In this third Gill-Man feature, the Creature is captured and turned into an air-breather by a rich mad scientist. This makes the Creature very unhappy, and he escapes, killing people and ... See full summary »
In the 15th century Richard Duke of Gloucester, aided by his club-footed executioner Mord, eliminates those ahead of him in succession to the throne, then occupied by his brother King ... See full summary »
Rowland V. Lee
A group of French soldiers during WWII are captured by Nazis troops and sent to a military prison. There they will have to make use of his best resources to keep alive... and sane, while at the same time scheming a way out.
Frank Raymond, grandson of the original Invisible Man, still has the old formula but considers it too dangerous to use, even when Axis agents try to get it. But Pearl Harbor brings him to volunteer his own services as an invisible agent in Germany. Though a bit cold (clothes aren't invisible), his adventures are more comedy than thriller (with occasional grim reminders) as he makes fools of Nazi officials and romances a luscious double agent, in search of Hitler's secret plan... Written by
Rod Crawford <firstname.lastname@example.org>
The scene in which Conrad Stauffer asks Arnold Schmidt to sign a document saying he was well-treated (after Conrad Stauffer's men have broken Arnold Schmidt's fingers) was parodied by Cheech Marin and Tommy Chong on their 1972 album, Big Bambu. See more »
Wires are plainly visible on a number of objects, particularly the chicken leg and the key. See more »
Extra! "Oregon State Invites Duke to Rose Bowl." Extra! Late edition! "Oregon State Invites Duke to Rose Bowl."
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Being the only Universal Studios "monster" to fight the Axis hordes, The Invisible Man gets to wreck havoc on enemy soil in THE INVISIBLE AGENT, a very enjoyable piece of wartime propaganda. As with DESPERATE JOURNEY (1942), it's a comic book-style fantasy adventure that never lets up in the fun department and contains an excellent cast and production values. Plus, its special effects are still astonishing in this day and age of digital special effects on film.
Cedric Hardwicke, Edward J. Bromberg, Albert Bassermann, and Peter Lorre give excellent performances in this film. Despite Lorre's unconvincing Japanese makeup, he makes a fine villain here. The Oscar-nominated visual effectsexcept for the model shots of airplanes flying in midairare simply excellent and nearly flawless. The black-and-white cinematography and production values are atmospheric, typical of so many Universal Studios monster films of the era. There is much slapstick comedy throughout the film and the film works effectively as a comedy-thriller. And pretty Ilona Massey does a good job of playing a double agent who might or might not be so trustworthy. However, Jon Hall lacks the sublime speaking voice that made Claude Rains' performance so memorable.
Well worth watching, although the Nazis speak perfect English throughout the whole movie and Jon Hall lacks Claude Rains' unforgettable speaking voice.
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