An Egyptian high priest travels to America to reclaim the bodies of ancient Egyptian princess Ananka and her living guardian mummy Kharis. Learning that Ananka^Òs spirit has been ... See full summary »
Reginald Le Borg
Lon Chaney Jr.,
Count Alucard (read his name backwards) finds his way from Budapest to the swamps of the Deep South; his four nemeses are a medical doctor, a university professor, a jilted fiancé and the woman he loves.
Lon Chaney Jr.,
Frank Raymond, grandson of the original Invisible Man, still has the old formula but considers it too dangerous to use, even when Axis agents try to get it. But Pearl Harbor brings him to volunteer his own services as an invisible agent in Germany. Though a bit cold (clothes aren't invisible), his adventures are more comedy than thriller (with occasional grim reminders) as he makes fools of Nazi officials and romances a luscious double agent, in search of Hitler's secret plan... Written by
Rod Crawford <email@example.com>
In the opening scene, a newsboy shouts the headline, "Extra! Oregon State Invites Duke to Rose Bowl." The 1942 movie audience would recognize the opening scenes in the movie as taking place in the previous year, just *before* the Pearl Harbor attack. The 1942 Rose Bowl was especially memorable to movie audiences because it was the only game in Rose Bowl history that was not played in Pasadena, California. Following the U.S. entry into the war, it was feared that the Pasadena game would be an ideal target for the Japanese, so the game was played at Duke University in North Carolina. On January 1, 1942, Oregon State defeated Duke University, by a score of 20-16. See more »
When the old man puts his hand too near where the Invisible Agent is standing, his own hand becomes transparent. See more »
Extra! "Oregon State Invites Duke to Rose Bowl." Extra! Late edition! "Oregon State Invites Duke to Rose Bowl."
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Another really big-budget sequel to the original Invisible Man, this one has a screenplay that's witty yet adventurous and packed with hair's-breadth escapes. It also provides great opportunities for some of our favorite character players including a delightful trio of treacherous heavies: Peter Lorre, J. Edward Bromberg and Sir Cedric Hardwicke. It's also good to see the lovely Ilona Massey, who made only eleven Hollywood movies between 1937 and 1960 (this is the fifth), though it's disappointing that she doesn't get to sing. Never mind, she does wear some really lovely gowns. Jon Hall is personable enough as the reluctant hero, though he fails to handle the switch in his feelings towards the heroine with complete conviction.
Marin's direction is admirably fast-paced (we suspect producer Frank Lloyd took a hand in the action sequences) and other credits, including Lester White's attractive photography, are equally outstanding. Special effects fans will not go away unhappy either.
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