Count Alucard (read his name backwards) finds his way from Budapest to the swamps of the Deep South; his four nemeses are a medical doctor, a university professor, a jilted fiancé and the woman he loves.
Lon Chaney Jr.,
In the 15th century Richard Duke of Gloucester, aided by his club-footed executioner Mord, eliminates those ahead of him in succession to the throne, then occupied by his brother King ... See full summary »
Rowland V. Lee
Frank Raymond, grandson of the original Invisible Man, still has the old formula but considers it too dangerous to use, even when Axis agents try to get it. But Pearl Harbor brings him to volunteer his own services as an invisible agent in Germany. Though a bit cold (clothes aren't invisible), his adventures are more comedy than thriller (with occasional grim reminders) as he makes fools of Nazi officials and romances a luscious double agent, in search of Hitler's secret plan... Written by
Rod Crawford <email@example.com>
The scene in which Conrad Stauffer asks Arnold Schmidt to sign a document saying he was well-treated (after Conrad Stauffer's men have broken Arnold Schmidt's fingers) was parodied by Cheech Marin and Tommy Chong on their 1972 album, Big Bambu. See more »
When Frank Raymond dresses as a guard to release Karl Heiser, he pulls on a pair of boots. When he puts on a long coat the boots are gone, and when he puts a hat on, the boots are back on. See more »
Extra! "Oregon State Invites Duke to Rose Bowl." Extra! Late edition! "Oregon State Invites Duke to Rose Bowl."
See more »
Another really big-budget sequel to the original Invisible Man, this one has a screenplay that's witty yet adventurous and packed with hair's-breadth escapes. It also provides great opportunities for some of our favorite character players including a delightful trio of treacherous heavies: Peter Lorre, J. Edward Bromberg and Sir Cedric Hardwicke. It's also good to see the lovely Ilona Massey, who made only eleven Hollywood movies between 1937 and 1960 (this is the fifth), though it's disappointing that she doesn't get to sing. Never mind, she does wear some really lovely gowns. Jon Hall is personable enough as the reluctant hero, though he fails to handle the switch in his feelings towards the heroine with complete conviction.
Marin's direction is admirably fast-paced (we suspect producer Frank Lloyd took a hand in the action sequences) and other credits, including Lester White's attractive photography, are equally outstanding. Special effects fans will not go away unhappy either.
8 of 10 people found this review helpful.
Was this review helpful to you?