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Journey Into Fear (1942)

An American ballistics expert in Turkey finds himself targeted by Nazi agents. Safe passage home by ship is arranged for him, but he soon discovers that his pursuers are also on board.

Directors:

, (uncredited)

Writers:

(screenplay), (novel)
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Cast

Complete credited cast:
...
...
Josette Martel (as Dolores Del Rio)
...
Mrs. Stephanie Graham
...
Mrs. Mathews
...
Gogo Martel
...
Kopeikin
Eustace Wyatt ...
Prof. Haller / Muller
...
Matthews
...
Kuvetli
Jack Moss ...
Peter Banat
...
Translator for Ship's Captain
...
Swami Magician
Robert Meltzer ...
Ship Baggageman
...
Ship's Captain
...
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Storyline

A Navy engineer, returning to the U.S. with his wife from a conference, finds himself pursued by Nazi agents, who are out to kill him. Without a word to his wife, he flees the hotel the couple is staying in and boards a ship, only to find, after the ship sails, that the agents have followed him. Written by Albert Sanchez Moreno <a.moreno@mindspring.com>

Plot Summary | Add Synopsis

Taglines:

Welles and Del Rio together! as Terror Man vs. Leopard Woman--for possession of a mysterious stranger in the powder-keg Middle East...a man with a military secret worth more than his love and his life!...It's menace melodrama thrilled with mighty mystery and suspense...SEE IT!


Certificate:

Approved | See all certifications »
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Details

Country:

Language:

| | |

Release Date:

12 February 1943 (USA)  »

Also Known As:

A Jornada do Medo  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Sound System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Opening credits: The characters and events depicted in this photoplay are fictional. Any similarity to actual persons, living or dead, is purely coincidental. See more »

Goofs

Near the end of the movie, Joseph Cotten is seen walking in the rain and entering a hotel. When he walks up to the front desk his suit looks hardly touched by the rain. However, in the next scene, when he enters his wife's room his suit is drenched. See more »

Quotes

Kopeikin: [seeing Graham off at the dock] Oh, by the way, have you a gun in your luggage?
Howard Graham: I haven't got any luggage!
Kopeikin: [pulls a loaded revolver from his coat] Then, uh, you better take this. I picked it up on my way to see your wife. It is completely loaded.
Howard Graham: What did she say?
Kopeikin: [hands the gun to Graham] Here.
Howard Graham: Well, I don't need this!
Kopeikin: Put it in your pocket. It will make you feel nicer to have it.
Howard Graham: I never fired one of these things, you know?
Kopeikin: [laughs] That's a good one, Howard. You are a ballistics expert, and you ...
[...]
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Connections

Referenced in The Man with Bogart's Face (1980) See more »

Soundtracks

C'est mon coeur
(uncredited)
Written by Steven Morgan
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User Reviews

 
Good illustration/adaptation of the classic suspense novel
12 September 2000 | by (San Francisco Bay Area) – See all my reviews

`Journey Into Fear' certainly has an Orson Welles look. Although he received neither directing nor writing credit (credit went to Norman Foster and Joseph Cotten, respectively), I think that most of what is there is his. The problem is that there is not enough there there. The on-board relationships should have been developed more. All of them seem perfunctory.

Combining the shooting by a good marksman who misses his target and stalking him in the nightclub are combined into an altogether more satisfying single event.The escape from the Nazis is more protracted and less violent than in Eric Ambler's book. It is very noirish and photogenic, and the combination of wet chase and the presence of a murky character played by Orson Welles and an all-American one played by Joseph Cotten prefigure `The Third Man.' Joseph Cotten had some of the same American innocence and ready outrage in both films. He's an important munitions engineer here and a hack western writing there. He doesn't get the dark beauty (Alida Valli or Dolores del Rio) in either, though he has and keeps a wife in `Journey.'

The film probably makes sense to those unfamiliar with the book (and such viewers aren't distracted by thinking about what's been changed). It is suspenseful even for someone like me who recently read the book


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