Jed Potter looks back on a love triangle conducted over the course of years and between musical numbers. Dancer Jed loves showgirl Mary, who loves compulsive nightclub-opener Johnny, who ... See full summary »
Mimi Glossop wants a divorce so her Aunt Hortense hires a professional to play the correspondent in apparent infidelity. American dancer Guy Holden meets Mimi while visiting Brightbourne (... See full summary »
The Acunas, a rich Argentine family, have the tradition that the daughters have to get married in order, oldest first. When sister #1 gets married, sisters #3 and #4 put pressure on Maria, ... See full summary »
William A. Seiter
After his wife discovers a telltale diamond bracelet, impresario Martin Cortland tries to show he's not chasing after showgirl Sheila Winthrop. Choreographer Robert Curtis gets caught in ... See full summary »
Youthful Father Chuck O'Malley led a colorful life of sports, song, and romance before joining the Roman Catholic clergy, but his level gaze and twinkling eyes make it clear that he knows ... See full summary »
Lovely Linda Mason has crooner Jim Hardy head over heels, but suave stepper Ted Hanover wants her for his new dance partner after femme fatale Lila Dixon gives him the brush. Jim's supper club, Holiday Inn, is the setting for the chase by Hanover and manager Danny Reed. The music's the thing. Written by
Steve Fenwick <email@example.com>
Some controversy surrounded the history of the song "White Christmas" when it was reported in a 1960 news item that Irving Berlin wrote the song in 1938. Had the song been published or introduced outside of the film, it would have been ineligible for an Academy Award nomination. But sources agree it was written for the film, copyrighted as unpublished in 1940 and then published along with the film's release in 1942. See more »
During the "Easter Parade" number it is clear that the backgrounds are painted and placed behind a few "real" trees and bushes. This is especially noticeable in Hi-Def. See more »
Holiday Inn is an uplifting and heartwarming remembrance that is a legend in its own right.
In any endeavor there are greats, and there are legends. Bing Crosby crooned his way to the latter status years before this movie, and he is in fine voice here. It is such a shame that things like talent aren't present in music anymore, but if you want to remember it, this is a great vehicle. Irving Berlin, Crosby's long time friend, wrote magical numbers for the film, including the unforgettable White Christmas.
Fred Astaire gave a tour de force performance, singing, and, of course, dancing his way through this delightful piece in rare form. It is said that he worked so hard during rehearsals that he wasted away to 85 pounds by the time he filmed the firecracker number. He might just as well have been weightless, because he defies gravity with his every move.
Marjorie Reynolds was seriously outclassed in a role that was intended for Mary Martin, who probably could have improved the chemistry of the starring cast. Reynolds nevertheless does a creditable job, and Holiday Inn remains her finest hour.
Years later, Paramount undertook a vastly inferior remake entitled White Christmas, which failed to capture a fraction of the magic of Holiday Inn. Astaire was replaced with funny man Danny Kaye, and Rosemary Clooney gave it her torch song damndest, but it didn't gel. Holiday Inn has more wit, sincerity, charm and, despite being over a decade older, freshness. Holiday Inn is an uplifting and heartwarming remembrance that is a legend in its own right.
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