Flying Tiger Fred Atwell sneaks away from his famous squadron's personal appearance tour and goes incognito for several days of leave. He quickly falls for photographer Joan Manion, ... See full summary »
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Youthful Father Chuck O'Malley led a colorful life of sports, song, and romance before joining the Roman Catholic clergy, but his level gaze and twinkling eyes make it clear that he knows ... See full summary »
Jed Potter looks back on a love triangle conducted over the course of years and between musical numbers. Dancer Jed loves showgirl Mary, who loves compulsive nightclub-opener Johnny, who ... See full summary »
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William A. Seiter
Johnny Brett and King Shaw are an unsuccessful dance team in New York. A producer discovers Brett as the new partner for Clare Bennett, but Brett, who thinks he is one of the people they lent money to gives him the name of his partner.
Lovely Linda Mason has crooner Jim Hardy head over heels, but suave stepper Ted Hanover wants her for his new dance partner after femme fatale Lila Dixon gives him the brush. Jim's supper club, Holiday Inn, is the setting for the chase by Hanover and manager Danny Reed. The music's the thing. Written by
Steve Fenwick <firstname.lastname@example.org>
The proceeds from the New York City premiere went to the Navy Relief Society. See more »
The telegram that Ted Hanover receives from Jim Hardy on Christmas Eve is dated December 25th. See more »
Lila's back in New York. I got a letter from her yesterday.
What happened to her millionaire?
Slight mistake there. He didn't own millions, he owed them.
Poor girl. Always straying to greener pastures and finding spinach.
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I always feel that a true classic is either a film or a song that within a few feet of film or a few bars of a tune, you know exactly what the song or film is and in most cases the cast or artist who was involved with it.
This film, in my opinion, is no exception. The casting of this film (Bing Crosby as Jim Hardy and Fred Astaire as Ted Hanover) is pure genius. Both stars were really at their professional peaks at the time and they show it in this movie musical.
Both Marjorie Reynolds as Linda Mason and Virginia Dale as Lila Dixon were not as well known, but I feel they both more than proved themselves in holding their own against the talents of Astaire & Crosby.
The supporting cast were fine too. Louise Beavers as well as Walter Abel gave some comedic relief in their roles as Mamie & as Danny Reid.
The firecracker dance sequence with Astaire is well worth the price of admission alone! I also enjoyed the dancing sequence between Astaire & Dale during the "Your Easy to Dance With" number and between Astaire & Reynolds during the "Be Careful Its My Heart" number.
Truly a wonderful film despite the controversy surrounding the "Abraham" black face routine.
When I first saw this film, I never thought about it as being filmed to offend anyone, I just considered it was the only way to explain in the plot why Ted & Danny don't recognize Linda since Jim has been hiding her from them. I have never changed my feelings on this and still feel the same way some 35 years later after my original viewing.
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