During the campaign for reelection, the crooked politician Paul Madvig decides to clean up his past, refusing the support of the gangster Nick Varna and associating to the respectable ... See full summary »
A woman secretly suffering from kleptomania is hypnotized in an effort to cure her condition. Soon afterwards, she is found at the scene of a murder with no memory of how she got there and seemingly no way to prove her innocence.
A convict being escorted in for retrial escapes at Grand Central and threatens his old girlfriend on the phone. She flees for her new beau's private railcar at the same station. When she is... See full summary »
Thelma Jordon is in love with a jewel thief, Tony Laredo, and he persuades her to go live with her rich aunt, and steal her jewels. During the robbery, she shoots her formerly-rich aunt, ... See full summary »
Police detective Joe Warner investigates the shooting of womanizing composer Keith Vincent. Evidence points to suicide and that is the official verdict, but Joe doesn't buy it and ... See full summary »
During the campaign for reelection, the crooked politician Paul Madvig decides to clean up his past, refusing the support of the gangster Nick Varna and associating to the respectable reformist politician Ralph Henry. When Ralph's son, Taylor Henry, a gambler and the lover of Paul's sister Opal, is murdered, Paul's right arm, Ed Beaumont, finds his body on the street. Nick uses the financial situation of The Observer to force the publisher Clyde Matthews to use the newspaper to raise the suspicion that Paul Madvig might have killed Taylor. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
One of over 700 Paramount Productions, filmed between 1929 and 1949, which were sold to MCA/Universal in 1958 for television distribution, and have been owned and controlled by Universal ever since. See more »
In Farr's office, when Ed is slowly tucking the anonymous letter in his inside pocket, Farr tells him he expects a visit from Nick. The camera is on Ed who abruptly takes his hand out of his inside pocket and turns to Farr, but then the camera cuts to show both him and Farr and he's still tucking the letter in his inside pocket. See more »
Hey, Rusty, Little Rubber Ball is back. I told you he liked the way we bounced him around.
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Satisfying film noir despite muddled motivations...
What holds interest in THE GLASS KEY is not the convoluted plot full of red herrings (until the murderer is unmasked), but the performances of the three leads--Brian Donlevy, Veronica Lake and Alan Ladd. Ladd and Lake have some good chemistry going here, especially in the scene where they first meet and find themselves immediately attracted--a flirting encounter that director Stuart Heisler uses to catch every glimmer of their star appeal as a team.
Everyone takes some hard physical stunts. Lake's sock to the jaw when she encounters Brian Donlevy (as a crooked politician) turned out to be a real one. (She told him she didn't know how to pull punches). Dane Clark (in an unbilled early role) gets shoved through a plate glass window by Donlevy and into a pool. And Alan Ladd takes a brutal beating from William Bendix that is painful to even watch, it's brutally realistic. Ladd's "beating" make-up deserved an Oscar. His escape out of a broken window has him falling off an awning and crashing through the ceiling where a family is having dinner.
Richard Denning has a brief role as Bonita Granville's unfortunate brother who gets killed off early in the proceedings. No use telling the plot outline--just be ready to watch the film for its authentic '40s film noir style--crisp B&W photography full of menacing shadows and some unpredictable twists and turns that will keep you guessing until the end. Ladd's icy calm is a little too guarded but watch him in the scene where Bendix takes him upstairs for a drink. Their contrasting acting styles are fun to watch--and Ladd manages to steal the scene with his underplayed cat-and-mouse expression as he casually toys with a glass or a bottle.
For fans of Ladd and Lake, a good one--but personally I liked the story of THE BLUE DAHLIA better with a plot easier to follow.
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