When powerful publishing tycoon Earl Janoth commits an act of murder at the height of passion, he cleverly begins to cover his tracks and frame an innocent man whose identity he doesn't ... See full summary »
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During the campaign for reelection, the crooked politician Paul Madvig decides to clean up his past, refusing the support of the gangster Nick Varna and associating to the respectable reformist politician Ralph Henry. When Ralph's son, Taylor Henry, a gambler and the lover of Paul's sister Opal, is murdered, Paul's right arm, Ed Beaumont, finds his body on the street. Nick uses the financial situation of The Observer to force the publisher Clyde Matthews to use the newspaper to raise the suspicion that Paul Madvig might have killed Taylor. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The always aloof Alan Ladd, a former laborer, preferred the friendship of film crew than other actors or studio execs. Yet he was able to form lasting friendships with a few of his costars, especially William Bendix. Bendix accidentally cold-cocked Ladd during a particularly vicious fight scene in this film. Ladd was so taken aback by the sincerity of Bendix's apologies that they formed an immediate and unlikely friendship. They even purchased homes across the street from one another at one point. According to Bendix's wife Tess, the bond was strained in later years after Ladd's wife and manager, Sue Carol, made an offhand remark about Bendix's lack of military service. Stuck in the middle, it would be a decade before the wounds healed between the two. By then, Ladd was career down and self-destructive, leaning heavily on Bendix, who was thriving out of town frequently in the 1960s with stage work. Bendix's heartbreak was evident in the wake of Ladd's premature death (and probable suicide) in January of 1964. Bendix's health failed quickly and he too died (of bronchial pneumonia) a week or so before Christmas that same year. See more »
In Farr's office, when Ed is slowly tucking the anonymous letter in his inside pocket, Farr tells him he expects a visit from Nick. The camera is on Ed who abruptly takes his hand out of his inside pocket and turns to Farr, but then the camera cuts to show both him and Farr and he's still tucking the letter in his inside pocket. See more »
I'm too big to take the boot from you now.
You may be too big to take it laying down, Nick, but you're gonna take it. You are taking it.
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I actually saw The Blue Dahlia, another film noir starring Alan Ladd, Veronica Lake, and William Bendix, before I saw The Glass Key. While both films are memorable, especially for a fan of the genre like myself, I actually prefer this earlier collaboration. In The Glass Key, Ladd seems more engaged as does Lake. Ladd makes a great protagonist here; he is tough, smart, and determined, essentially the very essence of a self-made man. Lake is the perfect feminine companion for him! An engrossing plot, sharp dialogue, just the right dose of action, perfectly matched heroes and villains, and of course the chemistry between the leads make The Glass Key a classic film noir. See it today!
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