The Magnificent Ambersons
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2016 | 2015 | 2014 | 2013 | 2012 | 2011 | 2010 | 2009 | 2008 | 2005

8 items from 2016


NYC Weekend Watch: ‘The Magnificent Ambersons,’ Cary Grant, ‘To Sleep with Anger’ & More

8 September 2016 8:53 PM, PDT | The Film Stage | See recent The Film Stage news »

Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory showings into one handy list. Displayed below are a few of the city’s most reliable theaters and links to screenings of their weekend offerings — films you’re not likely to see in a theater again anytime soon, and many of which are, also, on 35mm. If you have a chance to attend any of these, we’re of the mind that it’s time extremely well-spent.

Metrograph

The Magnificent Ambersons, Demy‘s Model Shop, and Mad Max play as part of “Welcome to Metrograph: A to Z.”

The Kurosawa series comes to an end with The Hidden Fortress this Saturday.

Chan Is Missing returns to theaters on a 35mm print; Visconti‘s Sandra screens on Sunday, as does the Disney documentary Bears. »

- Nick Newman

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Mike’s Murder

16 August 2016 10:03 PM, PDT | Trailers from Hell | See recent Trailers from Hell news »

Although filmed in 1982, James Bridges' film maudit did not see the light of a projector until 1984, and even then in very limited release. In the meantime the writer-director's version of the death of a drug dealer went under the studio knife and saw its non-linear storytelling conventionalized into a standard narrative. The result joins the likes of The Red Badge of Courage and The Magnificent Ambersons as compromised but still compelling mutant movies that have yet to be reconstructed. Here's an intriguing essay on the film by Peter Avellino: Mr. Peel's Sardine Liqueur: The Ephemeral Is Eternal »

- TFH Team

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Watch: Celebrate the Greatest Cinematography of All-Time With New Video Essay

28 April 2016 12:40 PM, PDT | The Film Stage | See recent The Film Stage news »

If beauty is in the eye of the beholder, then there will never be a definitive list of the greatest cinematography, but for our money, one of the finest polls has been recently conducted on the matter. Our friend Scout Tafoya polled over 60 critics on Fandor, including some of us here, and the results can be found in a fantastic video essay below. Rather than the various wordless supercuts that crowd Vimeo, Tafoya wrestles with his thoughts on cinematography as we see the beautiful images overlaid from the top 12 choices.

“I’ve been thinking of the world cinematographically since high school,” Scout says. “Sometime around tenth grade I started looking out windows, at crowds of my peers, at the girls I had crushes on, and imagining the best way to film them. Lowlight, mini-dv or 35mm? Curious and washed out like the way Emmanuel Lubezki shot Y Tu Mamá También, »

- Jordan Raup

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Biographer Simon Callow on Orson Welles: ‘He Was Deeply Insecure’

8 April 2016 12:37 PM, PDT | Variety - Film News | See recent Variety - Film News news »

Simon Callow has become the preeminent chronicler of the life and times of Orson Welles.

Over three sprawling biographies, Callow has traced Welles’ rise, fall, and years in the Hollywood wilderness. “Orson Welles: One-Man Band,” Callow’s latest book, follows the multihyphenate from  1948 to 1965. It’s a period of self-exile, one that finds the “Citizen Kane” director scrambling to cobble together money in Europe for films such as “Macbeth” and “Othello” that are daring and intermittently brilliant, but often show signs of their troubled birth and shoe-string budgets. It also recounts the making of two of Welles’ signature films — the pulpy and galvanizing “Touch of Evil” and the revelatory “Chimes at Midnight,” perhaps the most kinetic Shakespeare cinematic adaptation of all time.

Callow, an acclaimed stage and film actor in his own right who has appeared in the likes of “Four Weddings and a Funeral” and “A Room With a View, »

- Brent Lang

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See Dennis Hopper Ogle Tub Full of Nude Women in Lost Doc

29 March 2016 8:23 AM, PDT | Rollingstone.com | See recent Rolling Stone news »

Decades before Shia LeBeouf transformed from blockbuster actor into head-scratching performance-art weirdo and Joaquin Phoenix grew a beard for a mockumentary about his career as a rapper, Dennis Hopper explored his own mythos in a unique documentary that is now getting a new life.

Fresh off the breakout success of his 1969 directorial debut Easy Rider, the filmmaker attempted to repeat the feat with The Last Movie – a picture about a film crew member who stays in a Peruvian village after a shoot and attempts to prevent locals from reenacting the movie's dangerous stunts. »

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Best Picture and Better Picture: Movies That Should Have Won the Oscar but Didn’t

19 February 2016 3:34 PM, PST | Cinelinx | See recent Cinelinx news »

 The best picture doesn’t always win Best Picture. Sometimes the best film of the year gets robbed. Cinelinx looks at the movies which should have won Best Picture but didn’t.

Whenever the Best Picture winner is announced at the Oscars, sometimes we say, “Yeah, that deserved to win,” but then again, sometimes we say, “Huh? Are they kidding me?!” There are a lot of backstage politics and extenuating factors in Hollywood that can determine which film wins the big trophy. The worthiest film doesn’t always take the statue home. Going back over the 88-year history of the Academy Awards, we look at which films didn’t really deserve to win and the ones which rightfully should have won.

The Best Pictures and the Better Pictures:

 

1927-8: The Winner-Wings

What should have won: Sunrise (Sunrise was given a special award for Artistic Quality of Production, but it »

- feeds@cinelinx.com (Rob Young)

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True Icon of a False Prophet: Dennis Hopper as "The American Dreamer"

11 February 2016 3:23 PM, PST | MUBI | See recent MUBI news »

L.M. Kit Carson and Lawrence Schiller's The American Dreamer (1971) is exclusively playing on Mubi through March 12, 2016.Photo by Lawrence SchillerWith a budget of $1 million, 1971's The Last Movie is the cheapest film ever to be considered a major folly. Tugging on his beard and watching a rough cut, Dennis Hopper prepares for his new project's inevitable critical disemboweling. He knows, after all, that among many delirious and noxious (though often brilliant) self-referential shenanigans it features a gigantic breast ejaculating milk onto Hopper's own receptive face. With self-aggrandizing irony (or is that ironic self-aggrandizement?), Hopper aspires to Orson Welles's career trajectory: "I can become Orson Welles, poor bastard." He declares his debut, 1969's Easy Rider, his Citizen Kane and The Last Movie his The Magnificent Ambersons. Nevertheless, the response to The Last Movie scared him away from directing for nearly a decade, rather than duplicating Welles's indomitable retreat to self-, »

- Mike Opal

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Magician: The Astonishing Life And Work Of Orson Welles – The Review

7 January 2016 9:49 AM, PST | WeAreMovieGeeks.com | See recent WeAreMovieGeeks.com news »

Not so very long ago I had a co-worker who described himself as a movie geek, film fan, cinema addict, what have you.  He talked about film as if he knew all about it.  I asked him one day what he thought of Orson Welles. His reply?

“I don’t think about Orson Welles, he was old and fat, now he’s dead, what am I supposed to think about him?”

Needless to say I never really talked to this person again, who shall remain nameless.  Of course the fact that he was an egocentric, arrogant, narcissistic weasel didn’t help matters.  (He claimed to have a small part in Tombstone, I have seen that movie several times, never spotted him, by the way…)

I simply cannot fathom the arrogance of someone dismissing, so casually one of the greatest film makers who ever lived.  I have been fascinated, obsessed even, »

- Sam Moffitt

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2016 | 2015 | 2014 | 2013 | 2012 | 2011 | 2010 | 2009 | 2008 | 2005

8 items from 2016


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