7.9/10
17,458
104 user 71 critic

The Magnificent Ambersons (1942)

Approved | | Drama, Romance | 10 July 1942 (USA)
The spoiled young heir to the decaying Amberson fortune comes between his widowed mother and the man she has always loved.

Directors:

, (uncredited) | 1 more credit »

Writers:

(from the novel by), (script writer)
Reviews
Popularity
4,300 ( 6,602)

Watch Now

From $2.99 (SD) on Amazon Video

ON DISC
Nominated for 4 Oscars. Another 2 wins. See more awards »
Learn more

People who liked this also liked... 

The Stranger (1946)
Crime | Drama | Film-Noir
    1 2 3 4 5 6 7 8 9 10 7.4/10 X  

An investigator from the War Crimes Commission travels to Connecticut to find an infamous Nazi.

Director: Orson Welles
Stars: Orson Welles, Edward G. Robinson, Loretta Young
Mr. Arkadin (1955)
Crime | Drama | Film-Noir
    1 2 3 4 5 6 7 8 9 10 7.3/10 X  

An American adventurer investigates the past of mysterious tycoon Arkadin...placing himself in grave danger.

Director: Orson Welles
Stars: Orson Welles, Peter van Eyck, Michael Redgrave
Crime | Drama | Film-Noir
    1 2 3 4 5 6 7 8 9 10 7.7/10 X  

Fascinated by gorgeous Mrs. Bannister, seaman Michael O'Hara joins a bizarre yachting cruise, and ends up mired in a complex murder plot.

Director: Orson Welles
Stars: Rita Hayworth, Orson Welles, Everett Sloane
Macbeth (1948)
Certificate: Passed Drama | History | War
    1 2 3 4 5 6 7 8 9 10 7.6/10 X  

In fog-dripping, barren and sometimes macabre settings, 11th-century Scottish nobleman Macbeth is led by an evil prophecy and his ruthless yet desirable wife to the treasonous act that ... See full summary »

Director: Orson Welles
Stars: Orson Welles, Jeanette Nolan, Dan O'Herlihy
Othello (1951)
Drama | Romance
    1 2 3 4 5 6 7 8 9 10 7.8/10 X  

The Moorish general Othello is manipulated into thinking that his new wife Desdemona has been carrying on an affair with his lieutenant Michael Cassio when in reality it is all part of the scheme of a bitter ensign named Iago.

Director: Orson Welles
Stars: Orson Welles, Micheál MacLiammóir, Robert Coote
Comedy | Drama | History
    1 2 3 4 5 6 7 8 9 10 8/10 X  

The career of Shakespeare's Sir John Falstaff as roistering companion to young Prince Hal, circa 1400-1413.

Director: Orson Welles
Stars: Orson Welles, Jeanne Moreau, Margaret Rutherford
The Trial (1962)
Drama | Mystery | Thriller
    1 2 3 4 5 6 7 8 9 10 7.9/10 X  

An unassuming office worker is arrested and stands trial, but he is never made aware of his charges.

Director: Orson Welles
Stars: Anthony Perkins, Arnoldo Foà, Jess Hahn
F for Fake (1973)
Documentary
    1 2 3 4 5 6 7 8 9 10 7.8/10 X  

A documentary about fraud and fakery.

Director: Orson Welles
Stars: Orson Welles, Oja Kodar, François Reichenbach
Touch of Evil (1958)
Crime | Drama | Film-Noir
    1 2 3 4 5 6 7 8 9 10 8.1/10 X  

A stark, perverse story of murder, kidnapping, and police corruption in a Mexican border town.

Director: Orson Welles
Stars: Charlton Heston, Orson Welles, Janet Leigh
Comedy
    1 2 3 4 5 6 7 8 9 10 6.2/10 X  

A woman has two lovers. When one man finds out about the other, he acts as a villain and chases after the protagonist.

Director: Orson Welles
Stars: Joseph Cotten, Virginia Nicolson, Edgar Barrier
The Lady Eve (1941)
Comedy | Romance
    1 2 3 4 5 6 7 8 9 10 8/10 X  

A trio of classy card sharps targets the socially awkward heir to brewery millions for his money, until one of them falls in love with him.

Director: Preston Sturges
Stars: Barbara Stanwyck, Henry Fonda, Charles Coburn
The Deep (1970)
Drama
    1 2 3 4 5 6 7 8 9 10 6.3/10 X  

A couple's honeymoon trip aboard a yacht leads to a claustrophobic drama when another vessel runs into their voyage, apparently drifting.

Director: Orson Welles
Stars: Michael Bryant, Oja Kodar, Laurence Harvey
Edit

Cast

Complete credited cast:
...
...
...
...
...
...
...
Roger Bronson
...
...
Narrator (voice)
Edit

Storyline

The young, handsome, but somewhat wild Eugene Morgan wants to marry Isabel Amberson, daughter of a rich upper-class family, but she instead marries dull and steady Wilbur Minafer. Their only child, George, grows up a spoiled brat. Years later, Eugene comes back, now a mature widower and a successful automobile maker. After Wilbur dies, Eugene again asks Isabel to marry him, and she is receptive. But George resents the attentions paid to his mother, and he and his whacko aunt Fanny manage to sabotage the romance. A series of disasters befall the Ambersons and George, and he gets his come-uppance in the end. Written by John Oswalt <jao@jao.com>

Plot Summary | Add Synopsis

Taglines:

Orson Welles' Mercury Production of Booth Tarkington's Great Novel See more »

Genres:

Drama | Romance

Certificate:

Approved | See all certifications »

Parents Guide:

 »
Edit

Details

Country:

Language:

Release Date:

10 July 1942 (USA)  »

Also Known As:

Der Glanz des Hauses Amberson  »

Box Office

Budget:

$850,000 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

| (original cut) | (preview)

Sound Mix:

(RCA Sound System)

Aspect Ratio:

1.37 : 1
See  »
Edit

Did You Know?

Trivia

In his first directing assignment, Robert Wise shot a few additional scenes to patch up the film's continuity. Post-production head Jack Moss also filmed some additional footage. Gone from Orson Welles's original were any hints of George's Oedipal relationship with his mother, the scenes depicting the town's transformation from 19th century gentility to modern impersonality, and the family's attempts to save themselves financially. The ball sequence, which Welles had shot in one long crane shot covering the three floors of the Amberson mansion, was re-edited to remove a long chunk of dialogue, thus destroying the effect Welles had originally created. Re-shot scenes included George and Isabel discussing Eugene's letter and deciding to go to Europe, George's keeping Eugene from seeing Isabel on her deathbed, and the end of Fanny's breakdown. In the latter, everything after the long dolly shot was re-done by Moss to cut down on Fanny's hysterics as she sits with her back against the water heater. See more »

Goofs

In scene where Lucy and George say goodbye while walking down the street, Lucy's hair is pulled behind her neck. In closeup, as she watches George leave, her hair is in ringlets hanging in front of shoulders, then reverts to original hairdo when she goes into pharmacy. See more »

Quotes

[first lines]
Narrator: The magnificence of the Ambersons began in 1873. Their splendor lasted throughout all the years that saw their midland town spread and darken into a city. In that town, in those days, all the women who wore silk or velvet knew all the other women who wore silk or velvet, and everybody knew everybody else's family horse and carriage. The only public conveyance was the streetcar. A lady could whistle to it from an upstairs window, and the car would halt at once and wait for her, ...
See more »

Crazy Credits

All of the credits except the RKO logo, the film's title and the copyright notice are recited orally (by Orson Welles) at the end of the film, not written out onscreen. As Welles recites the names of the production crew, we see such items as a motion picture camera when he says "Director of Photography", a pair of hands turning knobs as he says the words "Sound Recording By", etc. See more »

Connections

Referenced in The Royal Tenenbaums (2001) See more »

Soundtracks

The Man Who Broke the Bank at Monte Carlo
(1892) (uncredited)
Music and Lyrics by Fred Gilbert
Sung a cappella by Joseph Cotten, Dolores Costello, Anne Baxter,
Tim Holt, Agnes Moorehead and Ray Collins
See more »

Frequently Asked Questions

This FAQ is empty. Add the first question.

User Reviews

A treasury of characters
18 January 1999 | by (Texas) – See all my reviews

If you think Citizen Kane is wonderful, then, if you haven't already seen it, find a copy of "Ambersons" as soon as you can. To me, "Ambersons" surpasses "Kane" in complexity and perhaps richness of characters. The story of the long-term results of love deferred, unrequited love, and long-suffering love, are even more interesting with Welles' direction using overlaid dialogue and odd camera angles. My favorite part is when old Major Amberson speaks to the camera and it becomes apparent he's lost his mind. Chilling. The Ambersons captures a time more than a century ago in America when passions were suppressed and civility masked a boiling interior. This film was edited severely, I've read. This is another mystery, because the remaining footage is superb. We can only wonder what the original "Ambersons" might have been.


21 of 25 people found this review helpful.  Was this review helpful to you?

Contribute to This Page

Create a character page for:
?