| Photos (See all 18 | slideshow) |
| Joseph Cotten | ... | Eugene | |
| Dolores Costello | ... | Isabel | |
| Anne Baxter | ... | Lucy | |
| Tim Holt | ... | George | |
| Agnes Moorehead | ... | Fanny | |
| Ray Collins | ... | Jack | |
| Erskine Sanford | ... | Roger Bronson | |
| Richard Bennett | ... | Major Amberson | |
| Orson Welles | ... | Narrator (voice) | |
| rest of cast listed alphabetically: | |||
| Edwin August | ... | Citizen (uncredited) | |
| Georgia Backus | ... | Matron (uncredited) | |
| Harry A. Bailey | ... | Citizen (uncredited) | |
| Olive Ball | ... | Mary - Maid (uncredited) | |
| Jack Baxley | ... | Reverend Smith (uncredited) | |
| William Blees | ... | Young Man at Accident (uncredited) | |
| Lyle Clement | ... | Citizen (uncredited) | |
| Bobby Cooper | ... | George Minafer as a Boy (uncredited) | |
| Don Dillaway | ... | Wilbur Minafer (uncredited) | |
| Heenan Elliott | ... | Workman (uncredited) | |
| John Elliott | ... | Guest (uncredited) | |
| William Elmer | ... | Servant (uncredited) | |
| James Fawcett | ... | Citizen (uncredited) | |
| Mel Ford | ... | Fred Kinney (uncredited) | |
| Nancy Gates | ... | Girl (uncredited) | |
| Nina Guilbert | ... | Guest (uncredited) | |
| Maynard Holmes | ... | Citizen (uncredited) | |
| Edward Howard | ... | Chauffeur (uncredited) | |
| Harry Humphrey | ... | Citizen (uncredited) | |
| Elmer Jerome | ... | Attendee at Funeral (uncredited) | |
| J. Louis Johnson | ... | Sam - Butler (uncredited) | |
| Lew Kelly | ... | Citizen (uncredited) | |
| Del Lawrence | ... | Citizen (uncredited) | |
| Bert LeBaron | ... | Citizen (uncredited) | |
| John Maguire | ... | Young Man (uncredited) | |
| Philip Morris | ... | Policeman (uncredited) | |
| Anne O'Neal | ... | Mrs. Foster (uncredited) | |
| Gil Perkins | ... | Citizen (uncredited) | |
| Charles R. Phipps | ... | Uncle John (uncredited) | |
| Hilda Plowright | ... | Nurse (uncredited) | |
| Drew Roddy | ... | Elijah (uncredited) | |
| Henry Roquemore | ... | Hardware Man (uncredited) | |
| Jack Santoro | ... | Barber (uncredited) | |
| Gus Schilling | ... | Drug Clerk (uncredited) | |
| Kathryn Sheldon | ... | Matron (uncredited) | |
| Sada Simmons | ... | Wife (uncredited) | |
| Dorothy Vaughan | ... | Mrs. Johnson (uncredited) | |
| James Westerfield | ... | Policeman at Accident (uncredited) | |
| Joe Whitehead | ... | Citizen (uncredited) | |
Directed by | |||
| Orson Welles | |||
| Fred Fleck | (additional sequences) (uncredited) | ||
| Robert Wise | (additional sequences) (uncredited) | ||
Writing credits | ||
| Booth Tarkington | (novel) | |
| Orson Welles | (script writer) | |
| Jack Moss | (additional scenes) uncredited and | |
| Joseph Cotten | (additional scenes) uncredited | |
Produced by | |||
| Orson Welles | .... | producer | |
| Jack Moss | .... | associate producer (uncredited) | |
| George Schaefer | .... | executive producer (uncredited) | |
Original Music by | |||
| Bernard Herrmann | (uncredited) | ||
Cinematography by | |||
| Stanley Cortez | |||
| Jack MacKenzie | (uncredited) | ||
| Orson Welles | (uncredited) | ||
Film Editing by | |||
| Robert Wise | |||
| Jack Moss | (uncredited) | ||
| Mark Robson | (uncredited) | ||
Production Design by | |||
| Albert S. D'Agostino | (uncredited) | ||
Art Direction by | |||
| Albert S. D'Agostino | (uncredited) | ||
Set Decoration by | |||
| Darrell Silvera | (uncredited) | ||
Costume Design by | |||
| Edward Stevenson | (wardrobe designer: ladies') | ||
Makeup Department | |||
| Mel Berns | .... | makeup department head (uncredited) | |
| Robert J. Schiffer | .... | makeup artist (uncredited) | |
| Maurice Seiderman | .... | makeup artist (uncredited) | |
Second Unit Director or Assistant Director | |||
| Fred Fleck | .... | assistant director (as Freddie Fleck) | |
| Harry Mancke | .... | assistant director (uncredited) | |
Art Department | |||
| A. Roland Fields | .... | set dresser (as Al Fields) | |
| Mark-Lee Kirk | .... | set designer | |
| Chesley Bonestell | .... | background paintings (uncredited) | |
| Charles Sayers | .... | props (uncredited) | |
Sound Department | |||
| Bailey Fesler | .... | sound recordist | |
| James G. Stewart | .... | sound recordist | |
| Terry Kellum | .... | sound (uncredited) | |
| Earl B. Mounce | .... | sound (uncredited) | |
| James Thompson | .... | boom operator (uncredited) | |
| John E. Tribby | .... | sound (uncredited) | |
Special Effects by | |||
| Vernon L. Walker | .... | special effects | |
Visual Effects by | |||
| Clifford Stine | .... | process photography (uncredited) | |
Stunts | |||
| David Sharpe | .... | stunt double: Tim Holt (uncredited) | |
| Helen Thurston | .... | stunt double: Anne Baxter (uncredited) | |
Camera and Electrical Department | |||
| Russell A. Cully | .... | photographer: additional scenes (uncredited) | |
| William Eglinton | .... | camera department head (uncredited) | |
| Eddie Garvin | .... | assistant camera (uncredited) | |
| Ralph Hoge | .... | grip (uncredited) | |
| Alexander Kahle | .... | still photographer (uncredited) | |
| Bill McLellan | .... | gaffer (uncredited) | |
| Russell Metty | .... | additional photographer (uncredited) | |
| Russell Metty | .... | photographer: additional scenes (uncredited) | |
| Earl Miller | .... | electrician (uncredited) | |
| Nicholas Musuraca | .... | photographer: additional scenes (uncredited) | |
| Howard Schwartz | .... | assistant camera (uncredited) | |
| Bert Shipman | .... | camera operator (uncredited) | |
| Harry J. Wild | .... | photographer: additional scenes (uncredited) | |
Casting Department | |||
| Rufus Le Maire | .... | casting: Hollywood (uncredited) | |
| Robert Palmer | .... | casting: Hollywood (uncredited) | |
| Arthur Willy | .... | casting: New York (uncredited) | |
Costume and Wardrobe Department | |||
| Claire Cramer | .... | wardrobe department head (uncredited) | |
| Earl Leas | .... | wardrobe: men (uncredited) | |
| Margaret Van Horn | .... | wardrobe: women (uncredited) | |
Editorial Department | |||
| Mark Robson | .... | assistant editor (uncredited) | |
| I.J. Wilkinson | .... | negative cutter (uncredited) | |
Music Department | |||
| Dave Dreyer | .... | music department head (uncredited) | |
| Bernard Herrmann | .... | orchestrator (uncredited) | |
| Roy Webb | .... | composer: additional music (uncredited) | |
Transportation Department | |||
| Elroy G. Cline | .... | transportation captain (uncredited) | |
Other crew | |||
| William Alland | .... | assistant: Mr. Welles (uncredited) | |
| John Barada | .... | ranch manager (uncredited) | |
| Leda Bauer | .... | script reader: New York (uncredited) | |
| Howard Benedict | .... | unit publicist (uncredited) | |
| Herbert Drake | .... | publicist (uncredited) | |
| H. Emolieff | .... | film export manager (uncredited) | |
| Fred Fleck | .... | unit business manager (uncredited) | |
| Winifred Hablam | .... | production notes (uncredited) | |
| John Hamilton | .... | first aid (uncredited) | |
| Ross Hastings | .... | production attorney (uncredited) | |
| G.B. Hobe | .... | production treasurer (uncredited) | |
| Amalia Kent | .... | script supervisor (uncredited) | |
| J.B. McDonough | .... | business manager (uncredited) | |
| Elizabeth McGaffey | .... | research department head (uncredited) | |
| Ivy R. McLean | .... | public relations (uncredited) | |
| L. Messenger | .... | script reader: Hollywood (uncredited) | |
| Howard Nelson | .... | maintenance (uncredited) | |
| J.J. Nolan | .... | office manager (uncredited) | |
| Roy S. Otto | .... | dailies projectionist (uncredited) | |
| Sid Rogell | .... | backlot manager (uncredited) | |
| Ann Rogers | .... | secretary: Mr. Welles (uncredited) | |
| Louis Shapiro | .... | location manager (uncredited) | |
| Richard Wilson | .... | assistant: Orson Welles (uncredited) | |
| H. Winnicar | .... | studio teacher (uncredited) | |
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| Giant | Gone with the Wind | Mildred Pierce | A Place in the Sun | Home from the Hill |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
The fate of this almost magnificent film must rank as one of the greatest tragedies in the history of the cinema. viewing it in its present state is like looking at the Venus Di Milo, or at a beautiful Greek vase that has been shattered. One can only admire the fragments...and what gorgeous fragments they are: Major Ambersons heartbreaking meditation by the fireplace,the quarrel between Eugene Morgan and Georgie about the Automobile, Isabel's death, Agnes Moorehead's magnificent performance, the splendor of the Amberson mansion, and the ballroom scene. Perhaps someday, some powerful computer might be able to reconstruct the missing footage from stills and from Welles script...perhaps. Until that almost impossible moment, one can only envy the handful of men and women who were able to see it whole, and to understand what they were seeing.