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Now, Voyager (1942)

 -  Drama | Romance  -  31 October 1942 (USA)
8.0
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Reviews: 123 user | 42 critic

Boston spinster blossoms under therapy and finds impossible romance.

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(screenplay), (from the novel by)
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Title: Now, Voyager (1942)

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Won 1 Oscar. Another 1 win & 2 nominations. See more awards »

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Cast

Complete credited cast:
...
...
...
...
...
John Loder ...
Ilka Chase ...
Lee Patrick ...
...
Katharine Alexander ...
Miss Trask (as Katherine Alexander)
James Rennie ...
...
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Storyline

In Boston, the over-weight spinster Charlotte Vale is a repressed woman without self-esteem and completely dominated by her wealthy mother Mrs. Henry Vale. When her sister-in-law Lisa Vale brings the renowned psychiatrist Dr. Jaquith, who is her friend, to visit Charlotte, he invites her to spend some time in his sanatorium. Soon Charlotte transforms in a sophisticated and confident woman and travels in a cruise to South America. She meets architect Jerry Durrance, who is married, and they have a love affair in Rio de Janeiro. Six months later, she returns home and confronts her mother with her independence and own free will. One day, Charlotte has an argument with her mother and she dies of a heart attack. Charlotte becomes the heir of the Vale's fortune but she feels guilty for the death of her mother. She decides to return to Dr. Jaquith's sanatorium whether she befriends Tina, who is the twelve-year-old daughter of Jerry rejected by her mother. She brings the girl to her house in ... Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Plot Synopsis

Taglines:

IN THE Arms OF ANOTHER WOMAN'S MAN...SHE FINDS Her MAN! (original print ad - almost all caps) See more »

Genres:

Drama | Romance

Certificate:

Not Rated | See all certifications »
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Details

Country:

Language:

|

Release Date:

31 October 1942 (USA)  »

Also Known As:

A Estranha Passageira  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Sound System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

The screenplay is a fairly faithful adaptation of the novel, except that in the book Charlotte takes a Mediterranean cruise, not a South American one. See more »

Goofs

The position of Charlotte's mother's hand on the bed (when she is talking to Charlotte in her room after Charlotte returns from the cruise) changes between shots. See more »

Quotes

Charlotte: Jerry, Dr. Jaquith knows about us. When he said I could take Tina, he said you're on probation. Do you know what that means? It means that I'm on probation because of you and me. He allowed this visit as a test. If I can't stand such a test, I'll lose Tina and we'll lose each other. Jerry, please help me.
Jerry: Shall we just have a cigarette on it?
Charlotte: Yes.
Jerry: May I sometimes come here?
Charlotte: Whenever you like. It's your home too. There are people here who love you.
Jerry: To look at you and Tina, and share with you ...
[...]
See more »

Connections

Featured in Bette Davis: A Basically Benevolent Volcano (1983) See more »

Soundtracks

Perfidia
(1939) (uncredited)
Music by Alberto Domínguez
Played as dance music in the Rio club
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

The Great Quest
22 May 2006 | by (Dallas, Texas) – See all my reviews

Bette Davis plays Charlotte Vale, an unmarried and very unhappy plain-Jane who lives with, and is under the emotional control of, her wealthy, domineering, matriarchal mother (Gladys Cooper). Help for Charlotte arrives in the person of Dr. Jaquith (Claude Rains), who suggests a different living environment, and eventually a new direction in life. Charlotte thus sets out on a voyage of discovery, or quest, to find herself and her potential for happiness and love.

The film starts off Gothic, but gradually translates to a love story with lots of twists and turns. The underlying premise is sound, but the plot is overwrought, drawn out, and talky. Small sections of the film's middle section could have been expunged, to tighten the plot. And the dialogue could have been reduced in places, which would have rendered a film of even greater impact. Nevertheless, the film still tells a great story.

The B&W cinematography ranges from good to excellent. In one scene, special effects create an image wherein Charlotte's eyes overlap her mother's face. It is a visually stunning image, and it wonderfully captures the film's timeless theme, the painful process whereby a grown child must confront an overbearing parent, if that child is to grow and gain adult independence.

The film's costumes are interesting. And Max Steiner's original score adds emotional texture to the story. But it is the acting that really makes this film a classic. Except for her work in "All About Eve", Bette Davis gives as good a performance here as in any film of hers that I have seen. Claude Rains and Paul Henreid are good in support roles. And the never smiling Gladys Cooper is stunningly effective as the matron saint of outdated Victorian Puritanism.

Despite its cryptic title, taken from a poem by Walt Whitman, this film presents viewers with a story that most people can identify with, in one way or another. "Now, Voyager" transcends its hyperbolic working script, and compels attention through its cinematography, its music, and especially the acting of Gladys Cooper and Bette Davis.


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