| Barbara Stanwyck | ... | Hannah Sempler Hoyt | |
| Joel McCrea | ... | Ethan Hoyt | |
| Brian Donlevy | ... | Steely Edwards | |
| K.T. Stevens | ... | Girl Biographer (as Katharine Stevens) | |
| Thurston Hall | ... | Mr. Sempler | |
| Lloyd Corrigan | ... | Mr. Cadwallader | |
| Etta McDaniel | ... | Delilah | |
| Frank M. Thomas | ... | Frisbee | |
| William B. Davidson | ... | Sen. Knobs | |
| Lillian Yarbo | ... | Mandy | |
| Helen Lynd | ... | Bettina | |
| Mary Treen | ... | Persis | |
| Lucien Littlefield | ... | City Editor | |
| John Hamilton | ... | Sen. Grant | |
| Fred 'Snowflake' Toones | ... | Pogey | |
| rest of cast listed alphabetically: | |||
| Irving Bacon | ... | Parson (uncredited) | |
| Hank Bell | ... | Man #1, Hoyt City (uncredited) | |
| Monte Blue | ... | Man #2, Hoyt City (uncredited) | |
| Horace B. Carpenter | ... | Man in Saloon (uncredited) | |
| George Chandler | ... | Forbes (uncredited) | |
| David Clyde | ... | Bartender (uncredited) | |
| Tex Cooper | ... | Wagon Train Man (uncredited) | |
| Fern Emmett | ... | City Editor's Secretary (uncredited) | |
| Sam Harris | ... | Politician on Dais (uncredited) | |
| G.P. Huntley | ... | Quentin (uncredited) | |
| George Irving | ... | Dr. Adams (uncredited) | |
| Charles Lane | ... | Pierce (uncredited) | |
| Larry Lawson | ... | Man #3, Hoyt City (uncredited) | |
| Buck Mack | ... | Bartender (uncredited) | |
| Lee Moore | ... | Gambler (uncredited) | |
| Ottola Nesmith | ... | Mrs. Frisbee (uncredited) | |
| Anna Q. Nilsson | ... | Paula Wales (uncredited) | |
| Damian O'Flynn | ... | Burns (uncredited) | |
| Pat O'Malley | ... | Officer Murphy (uncredited) | |
| Milton Parsons | ... | Foreman (uncredited) | |
| Bob Perry | ... | Miner (uncredited) | |
| Lee Phelps | ... | Chairman (uncredited) | |
| Eleanor Stewart | ... | Miss Frisbee (uncredited) | |
| Theodore von Eltz | ... | Hank Allen (uncredited) | |
| Charles Williams | ... | Assayer (uncredited) | |
Directed by | |||
| William A. Wellman | |||
Writing credits | ||
| W.L. River | (screenplay) | |
| Adela Rogers St. Johns | (original story) & | |
| Seena Owen | (original story) | |
| Viña Delmar | (short story) | |
Produced by | |||
| William A. Wellman | .... | producer | |
Original Music by | |||
| Victor Young | |||
Cinematography by | |||
| William C. Mellor | |||
Film Editing by | |||
| Thomas Scott | |||
Art Direction by | |||
| Hans Dreier | |||
| A. Earl Hedrick | (as Earl Hedrick) | ||
Costume Design by | |||
| Edith Head | |||
Makeup Department | |||
| Robert Ewing | .... | makeup artist | |
| Wally Westmore | .... | makeup artist | |
| Charles Gemora | .... | special makeup (uncredited) | |
Second Unit Director or Assistant Director | |||
| Joseph C. Youngerman | .... | assistant director (as Joseph Youngerman) | |
Art Department | |||
| Jack Colconda | .... | props (uncredited) | |
Sound Department | |||
| Harry D. Mills | .... | sound recordist | |
| Walter Oberst | .... | sound recordist | |
Visual Effects by | |||
| Gordon Jennings | .... | special photographic effects | |
Camera and Electrical Department | |||
| Darrell Turnmire | .... | grip (uncredited) | |
Costume and Wardrobe Department | |||
| Eugene Joseff | .... | costume jeweller (uncredited) | |
Music Department | |||
| George Parrish | .... | orchestrator (uncredited) | |
| Leo Shuken | .... | orchestrator (uncredited) | |
Other crew | |||
| Sidney Street | .... | business manager (uncredited) | |
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| How the West Was Won | Gone with the Wind | Mark of the Spur | Inside Straight | The Notebook |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
Such undeserved condescension on the part of most of your reviewers! I thought it was an absorbing romantic drama in which Stanwyck was at her very best. As she turned from youthful sparkly-eyed amused flirt in her first scenes with McCrea into the mature more gray-haired woman seriously urging him to do his political best for those whom he represented, her virtuosity as an actress of transformations came greatly to the fore. It was a pleasure to respond to her in her various moods of youthful love, a stunned mother's loss of her two babies, her vigorous denunciation of her father in his unconscionable request of her, and finally the resignation of old age in which she at last destroys the long-lived marriage certificate she's been carrying around through most of the story.
McCrea was also very good, especially in the scene in which he confesses himself guilty of the same kind of corruption so rife in the American West at that railroad-building time.
The story seemed to echo the true events of The Ballad of Baby Doe (opera) in its background of silver mining and marital troubles; and it certainly resembled Edna Ferber-Abby Mann's Cimarron in retelling the story of a marriage in which the husband spends years on the road away from his wife.
The 19th-century flooding in Sacramento was certainly up to date given the similar events happening in that city in our own times as well.
A great movie. Pay no attention to those detractors.