A young woman (Stanley Timberlake) dumps her fiancée (Craig Fleming) and runs off with her sister's (Roy Timberlake) husband (Peter Kingsmill). They marry, settle in Baltimore, and Stanley ultimately drives Peter to drink and suicide. Stanley returns home to Richmond only to learn that her sister Roy and old flame Craig have fallen in love and plan to marry. The jealous and selfish Stanley attempts to win back Craig's affections, but her true character is revealed when, rather than take the rap herself, she attempts to pin a hit and run accident on the young black clerk (Parry Clay) who works in Craig's law office. Written by
Bonnie Barber <firstname.lastname@example.org>
"Go ahead! KISS ME!.. Forget you're married to my sister!"
Did You Know?
Both Bette Davis
' and Olivia de Havilland
's characters have masculine given names -- "Stanley" and "Roy," respectively. Interestingly, the film never hints that there is anything unusual about their names, nor does it offer any explanation. See more
Craig, have dinner we me somewhere tonight. Please. I've got a reason.
I don't think we better Stanley.
Why not? You're afraid aren't you? Afraid of yourself. Afraid of what you might feel if you let yourself go. Why don't you admit the truth Craig? You've never gotten over me and you never will. You'd like to put your arms around me right now, wouldn't you? You'd like to kiss me, wouldn't you?
References The Maltese Falcon
How Do I Know It's Sunday?
Music by Sammy Fain
Played on the phonograph when Stanley runs into Craig downstairs See more