Peanuts White, a burlesque comic, is recruited by U.S. agents to impersonate international spy Eric Augustine (whom White resembles) in a mission to purchase a million-dollar microfilm in ... See full summary »
In this 1953 musical remake of "The Awful Truth" Wyman is married to womanizing composer Milland and sets out to give him some of his own medicine. She has an affair, but her ploy backfires... See full summary »
Arthur and Vivian are just married, but when the get to their honeymoon suite in Washington D.C., they find it occupied. Arthur goes to meet Slade, his new boss, and when he comes back, he ... See full summary »
Teddy Hart, the very diminutive brother of the great lyricist Lorenz Hart (Rodgers & Hart), has a tiny role as the complaining solider in the early Army training base sequences. Teddy had the lead in the Broadway production of his brother's Musical "The Boys From Syracuse" but never ever equaled his brother's success. See more »
[Kay finds his girlfriend bound and gagged in a closet]
Do you want to ruin everything?
But she'll smother in there! There's not enough air.
[Connie opens and closes the door several times]
That ought to hold her.
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from "Il Trovatore"
Music by Giuseppe Verdi
In the score when Kay is nailing down the theater curtain See more »
Whoever said that band leader Kay Kyser was a comedian? This Harold Lloyd produced opus proves that there is nothing funny about him. He looks a little like Harold Lloyd, but that's about it. This RKO comedy is well planned and has a funny premise. Lloyd provided for many belly laugh opportunities. The problem is that Kyser cannot deliver a punch line and is totally inept at physical comedy. William Demarest has a funny bit as a policeman doing battle with Kyser, but most of the humor is crushed by Kyser. Tay Garnett was not the best choice for director; he lets a number of slapstick possibilities escape. He makes the same mistakes in his later "A Connecticut Yankee in King Arthur's Court". The film would have worked if Lloyd has taken the lead himself, with a director like George Stevens handling the camera. What a pity!
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