Newlyweds Dennis and Carmelita have several obstacles to deal with in their new marriage: Carmelita's fiery Latin temper, a meddling aunt and a conniving ex-fiancee who's determined to ... See full summary »
Pretending death at the hands of his friend, Marshal Pat Garrett, (Bob Duncan). Billy the Kid (Anthony Dexter) rides away to live in peace under a new name in a far away frontier town, only... See full summary »
It is the Lindsay's wedding anniversary and they are fighting. To help them settle down with a house and children, Uncle Matt writes Lord Epping for his help in getting the Lindsay's a war ... See full summary »
Charles 'Buddy' Rogers
In the first entry of an unintended-series that turned into a long-running series for RKO, Carmelita Fuentes is a fiery-Latin singer/dancer in Mexico City who has designs on Dennis Lindsay,... See full summary »
The Lindsay's are on a ship to Hawaii for their delayed second honeymoon. Unknown to Carmelita, Dennis is using the trip to secure a contract with Mr. Baldwin. The Baldwins are social ... See full summary »
Charles 'Buddy' Rogers
The troubles begin when, in the absence of Lord Epping, his you partner, Dennis and the latter's Aunt Della open up Eppings' country estate to entertain a pair of visitors who have come from Canada to see the absent-minded nobleman. Unknown to any of them, the cellar of the big house has been taken over by a gang of enemy saboteurs making a supply of nitroglycerin so they can blow up a big dam nearby. Hoping to drive away the guests in order to continue their deadly task, the enemy agents create a number of "ghostly" incidents. Written by
Les Adams <firstname.lastname@example.org>
Notorious as the main feature on the double bill which also featured the original release of the Orson Welles classic The Magnificent Ambersons (1942). "Ambersons" was therefore relegated to "second feature" status, something usually reserved for B pictures. See more »
.....this one should not be missed. Usually limited to a few minutes of screen time as a mercurial, frustrated figure of supposed authority (cop, manager of some sort) with a very short fuse, MacBride logs many minutes here in a juicy supporting role, allowed to exhibit a seemingly full range of mugging, double-takes, arm-waving and growling. Perhaps insufferable to some, but if you care for his shtick, it is presented to great advantage here. Like Leon Errol's Lord Epping, if you are a fan you can't get too much of a good thing.
Lupe Velez is very much in the background in this entry, and Mantan Moreland, with notable comic skills, has little to do. The gangsters hiding in the basement are an awkward insertion, unrelated to the story line - such as it is. MacBride steals the show, in perhaps his greatest performance.
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