An Egyptian high priest travels to America to reclaim the bodies of ancient Egyptian princess Ananka and her living guardian mummy Kharis. Learning that Ananka^Òs spirit has been ... See full summary »
Reginald Le Borg
Lon Chaney Jr.,
In this third Gill-Man feature, the Creature is captured and turned into an air-breather by a rich mad scientist. This makes the Creature very unhappy, and he escapes, killing people and ... See full summary »
Count Alucard (read his name backwards) finds his way from Budapest to the swamps of the Deep South; his four nemeses are a medical doctor, a university professor, a jilted fiancé and the woman he loves.
Lon Chaney Jr.,
Frank Raymond, grandson of the original Invisible Man, still has the old formula but considers it too dangerous to use, even when Axis agents try to get it. But Pearl Harbor brings him to volunteer his own services as an invisible agent in Germany. Though a bit cold (clothes aren't invisible), his adventures are more comedy than thriller (with occasional grim reminders) as he makes fools of Nazi officials and romances a luscious double agent, in search of Hitler's secret plan... Written by
Rod Crawford <email@example.com>
The film was nominated for best visual effects at the 15th Academy Awards in March 1943. However the winner was Reap the Wild Wind that featured a ship wreck and an undersea attack by a giant squid. See more »
Wires are plainly visible on a number of objects, particularly the chicken leg and the key. See more »
Extra! "Oregon State Invites Duke to Rose Bowl." Extra! Late edition! "Oregon State Invites Duke to Rose Bowl."
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The grandson of Jack Griffin, the Invisible Man, has been living peacefully somewhere in the United States until some German agents find, corner, and try to "persuade" him to give up the family formula so Germany can have this new weapon. Jon Hall plays the relative of the biggest disappearing act ever, and he manages to escape the German clutches and offer the use of the formula to the United States with the proviso that only he will use the possibly fatal formula. This is one of those films that is very light and a whole lot of fun. It is definitely trying to promote the war effort and patriotism with a lot of figurative flag waving. So what? I'd rather have that than goosestepping to and fro while some German autocrat mouths idealistic tripe under a small moustache. Anyway, the film is more a comedy than anything else with Nazis once again being stereotyped as figures of ridicule. Bromberg in particular is very effective as an overweight Nazi with little intelligence and a knack for comedic situations. There is a very serious side as well and Edward Hardwicke and Peter Lorre mix wit with menace as an intelligent German Gestapo head and a Japanese diplomat looking out for the interests of Japan. Hall makes an affable leading man in nothing else. Naturally we get to see lots of things move on their own and other such situations, but the film as a whole if a lot of entertaining fluff with some moral ideology as a fringe.
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