A semiautobiographical project by John Boorman about a nine year old boy called Bill as he grows up in London during the blitz of World War 2. For a young boy, this time in history was more... See full summary »
When Celia Crowson is called up for war service, she hopes for a glamor job in one of the services, but as a single girl, she is directed into a factory making aircraft parts. Here she ... See full summary »
Violette Bushell is the daughter of an English father and a French mother, living in London in the early years of World War 2. She meets a handsome young French soldier in the park and ... See full summary »
A group of conscripts are called up into the infantry during WWII. At first they appear a hopeless bunch but their sergeant and Lieutenant have faith in them and mould them into a good team... See full summary »
During the First World War, two French soldiers are captured and imprisoned in a German POW camp. Several escape attempts follow until they are sent to a seemingly impenetrable fortress which seems impossible to escape from.
This is the story of a British Naval ship, HMS Torrin, from its construction to its sinking in the Mediterranean during action in World War II. The ship's first and only commanding officer is the experienced Captain E.V. Kinross who trains his men not only to be loyal to him but to the country and most importantly, to themselves. They face challenges at sea and also at home. They lose some of their shipmates in action and some of their loved ones in the devastation that is the blitz. Throughout it all, the men of the Torrin serve valiantly and heroically. Written by
This is a really first-rate film, much more convincing than the fairly crude WWII propaganda films the US studios were turning out around the same time. The good guys and the bad guys are just as clearly delineated, but in some ways - perhaps the consistent understatement of emotions and the sometimes over-the-top stiff upper lips displayed by the characters - the stakes, and the dangers, seem clearer. There are no John Waynes or Errol Flynns on this ship.
The acting is extremely good, although Noel Coward seems a little stiff and uncomfortable in his leading role. John Mills and Bernard Miles are outstanding, and Celia Johnson (in her first film role) is simply extraordinary. The final scene, where Coward as the captain of the lost ship shakes hands with the survivors, is unexpectedly moving.
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