Hank McHenry and Johnny Marshall work on a road crew for the power company. In a freak accident Hank is injured and is promoted to foreman of the gang. One night Hank and Johnny meet Fay ... See full summary »
Bold, eccentric Broadway performer Lisa Madden befuddles her handlers by coming home with a baby she picked up on the street. She wants to keep the baby but has to find a husband to make ... See full summary »
Bijou, a saloon singer with a reputation for insighting brouhahas, is one of several deportees from a south Pacific island to arrive at another U.S. protectorate, Boni Komba. She becomes ... See full summary »
A western based on the story "Gunsight Whitman" by Silvia Richards. Vern Haskell, a nice rancher, seeks out to avenge his fiancé's death when she is killed during a robbery. His revenge ... See full summary »
Hank McHenry and Johnny Marshall work on a road crew for the power company. In a freak accident Hank is injured and is promoted to foreman of the gang. One night Hank and Johnny meet Fay Duval in a clip joint, but tensions start to show in the road crew as rivally between Hank and Johnny increases. Written by
Col Needham <firstname.lastname@example.org>
While visiting his friend George Raft on the set, Bugsy Siegel was introduced to Virginia Hill. In the scene where Raft gets into a brawl with Barton MacLane, Hill appears as the hat-check girl to whom Raft gives a smashed chair as he leaves the nightclub. The brawl scene and Bugsy Siegel's first meeting with Virginia Hill on the gas station movie set are recreated in Bugsy (1991). See more »
After Johnny bails Fay out of jail, they are seen walking together down a stairway at the police station. When they arrive at the first landing, as they turn and continue to descend the stairs, the shadow of the microphone boom can be seen on the wall behind them. See more »
Power-line repairman Edward G. Robinson marries prostitute Marlene Dietrich, but she finds herself enamored by hubby's best friend and colleague, a gallant George Raft.
There is much to enjoy in Raoul Walsh's exhilarating melodrama, and although it adheres rather too strictly to a proved formula, Walsh, always a great master at this, gives depth and dimension to the action. Walsh paints a vivid and loyal picture of this blue-collar environment of camaraderie and pranks, and Alan Hale's repairman is the whole deal rolled into one, there is not ONE joke about high voltage that he doesn't know, or doesn't repeat, ad nauseam. Every workplace has one! 'Manpower' is full of the trademark Walsh dynamics, comparable to the electric power, the frequent thunderstorms and the high tempo. The action is engrossing, the film overall is smoothly produced, briskly edited, brilliantly lit, designed and photographed. Never did sleekly wet, black raincoats photograph more memorably.
Robinson and Raft are congenially cast, but Dietrich is a long-shot as the prostitute turned housewife. "How's this dame stacked up?", Robinson asks of Raft, before he is introduced to her. Raft, waveringly: "Oh, just a dame ...". Well, she photographs like a goddess, and is impossibly glamorous. And quite improbably so.
Don't expect another Walsh masterpiece, but brace yourself for a hugely enjoyable flic that just whirls by you.
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