Count Alucard (read his name backwards) finds his way from Budapest to the swamps of the Deep South; his four nemeses are a medical doctor, a university professor, a jilted fiancé and the woman he loves.
Lon Chaney Jr.,
An Egyptian high priest travels to America to reclaim the bodies of ancient Egyptian princess Ananka and her living guardian mummy Kharis. Learning that Ananka^Òs spirit has been ... See full summary »
Reginald Le Borg
Lon Chaney Jr.,
Frank Raymond, grandson of the original Invisible Man, still has the old formula but considers it too dangerous to use, even when Axis agents try to get it. But Pearl Harbor brings him to volunteer his own services as an invisible agent in Germany. Though a bit cold (clothes aren't invisible), his adventures are more comedy than thriller (with occasional grim reminders) as he makes fools of Nazi officials and romances a luscious double agent, in search of Hitler's secret plan... Written by
Rod Crawford <firstname.lastname@example.org>
The scene in which Conrad Stauffer asks Arnold Schmidt to sign a document saying he was well-treated (after Conrad Stauffer's men have broken Arnold Schmidt's fingers) was parodied by Cheech Marin and Tommy Chong on their 1972 album, Big Bambu. See more »
The matte used in the production is plainly visible on a number of occasions, particularly when the Invisible Agent is in the bathtub, putting on cold cream, and when eating and drinking. See more »
Extra! "Oregon State Invites Duke to Rose Bowl." Extra! Late edition! "Oregon State Invites Duke to Rose Bowl."
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Being the only Universal Studios "monster" to fight the Axis hordes, The Invisible Man gets to wreck havoc on enemy soil in THE INVISIBLE AGENT, a very enjoyable piece of wartime propaganda. As with DESPERATE JOURNEY (1942), it's a comic book-style fantasy adventure that never lets up in the fun department and contains an excellent cast and production values. Plus, its special effects are still astonishing in this day and age of digital special effects on film.
Cedric Hardwicke, Edward J. Bromberg, Albert Bassermann, and Peter Lorre give excellent performances in this film. Despite Lorre's unconvincing Japanese makeup, he makes a fine villain here. The Oscar-nominated visual effectsexcept for the model shots of airplanes flying in midairare simply excellent and nearly flawless. The black-and-white cinematography and production values are atmospheric, typical of so many Universal Studios monster films of the era. There is much slapstick comedy throughout the film and the film works effectively as a comedy-thriller. And pretty Ilona Massey does a good job of playing a double agent who might or might not be so trustworthy. However, Jon Hall lacks the sublime speaking voice that made Claude Rains' performance so memorable.
Well worth watching, although the Nazis speak perfect English throughout the whole movie and Jon Hall lacks Claude Rains' unforgettable speaking voice.
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