A documentary account of the allied invasion of Europe during World War II compiled from the footage shot by nearly 1400 cameramen. It opens as the assembled allied forces plan and train ... See full summary »
Dwight D. Eisenhower,
When Phil Corey's band arrives at the Idaho ski resort its pianist Ted Scott is smitten with a Norwegian refugee he has sponsored, Karen Benson. When soloist Vivian Dawn quits, Karen stages an ice show as a substitute.
In WWI dancer Jerry Jones stages an all-soldier show on Broadway, called Yip Yip Yaphank. Wounded in the war, he becomes a producer. In WWII his son Johnny Jones, who was before his ... See full summary »
An Oscar winning look at the life of Albert Rubinstein shortly after he turned 70. It contains some home movies of him and his family, but is primarily him talking and demonstrating his great skill as a pianist.
Cameraman Damien Parer has just returned from the front in New Guinea, where he's documented Australian troops in action. He explains this to us in a prolog. We then see air drops of ... See full summary »
One of the most striking World War Two documentaries I have ever seen.
As a child of the cold war I've grown accustomed to seeing the Soviet Union portrayed as "The Evil Empire". This documentary, shot in the early '40s at the height of the war against Nazi Germany shows Russia and her republics in quite a different light. Beginning with a youth celebration in 1939 and a military parade in November 1940 the film focuses on the events surrounding the liberation of Moscow from the Germans in October 1941 through January 1942. The stark vistas of a Soviet winter creates the backdrop for a portrait of a region at war. The bright, clean Soviet youth at the celebration and the starched, uniformed soldiers at the military parade stand in stark contrast to the bedraggled and weary survivors later in the film. With shots of the Nazi's carnage on the city (including numerous shots of the dead and injured) the film gives a clear picture of the hardships endured during that long winter.
The film itself, while released in the west by Republic with narration by Edward G. Robinson, was shot entirely by Soviet cameramen. The film appears to have been shot with both 1940's "contemporary" and early hand-cranked silent cameras. The editing is at times frenetic, almost modern, with quick and jarring edits.
While watching this film I was repeatedly struck by the equipment being used by the Soviet soldiers. Artillery that was obviously left over from World War One along with Cavalry on horseback (with swords!) stand in stark relief with the equipment being used by all sides only a few short years later.
Moving, well shot and definitely deserving of the Oscar it received, "Moscow Strikes Back" should be on the "must watch" list of anyone interested in what the Soviets called "The Great Patriotic War".
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