An Egyptian high priest travels to America to reclaim the bodies of ancient Egyptian princess Ananka and her living guardian mummy Kharis. Learning that Ananka^Òs spirit has been ... See full summary »
Reginald Le Borg
Lon Chaney Jr.,
Count Alucard (read his name backwards) finds his way from Budapest to the swamps of the Deep South; his four nemeses are a medical doctor, a university professor, a jilted fiancé and the woman he loves.
Lon Chaney Jr.,
Frank Raymond, grandson of the original Invisible Man, still has the old formula but considers it too dangerous to use, even when Axis agents try to get it. But Pearl Harbor brings him to volunteer his own services as an invisible agent in Germany. Though a bit cold (clothes aren't invisible), his adventures are more comedy than thriller (with occasional grim reminders) as he makes fools of Nazi officials and romances a luscious double agent, in search of Hitler's secret plan... Written by
Rod Crawford <firstname.lastname@example.org>
The scene in which Conrad Stauffer asks Arnold Schmidt to sign a document saying he was well-treated (after Conrad Stauffer's men have broken Arnold Schmidt's fingers) was parodied by Cheech Marin and Tommy Chong on their 1972 album, Big Bambu. See more »
To make himself somewhat more "visible" to Maria in her bedroom, Frank puts on a robe and covers his face and hands with cold cream. When he speaks, his teeth and the inside of his mouth are plainly visible. See more »
Extra! "Oregon State Invites Duke to Rose Bowl." Extra! Late edition! "Oregon State Invites Duke to Rose Bowl."
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"Invisible Agent" was one of the few Universal "series" horror films I hadn't seen until now. It's basically a good concept for a film turning the Invisible Man loose on the Axis and a formidable set of German and Japanese villains including Sir Cedric Hardwicke (just as despicable here as he was in "The Invisible Man Returns"), Peter Lorre (who just about steals the entire show) and Keye Luke. Lorre doesn't wear any "slant-eye" makeup to turn himself Asian, but he hadn't as Mr. Moto either and he's just as believable here. Still, there are a number of missed opportunities in this movie. Why is Jon Hall's character depicted as the grandson, not the son or nephew, of the original Invisible Man? (That would have made sense if the 1933 film had been set in the 1890's, when H. G. Wells wrote the source novel, but it wasn't.) More importantly, why did Curt Siodmak omit the key plot device that the invisibility formula turned its user into a raving megalomaniac as a side effect? One could readily imagine the Nazis trying to recruit the Invisible Agent to their side as the drug took hold of him and he started sounding like them! Still, it's a fun movie and Ilona Massey's character is appropriately morally ambiguous -- though she must have wondered about the direction of her career: she'd been brought over to the U.S. by MGM in 1939 to replace Jeanette MacDonald as Nelson Eddy's co-star in the elaborate operetta film "Balalaika," but just three years later here she was at Universal making movies like this and "Frankenstein Meets the Wolf Man."
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