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Mrs. Miniver (1942)

Not Rated | | Drama, Romance, War | 1 December 1942 (Sweden)
A British family struggles to survive the first months of World War II.

Director:

Writers:

(screenplay), (screenplay) | 3 more credits »
Reviews
Popularity
4,874 ( 2,626)

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Won 6 Oscars. Another 4 wins & 7 nominations. See more awards »
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Cast

Cast overview, first billed only:
...
...
...
...
Lady Beldon (as Dame May Whitty)
...
...
...
...
Christopher Severn ...
Brenda Forbes ...
Gladys (Housemaid)
Clare Sandars ...
Marie De Becker ...
Ada
...
German Flyer
...
Fred
Connie Leon ...
Simpson
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Storyline

The Minivers, an English "middle-class" family experience life in the first months of World War II. While dodging bombs, the Minivers' son courts Lady Beldon's granddaughter. A rose is named after Mrs. Miniver and entered in the competition against Lady Beldon's rose. Written by Michael Rice <TheMikeRic@aol.com>

Plot Summary | Plot Synopsis

Taglines:

Another triumph for Metro-Goldwyn-Mayer - the producers of Mrs. Miniver See more »

Genres:

Drama | Romance | War

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

|

Release Date:

1 December 1942 (Sweden)  »

Also Known As:

A Família Miniver  »

Box Office

Budget:

$1,344,000 (estimated)

Gross:

$13,500,000 (USA)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Sound System)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Included among the American Film Institute's 1998 list of the 400 movies nominated for the Top 100 Greatest American Movies. See more »

Goofs

Just after Mrs. Miniver hands the German pilot a bottle of milk to drink, spilled milk appears all over his coat. The milk subsequently disappears and reappears on the coat several times between shots. See more »

Quotes

Toby Miniver: Are you going to marry Carol, Vin?
Vin Miniver: Well, since you bring it up, Toby... I haven't had the nerve to ask her.
Toby Miniver: Why not? You're brave, aren't you?
Judy Miniver: Don't be so silly, Toby. Gentlemen don't propose when they're eating.
Toby Miniver: Why not?
Judy Miniver: Well, it isn't romantic.
Vin Miniver: Of course it isn't.
Carol Beldon: Toby.
Toby Miniver: What?
Carol Beldon: Why don't you ask me if I'm going to marry Vin?
[...]
See more »

Crazy Credits

Opening credits prologue: This story of an average English middle-class family begins with the summer of 1939; when the sun shone down on a happy, careless people, who worked and played, reared their children and tended their gardens in that happy, easy-going England that was so soon to be fighting desperately for her way of life and for life itself. See more »

Connections

Referenced in The 40th Annual Academy Awards (1968) See more »

Soundtracks

Pomp and Circumstance March No.1 in D Major, Op.39
(1901) (uncredited)
Composed by Edward Elgar
In the score during the end credits
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

Watch out for the backs of the heads!
27 February 2000 | by (Caversham, England) – See all my reviews

What a wonderful film Mrs Miniver still is 58 years later. Like Coppola's 'Gardens of Stone', it deals with war by following the lives of those affected by it, and without showing any combat. It's moving, but unlike many other films of the period, totally unsentimental, though has many warm and winning moments (Pidgeon spanking Garson as the maid walks in, following an eventful morning, to say the least!)

Two sequences particularly clicked on this viewing. The first involves the son/pilot who is recalled to service abruptly when his leave has only just begun. He goes upstairs to get his belongings, the mother and fiancée are left in the room, with the backs of their heads to camera - a most unusual shot 'against the rules' of filming. Then you realise the centre of attention is the space left on the stair by the son - they and we are missing him, awaiting his return, but only for a moment as he must leave again. It's as poignant as the doorway framing scenes in 'The Searchers', and rather subtle.

Another scene is the family in the air raid shelter undergoing a bombing attack. The claustrophobia of the situation, and the bravery and dignity of the powerless family caught there, is focused by a single point of view. The unspoken fear is on the face of Garson, vocalised by the kids who finally awake as the bombardment increases. Long, simple takes perfectly capture the intense atmosphere (and exceptional acting.

When I was young I never appreciated this art of 'invisible' film-making, and just why such directors as William Wyler or Preston Sturges or Billy Wilder do such a good job without you even noticing. The fact their films stand the test of time so well is testament to their wonderful abilities as film-makers.


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