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The Magnificent Ambersons (1942)

Approved  |   |  Drama, Romance  |  10 July 1942 (USA)
7.9
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Ratings: 7.9/10 from 15,851 users  
Reviews: 102 user | 69 critic

The spoiled young heir to the decaying Amberson fortune comes between his widowed mother and the man she has always loved.

Directors:

, (uncredited) , 1 more credit »

Writers:

(from the novel by), (script writer), 2 more credits »
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Title: The Magnificent Ambersons (1942)

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Nominated for 4 Oscars. Another 2 wins. See more awards »
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Cast

Complete credited cast:
...
...
...
...
...
...
Erskine Sanford ...
Roger Bronson
Richard Bennett ...
...
Narrator (voice)
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Storyline

The young, handsome, but somewhat wild Eugene Morgan wants to marry Isabel Amberson, daughter of a rich upper-class family, but she instead marries dull and steady Wilbur Minafer. Their only child, George, grows up a spoiled brat. Years later, Eugene comes back, now a mature widower and a successful automobile maker. After Wilbur dies, Eugene again asks Isabel to marry him, and she is receptive. But George resents the attentions paid to his mother, and he and his whacko aunt Fanny manage to sabotage the romance. A series of disasters befall the Ambersons and George, and he gets his come-uppance in the end. Written by John Oswalt <jao@jao.com>

Plot Summary | Add Synopsis

Taglines:

From the Man who Made "The Best Picture of 1941" See more »

Genres:

Drama | Romance

Certificate:

Approved | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

10 July 1942 (USA)  »

Also Known As:

Soberbia  »

Box Office

Budget:

$850,000 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

| (original cut) | (preview)

Sound Mix:

(RCA Sound System)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

In a departure from standard Hollywood practice, Orson Welles rehearsed his actors for five weeks before he started filming. See more »

Goofs

Towards end of long tracking shot with George and Lucy in horse-drawn carriage, portion of rear end of camera car and some sort of filmmaking equipment briefly enters left side of frame. See more »

Quotes

[first lines]
Narrator: The magnificence of the Ambersons began in 1873. Their splendor lasted throughout all the years that saw their midland town spread and darken into a city. In that town, in those days, all the women who wore silk or velvet knew all the other women who wore silk or velvet, and everybody knew everybody else's family horse and carriage. The only public conveyance was the streetcar. A lady could whistle to it from an upstairs window, and the car would halt at once and wait for her, ...
See more »

Crazy Credits

All of the credits except the RKO logo, the film's title and the copyright notice are recited orally (by Orson Welles) at the end of the film, not written out onscreen. As Welles recites the names of the production crew, we see such items as a motion picture camera when he says "Director of Photography", a pair of hands turning knobs as he says the words "Sound Recording By", etc. See more »

Connections

Featured in Val Lewton: The Man in the Shadows (2007) See more »

Soundtracks

String Quintet In E, Op. 13 No. 5: Minuet
(uncredited)
Music by Luigi Boccherini
Played at the Ball
See more »

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User Reviews

Irony in the ending
15 April 2004 | by (New Jersey) – See all my reviews

This is a wonderful film, one of great pathos and sensitivity. Orson Welles was drawn to Tarkington's novel because Tarkington had been a friend of Welles' father and Welles identified strongly with the story, seeing something of his own family's history there.

Whether it is better than Kane is a fun question for film clubs to debate (I did once but I don't now), but it is interesting to note that while Orson Welles was particularly bitter that RKO re-shot his ending to make it more appealing to audiences, if you read the novel you will see that it is the novel's ending that RKO tacked on. Welles' ending was of his own invention and would have given the film a completely different tone.

So it is ironic that Welles always seemed to claim that RKO had destroyed the integrity of the novel's story when they only preserved it, if rather poorly in execution.


26 of 30 people found this review helpful.  Was this review helpful to you?

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