The general Othello is manipulated into thinking that his new wife Desdemona has been carrying on an affair with one of his officers Michael Cassio when in reality it is all part of the scheme of a bitter lieutenant named Iago.
In fog-dripping, barren and sometimes macabre settings, 11th-century Scottish nobleman Macbeth is led by an evil prophecy and his ruthless yet desirable wife to the treasonous act that ... See full summary »
The young, handsome, but somewhat wild Eugene Morgan wants to marry Isabel Amberson, daughter of a rich upper-class family, but she instead marries dull and steady Wilbur Minafer. Their only child, George, grows up a spoiled brat. Years later, Eugene comes back, now a mature widower and a successful automobile maker. After Wilbur dies, Eugene again asks Isabel to marry him, and she is receptive. But George resents the attentions paid to his mother, and he and his whacko aunt Fanny manage to sabotage the romance. A series of disasters befall the Ambersons and George, and he gets his come-uppance in the end. Written by
John Oswalt <firstname.lastname@example.org>
The scenes with the automobile ride with the snow were filmed in an abandoned icehouse instead of the RKO stage reserved for such shots. However, it took much longer than anticipated because the equipment kept having problems that were brought on by the cold (film jamming because of frozen condensation, lenses fogging up, etc.). Because of this everyone involved, except for Orson Welles, contracted a terrible head cold. See more »
Towards end of long tracking shot with George and Lucy in horse-drawn carriage, portion of rear end of camera car and some sort of filmmaking equipment briefly enters left side of frame. See more »
The magnificence of the Ambersons began in 1873. Their splendor lasted throughout all the years that saw their midland town spread and darken into a city. In that town, in those days, all the women who wore silk or velvet knew all the other women who wore silk or velvet, and everybody knew everybody else's family horse and carriage. The only public conveyance was the streetcar. A lady could whistle to it from an upstairs window, and the car would halt at once and wait for her, ...
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All of the credits except the RKO logo, the film's title and the copyright notice are recited orally (by Orson Welles) at the end of the film, not written out onscreen. As Welles recites the names of the production crew, we see such items as a motion picture camera when he says "Director of Photography", a pair of hands turning knobs as he says the words "Sound Recording By", etc. See more »
If you think Citizen Kane is wonderful, then, if you haven't already seen it, find a copy of "Ambersons" as soon as you can. To me, "Ambersons" surpasses "Kane" in complexity and perhaps richness of characters. The story of the long-term results of love deferred, unrequited love, and long-suffering love, are even more interesting with Welles' direction using overlaid dialogue and odd camera angles. My favorite part is when old Major Amberson speaks to the camera and it becomes apparent he's lost his mind. Chilling. The Ambersons captures a time more than a century ago in America when passions were suppressed and civility masked a boiling interior. This film was edited severely, I've read. This is another mystery, because the remaining footage is superb. We can only wonder what the original "Ambersons" might have been.
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