The gang throws Mickey a surprise birthday party; his present is an electric organ, which Minnie plays while Mickey does a jazzy dance. Goofy bakes the cake, but keeps having trouble with ...
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Mickey is heading out on vacation from Burbank to Pomona, taking the train. The conductor, Pete, won't let him on with Pluto, so he hides Pluto in his suitcase, and tries to hide him all ... See full summary »
Mickey and Pluto go fishing. Pluto has a run-in with a clam, who eventually lodges in Pluto's mouth; Mickey thinks the clam is Pluto's tongue and can't understand why Pluto keeps begging ... See full summary »
Micky and friends put on a revue for the orphans. Donald recites nursery rhymes, but the orphans torment him. Horace, Goofy, and Clarabelle do a dance number. Donald tries again. Clara ... See full summary »
Pluto comes bounding outside to help Mickey get a Christmas tree. Chip 'n Dale see him and make fun of him, but the tree they take refuge in is the one Mickey chops down. They like the ... See full summary »
Mickey guest-directs a radio orchestra. The sponsor loves the rehearsal, but come the actual performance, Goofy drops all the instruments under an elevator, so they sound like toys. The sponsor hates it, but the audience loves it anyway.
Mickey is performing routine maintenance on his tugboat (with interference from a pelican) when a call comes on the radio that there's a sinking ship needing assistance. Sadly, Mickey's ... See full summary »
Mickey courts Minnie in the Gay Nineties: they take in a vaudeville show and go for a drive in his horseless carriage, to the strains of "While Strolling Through the Park" and "In the Good ... See full summary »
Donald catches his nephews swimming on a school day. He thinks he's made an easy catch, but the boys are much more resourceful than that. When he tries to smoke them out of their clubhouse,... See full summary »
The gang throws Mickey a surprise birthday party; his present is an electric organ, which Minnie plays while Mickey does a jazzy dance. Goofy bakes the cake, but keeps having trouble with it falling. The gang does a conga line to a Latin tune. Written by
Jon Reeves <email@example.com>
Minnie gets help from Donald Duck, Goofy, Clarabelle Cow, Horace Horsecollar & Clara Cluck to make MICKEY'S BIRTHDAY PARTY a big success.
Lots of fun in this little film, with much amusement derived from watching Madame Cluck nearly dance the feathers off Donald and seeing hapless Goofy turned loose in Minnie's kitchen. Also of interest is enjoying Horace, Clarabelle & the formidable Clara in their virtual swan song performances. Subsequently, Clara would make only the most fleeting of curtain calls 41 years later in MICKEY'S CHRISTMAS CAROL (1983), while it would be another 48 years until Clarabelle & Horace had substantial roles again, in THE PRINCE AND THE PAUPER (1990). Blame must regrettably be laid at Disney's door for allowing these talented thespians to be forcibly retired from the screen. Clarence Nash & Florence Gill provide the unique voices for the Duck & the Cluck. For the record, Mickey turned 14 in November of 1942, the year this cartoon was released.
Walt Disney (1901-1966) was always intrigued by drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a blizzard of doomsayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Dumbo, Bambi & Peter Pan. Walt never forgot that his fortunes were all started by a mouse, or that simplicity of message and lots of hard work will always pay off.
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