Sisters Ruth and Eileen Sherwood move from Ohio to New York in the hopes of building their careers. Ruth wants to get a job as a writer, while Eileen hopes to succeed on the stage. The two ...
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Ruth and her beautiful sister Eileen come to New York's Greenwich Village looking for "fame, fortune and a 'For Rent' sign on Barrow Street". They find an apartment (such as it is!), but ... See full summary »
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William A. Seiter
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During the Great Depression, a wealthy banker throws away his wife's expensive fur coat; it lands on the head of a stenographer, leading to everyone assuming she is his mistress and has access to his millions.
Sisters Ruth and Eileen Sherwood move from Ohio to New York in the hopes of building their careers. Ruth wants to get a job as a writer, while Eileen hopes to succeed on the stage. The two end up living in a dismal basement apartment in Greenwich Village, where a parade of odd characters are constantly breezing in and out. The women also meet up with magazine editor Bob Baker, who takes a personal interest in helping both with their career plans. Written by
Daniel Bubbeo <email@example.com>
Rosalind Russell reprised her role as Ruth Sherwood in the Broadway musical 'Wonderful Town', which was based on the same novel and play as this movie. For her Broadway role, Russell won the 1953 Tony Award for Best Supporting or Featured Actress in a Musical. See more »
When Bob puts Ruth in the taxicab outside of the police station, the shadow of the boom mic can be seen moving across the hood of the cab. See more »
A decent film, but often it seemed to try a bit too hard.
The film begins in Columbus, Ohio and young Eileen has visions of stardom on the stage--though she only has worked in community theater. Her older sister, Rosalind Russell, is an aspiring writer and they agree to both go to New York to seek fame and fortune. Along the way, they meet a bazillion crazy characters who wander into their basement apartment faster than is humanly possible. And, yes, I truly do mean wander into the apartment. It's like Grand Central Station in there and after a while the gimmick just doesn't make sense. Subtle it ain't!
MY SISTER EILEEN is a screwball comedy that is very, very aware that that is exactly what it should be. While often cute and enjoyable, all too often the film seems to think that by being too loud, too chaotic and too goofy, it will be a successful film. Personally, I enjoyed it but wish they'd perhaps slowed the whole thing down and tried for at least some subtlety and style. It made the pacing of ARSENIC AND OLD LACE and BRINGING UP BABY seem absolutely slow by comparison!! Throughout this film, whenever the action seems to slow, the film makers seem to just randomly toss characters into the mix with the instructions "act kooky"--sometimes it works and sometimes it doesn't. As a result, it's a very hit or miss production. However, fortunately, the film ends on a very high note with a surprise (and funny) cameo appearance. I won't say more--it might spoil the fun.
Overall, it's a good time-passer and a decent film, but don't expect magic.
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