When powerful publishing tycoon Earl Janoth commits an act of murder at the height of passion, he cleverly begins to cover his tracks and frame an innocent man whose identity he doesn't ... See full summary »
Ed Beaumont is the personal friend, advisor and bodyguard to Paul Madvig, the political boss of a large city. When a mysterious murder is committed---the son of a Madvig political opponent-... See full summary »
During the campaign for reelection, the crooked politician Paul Madvig decides to clean up his past, refusing the support of the gangster Nick Varna and associating to the respectable reformist politician Ralph Henry. When Ralph's son, Taylor Henry, a gambler and the lover of Paul's sister Opal, is murdered, Paul's right arm, Ed Beaumont, finds his body on the street. Nick uses the financial situation of The Observer to force the publisher Clyde Matthews to use the newspaper to raise the suspicion that Paul Madvig might have killed Taylor. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The title of this book and movie is most obscure; thankfully its meaning is described by Richard Layman in his book, Shadow Man: The life of Dashiell Hammett. A glass key symbolizes an act or experience which cannot be reversed or forgotten. It is a key made of glass which allows one entry to a room or a building but which shatters after one use. Skeleton keys were used for many years before and after this story to lock doors from both sides; hence, a skeleton key made of glass which breaks in a lock will prohibit the locking of a door and will prohibit one from leaving the room. Hence, once in the chamber one is subject to see one's choice through. See more »
In Farr's office, when Ed is slowly tucking the anonymous letter in his inside pocket, Farr tells him he expects a visit from Nick. The camera is on Ed who abruptly takes his hand out of his inside pocket and turns to Farr, but then the camera cuts to show both him and Farr and he's still tucking the letter in his inside pocket. See more »
I actually saw The Blue Dahlia, another film noir starring Alan Ladd, Veronica Lake, and William Bendix, before I saw The Glass Key. While both films are memorable, especially for a fan of the genre like myself, I actually prefer this earlier collaboration. In The Glass Key, Ladd seems more engaged as does Lake. Ladd makes a great protagonist here; he is tough, smart, and determined, essentially the very essence of a self-made man. Lake is the perfect feminine companion for him! An engrossing plot, sharp dialogue, just the right dose of action, perfectly matched heroes and villains, and of course the chemistry between the leads make The Glass Key a classic film noir. See it today!
23 of 27 people found this review helpful.
Was this review helpful to you?