An American businessman's family convinces him to buy a Scottish castle and disassemble it to ship it to America brick by brick, where it will be put it back together. The castle though is ... See full summary »
When Catherine Terris's career in Hollywood hits the skids, she heads back to the site of her first great triumphs...Broadway! She takes the lead in a play which is being directed by Gordon... See full summary »
In this remake of 1941's "You Belong to Me," a young millionaire, Peter J. Kirk, Jr., fails in all of his attempts to emulate his successful father. He meets and marries Dr. Heln Hunt, who ... See full summary »
In 1672, two witches (Jennifer and her father Daniel) were burned by puritan Jonathan Wooley. In revenge, Jennifer cursed all future generations of the Wooley family, that the sons will always marry the wrong woman and be miserable. In the 20th century, a bolt of lightning frees Jennifer and her father from the tree that had kept their souls imprisoned. Jennifer assumes corporeal form and decides to make up-and-coming politician Wallace Wooley, then unhappily engaged, even more miserable by getting him to fall in love with her before his wedding. Wallace is a straight arrow, though, and Jennifer has to resort to a love potion. As we all know, love potions tend to backfire, with comedic results. Written by
One of several Paramount Pictures productions purchased by United Artists for theatrical release in 1942-1943 during a product surplus of the former company, and a product shortage of the latter. See more »
(at around 50 mins) When the newspaper announces the final of the political career of Wooley after the failed marriage the main story is written in Czech though the rest of the newspaper is in English. See more »
Ever hear of the decline and fall of the Roman Empire? That was our crowd.
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The title card is shown with a background of the bride and groom flying around on a broom. See more »
I'm sure there are many women just as beautiful as Veronica Lake. I'm sure there were, and will be, directors as gifted as Rene Clair. And I'm sure there are Irish mischief makers as amusing as Cecil Kellaway. And politicians as stuffy and pompous as Frederic March. But the combination here in this wonderful fluff is without equal.
Some Hollywood ace, befuddled and benumbed on a steady diet of coke and guacamole, has decided to remake this amazing film. Perhaps we will be shown a flash of real naked witch. But it will never be as sensual as the imagined view of Lake, as she appears in a smoke-filled hotel room. Perhaps in the re-make we will be shown the two characters locked together in a passionate embrace. But it will never equal what we imagine as we see the two ascend the stairs in this wonderful original.
It's not that Hollywood is doomed to produce banality in this new century; it's just that they seem to like it. There are very few films as good as I Married A Witch and there are very few directors who can call on studios like Paramount to supply them with gifted artists and craft persons to equal this witty and wonderful confection. Why even Susan Hayward, who did well with her strident image of bitchiness, is just right here. I suspect that new generations of filmgoers will never see this lovely film, for it is now OOP - out of print. But the horror of it all is I suspect those who made the new film never bothered to screen the old one, being convinced that they had nothing to learn about the craft of cinema.
That they were wrong becomes more obvious as the distance between the old and the new is measured in financial disaster. Perhaps next they might try to remake Sous Les Toits de Paris.
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