Chronicles the early life of gay nineties-era songwriter Paul Dresser as he outgrows his job as carnival entertainer and moves up into New York society, writing one hit song after another. ... See full summary »
Chronicles the early life of gay nineties-era songwriter Paul Dresser as he outgrows his job as carnival entertainer and moves up into New York society, writing one hit song after another. Despite his egotistical behavior, he manages to woo and win Sally Elliott, one of the more popular songstresses of the day. Written by
Doug Sederberg <email@example.com>
Studio head Darryl F. Zanuck originally wanted Carole Landis to play Sally Elliot, but she refused to dye her hair red and declared she'd play it as a blonde. The movie mogul promptly moved her to a secondary role and borrowed Rita Hayworth from Columbia, since Alice Faye, expecting her first daughter, could not take the part. See more »
Nostalgic gay '90s period musical...standard but fun...
RITA HAYWORTH and VICTOR MATURE make a pleasant co-starring team, although it's hate at first sight, proof positive that true love never does run smooth...at least not in these sort of backstage musicals where the paper-thin plot depends upon the boy-loses-girl-until-final-reel contrivances.
Rita has a temper to match her red hair and when she tears up all of Mature's clothes, he does the same to her. And so it goes. They fuss and feud all over the screen until the last moment--but it's all done with such style and charm that you can't resist it.
Alice Faye was supposed to do Rita's role but she was expecting a baby so Rita signed on. As usual, someone else dubs her singing but her dancing is a sheer delight and the technicolor costumes are showcased in all of the musical numbers.
Given short shrift in the cast is CAROLE LANDIS, with almost nothing to do after a bright start, and handsome JOHN SUTTON has a thankless role as Rita's would be suitor. Too bad Fox could never find a worthy starring role for him.
Fun to watch (if you like musicals) and easy to take.
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