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The Magnificent Ambersons (1942)

Approved  |   |  Drama, Romance  |  10 July 1942 (USA)
7.9
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Ratings: 7.9/10 from 15,870 users  
Reviews: 102 user | 70 critic

The spoiled young heir to the decaying Amberson fortune comes between his widowed mother and the man she has always loved.

Directors:

, (uncredited) , 1 more credit »

Writers:

(from the novel by), (script writer), 2 more credits »
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Title: The Magnificent Ambersons (1942)

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Nominated for 4 Oscars. Another 2 wins. See more awards »
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Cast

Complete credited cast:
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...
...
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...
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Erskine Sanford ...
Roger Bronson
Richard Bennett ...
...
Narrator (voice)
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Storyline

The young, handsome, but somewhat wild Eugene Morgan wants to marry Isabel Amberson, daughter of a rich upper-class family, but she instead marries dull and steady Wilbur Minafer. Their only child, George, grows up a spoiled brat. Years later, Eugene comes back, now a mature widower and a successful automobile maker. After Wilbur dies, Eugene again asks Isabel to marry him, and she is receptive. But George resents the attentions paid to his mother, and he and his whacko aunt Fanny manage to sabotage the romance. A series of disasters befall the Ambersons and George, and he gets his come-uppance in the end. Written by John Oswalt <jao@jao.com>

Plot Summary | Add Synopsis

Taglines:

From the Man who Made "The Best Picture of 1941" See more »

Genres:

Drama | Romance

Certificate:

Approved | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

10 July 1942 (USA)  »

Also Known As:

Soberbia  »

Box Office

Budget:

$850,000 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

| (original cut) | (preview)

Sound Mix:

(RCA Sound System)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Joseph Cotten remembered Anne Baxter from their experience together in the stage version of "The Philadelphia Story." Star Katharine Hepburn was unhappy with the young actress' performance as her younger sister, however, and had her dropped from the production. Cotton thought so highly of her, though, that he recommended that she be borrowed for the part of his daughter in this film. See more »

Goofs

Towards end of long tracking shot with George and Lucy in horse-drawn carriage, portion of rear end of camera car and some sort of filmmaking equipment briefly enters left side of frame. See more »

Quotes

[first lines]
Narrator: The magnificence of the Ambersons began in 1873. Their splendor lasted throughout all the years that saw their midland town spread and darken into a city. In that town, in those days, all the women who wore silk or velvet knew all the other women who wore silk or velvet, and everybody knew everybody else's family horse and carriage. The only public conveyance was the streetcar. A lady could whistle to it from an upstairs window, and the car would halt at once and wait for her, ...
See more »

Crazy Credits

All of the credits except the RKO logo, the film's title and the copyright notice are recited orally (by Orson Welles) at the end of the film, not written out onscreen. As Welles recites the names of the production crew, we see such items as a motion picture camera when he says "Director of Photography", a pair of hands turning knobs as he says the words "Sound Recording By", etc. See more »

Connections

Referenced in House Calls: The Magnificent Weatherbys (1981) See more »

Soundtracks

The Man Who Broke the Bank at Monte Carlo
(1892) (uncredited)
Music and Lyrics by Fred Gilbert
Sung a cappella by Joseph Cotten, Dolores Costello, Anne Baxter,
Tim Holt, Agnes Moorehead and Ray Collins
See more »

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User Reviews

 
The magnificent Orson Welles
24 July 2005 | by (New York) – See all my reviews

One wonders what movie would have resulted if Orson Welles would have been able to get his own cut, as opposed to what RKO Radio decided to show to the world. In spite of what one sees on the screen, even a chopped up film by the studio and directed by Orson Welles is better than no Orson Welles, at all!

Booth Tarkington wrote a novel that reflected America's entrance in the industrial age. Mr. Tarkington being a good friend of Mr. Welles' father, must have been an early influence in young Orson. We can see that in a way, both men were interested in the changes America went through in the XIX century.

"The Magnificent Ambersons" presents the saga of a prominent family in their spiral downfall. At the same time, Eugene Morgan, a revolutionary inventor is laughed at because of the contraption that will change the face of the country: the automobile. While the Ambersons lose their fortune, Eugene Morgan makes his own. In the end, it is sad to see how Morgan with all his money couldn't have Isabel, the love of his life, or his daughter, for that matter, couldn't make the snobbish Georgie care enough for her.

What Orson Welles can't be fault on is the impeccable performances he got out of most of the Mercury Group. Joseph Cotten, as always, projects an elegant figure as Eugene. The gorgeous Dolores Costello is seen in all her beauty. The young Anne Baxter was perfect as Lucy. Ray Collins and Richard Bennett also do an outstanding job, as well as young Tim Holt. The best of all is Agnes Moorehead, who makes Fanny a creation. Ms. Moorehead is in fact a luminous presence in all her scenes in the movie.

Robert Wise, who went to become a film director, is credited with the original editing, although two others were not credited, who could have been instrumental in what RKO did to the picture, Mark Robson and Jack Moss. The original costumes by Edward Stevenson are incredible.

One could only hope that somewhere, hidden in a vault, a director's copy will be found as Orson Welles directed it and then, hopefully, we shall see the marvelous movie Orson Welles intended to make.


9 of 10 people found this review helpful.  Was this review helpful to you?

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