Jed Potter looks back on a love triangle conducted over the course of years and between musical numbers. Dancer Jed loves showgirl Mary, who loves compulsive nightclub-opener Johnny, who ... See full summary »
Two singers, best friends Lorelei Lee and Dorothy Shaw travel to Paris pursued by a private detective hired by Lorelei's fiancé's disapproving father to keep an eye on her, a rich, enamoured old man and many other doting admirers.
Billy Bigelow has been dead for fifteen years, and now outside the pearly gates, he long waived his right to go back to Earth for a day. But he has heard that there is a problem with his ... See full summary »
Lovely Linda Mason has crooner Jim Hardy head over heels, but suave stepper Ted Hanover wants her for his new dance partner after femme fatale Lila Dixon gives him the brush. Jim's supper club, Holiday Inn, is the setting for the chase by Hanover and manager Danny Reed. The music's the thing. Written by
Steve Fenwick <email@example.com>
A turning point in the life of Alan Sues, a regular on Rowan & Martin's Laugh-In (1967), was an unauthorized visit to Paramount Studios as a teenager when he jumped a fence and watched a scene being filmed for the movie Holiday Inn (1942). See more »
Jim leaves his jacket in Ted's room before the first wedding. Although he doesn't pick it up, he has it when he goes into the studio. See more »
Holiday Inn is an uplifting and heartwarming remembrance that is a legend in its own right.
In any endeavor there are greats, and there are legends. Bing Crosby crooned his way to the latter status years before this movie, and he is in fine voice here. It is such a shame that things like talent aren't present in music anymore, but if you want to remember it, this is a great vehicle. Irving Berlin, Crosby's long time friend, wrote magical numbers for the film, including the unforgettable White Christmas.
Fred Astaire gave a tour de force performance, singing, and, of course, dancing his way through this delightful piece in rare form. It is said that he worked so hard during rehearsals that he wasted away to 85 pounds by the time he filmed the firecracker number. He might just as well have been weightless, because he defies gravity with his every move.
Marjorie Reynolds was seriously outclassed in a role that was intended for Mary Martin, who probably could have improved the chemistry of the starring cast. Reynolds nevertheless does a creditable job, and Holiday Inn remains her finest hour.
Years later, Paramount undertook a vastly inferior remake entitled White Christmas, which failed to capture a fraction of the magic of Holiday Inn. Astaire was replaced with funny man Danny Kaye, and Rosemary Clooney gave it her torch song damndest, but it didn't gel. Holiday Inn has more wit, sincerity, charm and, despite being over a decade older, freshness. Holiday Inn is an uplifting and heartwarming remembrance that is a legend in its own right.
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