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Kings Row (1942)

 -  Drama | Mystery | Romance  -  18 April 1942 (USA)
7.8
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Ratings: 7.8/10 from 2,549 users  
Reviews: 61 user | 21 critic

The dark side and hypocrisy of provincial American life is seen through the eyes of five children as they grow to adulthood at the turn-of-the-century.

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Title: Kings Row (1942)

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Nominated for 3 Oscars. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
Betty Field ...
Cassandra Tower
...
Dr. Henry Gordon
...
Dr. Alexander Tower
...
Mrs. Harriet Gordon
Nancy Coleman ...
Louise Gordon
Kaaren Verne ...
Elise Sandor
Maria Ouspenskaya ...
Madame von Eln
...
Colonel Skeffington
Ernest Cossart ...
Pa Monaghan
Ilka Grüning ...
Anna (as Ilka Gruning)
Pat Moriarity ...
Tod Monaghan
Minor Watson ...
Sam Winters
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Storyline

Five children in an apparently ideal American small town find their lives changing as the years pass near the turn of the century in 1900. Parris and Drake, both of whom have lost their parents, are best friends; Parris dreams of becoming a doctor, studying under the father of his sweetheart Cassie, while Drake plans on becoming a local businessman when he receives his full inheritance - juggling girlfriends in the meantime. As they become adults, the revelations of local secrets threaten to ruin their hopes and dreams. Written by scgary66

Plot Summary | Add Synopsis

Taglines:

Perfect Players . . . in the 4 Star Best-Seller Story now becomes your Top Screen Triumph! . . . in Kings Row See more »

Genres:

Drama | Mystery | Romance

Certificate:

Not Rated | See all certifications »
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Details

Country:

Language:

|

Release Date:

18 April 1942 (USA)  »

Also Known As:

Abismo de pasión  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Sound System)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

John Garfield was considered for the role of Drake McHugh. Dennis Morgan, Eddie Albert, Robert Preston and Franchot Tone were also in the running. See more »

Goofs

When Parris is speaking to his instructor in Vienna, Dr. Kendell strikes a match to light his pipe. In the next shot, the match has disappeared and there is no evidence that he lit the pipe. See more »

Quotes

Dr. Alexander Q. Tower: In the 13th Century, man was happier and more comfortable in his world than he is now. I'm speaking of psychic man and his relationship with his whole universe.
Parris Mitchell: I get it, sir. Everything was so simple then
Dr. Alexander Q. Tower: That was it, Parris. That was it. But in this modern complicated world, man breaks down under the strain, the bewilderment, disappointment, and disillusionment. He gets lost, goes crazy, commits suicide. I don't know what's going to happen to this world in the next hundred years or so, but I ...
See more »

Connections

Referenced in Sands of Oblivion (2007) See more »

Soundtracks

My Gal Is a High-Born Lady
(1886) (uncredited)
Written by Barney Fagan
Sung by the folks in the buggy
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User Reviews

 
Where's The Rest of Me?
6 April 2006 | by (Van Buren, Arkansas) – See all my reviews

For those who made fun of President Reagan's movie career by always citing "Bedtime for Bonzo" and laughing may be surprised if they take the time to watch "Kings Row." Even "Bedtime for Bonzo" is not as bad as those who have never seen it think it is, because of the ridiculous title. The former sports announcer plays Drake McHugh as well or better than any other Hollywood actor of the period could have. He stands tall among an extremely talented group of actors, including several others who have also been underrated and never received their due by the Hollywood establishment, especially Bob Cummings and Ann Sheridan. There's also Judith Anderson of "Rebecca" fame; Claude Rains who first made a name for himself in a part were he was invisible through most of the film; Charles Coburn, the grand old man of 40's cinema, playing against type in "Kings Row" as not such a grand old man; Maria Ouspenskaya in a non-horror role; and Betty Field shines as the tortured soul, Cassie.

Sam Wood's magnificent direction plus the acting keep the story from slipping into soap opera melodrama. True heart-rending sentiment rather than sappy sentimentality emerges from the social and economic conflicts that mix with human kindness and cruelty in small-town America at the turn of the last century. Though there is an element of nostalgia for a vanishing America, it never becomes petty or commonplace.


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