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My Favorite Blonde (1942)

Passed  |   |  Comedy  |  8 March 1943 (Sweden)
7.2
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Ratings: 7.2/10 from 798 users  
Reviews: 18 user | 9 critic

Karen Bentley, an English secret agent, links up with Larry Haines and his star penguin Percy in an attempt to outwit German spies.

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Title: My Favorite Blonde (1942)

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Cast

Cast overview, first billed only:
...
...
...
Madame Stephanie Runick
George Zucco ...
Dr. Hugo Streger
Lionel Royce ...
Karl
Walter Kingsford ...
Dr. Wallace Faber
Victor Varconi ...
Miller
Otto Reichow ...
Lanz
Esther Howard ...
Mrs. Topley
Edward Gargan ...
Mulrooney
James Burke ...
Union Secretary
Charles Cane ...
Turk O'Flaherty
Crane Whitley ...
Ulrich - Henchman
...
Porter
Milton Parsons ...
Mortician
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Storyline

Larry Haines, a mediocre vaudeville entertainer, boards a train bound for Los Angeles. Is Hollywood waiting for him with open arms? Not really as the one he signed a contract for is Percy, his roller-skating penguin partner! But, as the proverb says, the shadow of glory is better than no glory at all! Anyway, doesn't Larry meet a woman on the train? And a blonde one! And a British agent into the bargain! The delicious creature who is carrying a coded message hidden in a brooch and is being pursued by Nazi agents. She will need Larry (and Percy)'s help to elude her pursuers and to get the secret information to destination. The mission will be accomplished, although in an eventful and hilarious way... Written by Guy Bellinger

Plot Summary | Add Synopsis

Plot Keywords:

train | penguin | vaudeville | german | spy | See All (46) »

Genres:

Comedy

Certificate:

Passed | See all certifications »
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Details

Country:

Language:

Release Date:

8 March 1943 (Sweden)  »

Also Known As:

A Minha Loira Favorita  »

Filming Locations:

 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Mirrophonic Recording)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Some cast members in studio records/casting call lists did not appear or were not identifiable in the movie. These were (with their character names): William Irving (Waiter), Mike Lally (Chicago Taxi Driver). 'Frank Marlowe' (Chicago Taxi Driver) and William Lally (Telegraph Operator). See more »

Goofs

When Hope and Carroll discover that Carroll's "contact" is actually an enemy spy, they grab the scarab with the secret message and successfully escape. But before Hope and Carroll grabbed the scarab, the phony "contact" was just about to use a code book to decipher the writing on the scarab. Hope and Carroll did not have the code book with them when they arrived at the airfield just as the war planes were about to leave for England. How did they decipher the message and send the planes via the correct route? See more »

Quotes

Larry Haines: "Is that your real hair or did you scalp an angel?"
See more »

Crazy Credits

The opening title cards read: "Bob Hope who calls Madeleine Carroll 'My Favorite Blonde'". See more »

Connections

Featured in Bob Hope at 100 (2003) See more »

Soundtracks

Thanks for the Memory
(1937)
Music by Ralph Rainger
Played during the Haines and Percy vaudeville act
See more »

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User Reviews

 
Very funny comedy with just enough serious spy movie elements
4 April 2012 | by (Minnesota) – See all my reviews

A good spy thriller: British agent Madeleine Carroll attempts to transport a scorpion-shaped brooch that conceals microfilm holding key military information. She is chased by Nazi spies led by George Zucco and Gale Sondergaard. Two agents are killed in the first ten minutes.

Cut to Bob Hope—or rather, his penguin. Hope and penguin are Haines and Percy, a sort of vaudeville act. The penguin has just gotten the call from Hollywood; Hope would like to think that he is the real star. Paths cross when Carroll, hoping to shake the Nazis from her trail, ducks into Hope's dressing room. And the fun begins.

Needing cover and hoping to conceal her true identity, Madeleine feigns romantic interest in Bob, and plays it up good. He is surprised and mystified by her attention—and soon by attention from Zucco and gang, who want the scorpion and know he is somehow involved. The scene where spies surround and stare him down on the train's club car is classic Hope, as his nervousness starts slowly but gradually bubbles over.

The scenes between Hope and Carroll are even better…she plays it fairly straight and he plays it goofy and the interplay just works like a charm. One especially funny scene in the train compartment: having pressed up close to him with a kiss and retrieved the brooch from his lapel, she stands up and moves away; not having a clue, Hope grabs her and tries to kiss her again—and she slaps him indignantly. "Take your hands off me!" she snaps. Poor Bob.

The dialog is bright and funny throughout, with Hope naturally getting the best lines, including some vintage Hope gems: "I've given up kissing strange women." "What made you stop?" "Strange women."

Zucco and Sondergaard have only small roles, but they sure can play the baddies. Talk about sinister!

However, Bob and Madeleine are pretty much the whole show here. The relationship between the two leads develops nicely—we have a pretty good idea how it's going to turn out, but it grows at a careful pace, not too fast or too slow or too sudden.

Top notch and full of great laughs.


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