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Young boy Mowgli, who was raised in the jungle by animals, must decide whether he belongs to the jungle or the human world as well as confront the villainous tiger, who's threatening the wolf pack that adopted him.
The Easter bunny brings an egg for Tom and Jerry that hatches into the little duckling. He keeps getting into water he shouldn't: the aquarium, water cooler, bathtub, sink, as the boys keep... See full summary »
Tom is duck hunting, and he wings a little duckling that can't quite keep up with the flock. Jerry gets to the fallen duck before Tom, bandages his wing, and shelters him from Tom as he ... See full summary »
A caring she-wolf adopts a lost human baby. He's named Mowgli and raised by Baloo the bear and Bagheera the panther. One day, impish monkeys snatch Mowgli away and take him to their city. Baloo and Bagheera ask Kaa the snake for help.
Teenaged Mowgli, who was raised by wolves, appears in a village in India and is adopted by Messua. Mowgli learns human language and some human ways quickly, though keeping jungle ideas. Influential Merchant Buldeo is bigoted against 'beasts' including Mowgli; not so Buldeo's pretty daughter, whom Mowgli takes on a jungle tour where they find a treasure, setting the evil of human greed in motion. Written by
Rod Crawford <email@example.com>
This was the first film for which original soundtrack recordings were issued. Previously, when record companies released music from a film, they had insisted on re-recording the music in their own studios with their own equipment. The "Jungle Book" records were taken from the same recordings used for the film's soundtrack, and their commercial success paved the way for more original-soundtrack albums. See more »
Wires holding up the cobra in the treasure chamber can be seen. See more »
When the Second World War began three brilliant Hungarians Jews who had made a name for themselves in London -the impresario/director Alexander and his two brothers Zoltan, also a director, and Vincent, artist and art director-- escaped to Hollywood and started making movies. After the international success of their superb London Film Productions, among them "The Thief of Bagdad" (1940), "Rembrandt" (1936) and "The Private Life of Henry VIII" (1933), the three began all over again in distant Hollywood. With its Indian themes and actors, few viewers today have recognized that most of this production was shot in 1941-1942 on Hollywood sound stages, primarily the low-budget Hollywood Center Studios on No. Las Palmas, not far from the more luxurious Paramount Studios. Producer Korda with his brother Zoltan as director were brave enough to mix a native-born Indian actor, Sabu ("Elephant Boy") with two Hollywood star character actors, Spanish-born Joseph Calleia ("Touch of Evil") and Sicilian-born Franco Puglia, both heavily made up. Eternally loyal as the Kordas were to their native countrymen, they never forgot to hire their fellow expatriates: the astonishing music is by Budapest-born Milklos Rozsa ("Spellbound") and orchestrated by Eugene Zador; the second-unit work, the animal sequences and those probably shot on location in India, were directed by Andre de Toth, born in Mako in old Austria-Hungary. American born Bill Hornbeck who edited the Korda's "Scarlet Pimpernel" in London did the cutting and Lee Garmes ("Night of the Hunter') and the Technicolor pioneer, W. Howard Greene, did the cinematography. The excellent sound effects are not credited.
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