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In This Our Life (1942)

 -  Drama  -  16 May 1942 (USA)
7.5
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Ratings: 7.5/10 from 2,272 users  
Reviews: 53 user | 10 critic

A young woman (Stanley Timberlake) dumps her fiancée (Craig Fleming) and runs off with her sister's (Roy Timberlake) husband (Peter Kingsmill). They marry, settle in Baltimore, and Stanley ... See full summary »

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(screenplay), (novel)
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Edit

Cast

Complete credited cast:
...
Stanley Timberlake
...
Roy Timberlake
George Brent ...
Craig Fleming
Dennis Morgan ...
Peter Kingsmill
...
William Fitzroy
Frank Craven ...
Asa Timberlake
...
Lavinia Timberlake
...
Minerva Clay
Lee Patrick ...
Betty Wilmoth
Mary Servoss ...
Charlotte Fitzroy
Ernest Anderson ...
Parry Clay
William B. Davidson ...
Jim Purdy
Edward Fielding ...
Dr. Buchanan
John Hamilton ...
Inspector
William Forrest ...
Forest Ranger
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Storyline

A young woman (Stanley Timberlake) dumps her fiancée (Craig Fleming) and runs off with her sister's (Roy Timberlake) husband (Peter Kingsmill). They marry, settle in Baltimore, and Stanley ultimately drives Peter to drink and suicide. Stanley returns home to Richmond only to learn that her sister Roy and old flame Craig have fallen in love and plan to marry. The jealous and selfish Stanley attempts to win back Craig's affections, but her true character is revealed when, rather than take the rap herself, she attempts to pin a hit and run accident on the young black clerk (Parry Clay) who works in Craig's law office. Written by Bonnie Barber <bonbar@mit.edu>

Plot Summary | Add Synopsis

Taglines:

"Go ahead! KISS ME!.. Forget you're married to my sister!"

Genres:

Drama

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

16 May 1942 (USA)  »

Also Known As:

Nascida para o Mal  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Sound System)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Both Bette Davis' and Olivia de Havilland's characters have masculine given names -- "Stanley" and "Roy," respectively. Interestingly, the film never hints that there is anything unusual about their names, nor does it offer any explanation. See more »

Quotes

Asa Timberlake: In my day, we didn't talk much about happiness. If it came we were grateful for it. But we were brought up in the belief that there were other things more important. Old foogy fantastic notions such as duty and personal responsibility.
See more »

Connections

Referenced in John Huston: The Man, the Movies, the Maverick (1988) See more »

Soundtracks

How Do I Know It's Sunday?
(uncredited)
Music by Sammy Fain
Played on the phonograph when Stanley runs into Craig downstairs
See more »

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User Reviews

Even John Huston Couldn't Tame Bette Davis...
31 March 2001 | by (U.S.A.) – See all my reviews

When John Huston was assigned to 'In This Our Life' he met his match in Bette Davis. "I let the Demon go," he is quoted as saying--but alas, most reviewers agreed that he let it go too far. Davis overacts her wildly overwritten role--her most "over the top" performance during the early '40s on the same level with 'Beyond the Forest' ('49). Fortunately, the others in the cast play with restraint and dignity--Olivia de Havilland gives a warm, womanly and easy performance as the good sister; George Brent is sincere as the lawyer Davis throws herself at; Dennis Morgan is earnest in a brief role as de Havilland's husband; Frank Craven and Billie Burke are fine in supporting roles and Earnest Anderson plays the intelligent black youth with dignity and respect. But against Davis, who uses no subtlety in approaching her role, they might just as well be part of the scenery. Still, the film is enjoyable as "camp melodrama" not to be taken seriously--although it has a few interesting points that are somewhat blurred by the script's unwillingness to delve deeply enough into the characters. Author Ellen Glasgow, who won a Pulitzer Prize for the novel, was aghast at what the filmmakers did to her novel and distressed at Bette Davis' overwrought performance. She exchanged a few sharp words with Davis on the matter of "overacting" -- no wonder!! You have to see this one to believe it.


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