer says that seven countries have already fallen. At this point, actually eight had: Austria, Czechoslovakia, Poland, Denmark, Norway, Luxembourg, Holland and Belgium. See more »
Gaston Le Blanc:
Look here, old man. Where is your patriotism?
Patrick 'Pat' O'Toole:
Well, thinking of her with him isn't helping it any! And you leave my patriotism out of this. I don't mind giving up coffee and sugar but when it comes to... I'd like to know what man was ever hero enough to say I have but one wife to give to my country!
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I'm amazed at the bad reception that Once Upon a Honeymoon got from other reviewers here. It's not the greatest film from either the stars or the director, but far from the worst. See Satan Never Sleeps or My Son John for Leo McCarey's worst. And it's one of Walter Slezak's best roles.
Slezak plays the fictional Baron Von Luber who like the Fuehrer was Austrian born and played a big hand in the Anschluss. After that he became a Nazi ambassador of good will. But in his wake countries seem to fall to the Germans after every one of his missions. He's a rising star in the Nazi movement.
He's also married a show business American wife in the person of Ginger Rogers. That and his activities arouse the curiosity of editor Harry Shannon and commentator Cary Grant.
Once Upon a Honeymoon is very similar to that other Cary Grant film from Alfred Hitchcock, Notorious. Of course the Hitchcock film has Grant as an FBI agent who gets Ingrid Bergman to marry Claude Rains to spy on his postwar activities in a country with no extradition. Rains actually becomes an object of some audience sympathy even as a Nazi, but Slezak never does.
In fact his role is similar to that other exhibit of the master race found in that other Hitchcock film, Lifeboat. But he's gotten in a way that the gauleiter of the lifeboat never is. Cary Grant damns him with faint praise and a shrewd use of reverse psychology on the Nazi mind. Slezak's reactions to Grant's broadcast are worth seeing the film alone.
Leo McCarey makes some very serious points about the Nazis mixed in with the humor. When Grant and Rogers are caught when they think they're Jewish, it's a very harrowing predicament indeed until they are providentially rescued.
Once Upon A Honeymoon though firmly dated to World War II, holds up very well in the laugh and propaganda departments both.
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