Ygor resurrects Frankenstein's monster and brings him to the original doctor's son, Ludwig, for help. Ludwig, obsessed with the idea of restoring the monster to full power, is unaware that his various associates all have different ideas about whose brain is to be transplanted into the monster's skull. Written by
Doug Sederberg <firstname.lastname@example.org>
Lon Chaney was known for his hard-drinking ways. During production of this film, Chaney became inebriated while in full costume and got "lost" in the intricate mazes that were part of the laboratory sets. It took several minutes for him to find his way free. A similar incident occurred many years later when Chaney played the Frankenstein Monster on an episode of Tales of Tomorrow. Once again, Chaney became intoxicated and mistakenly believed that the show's live telecast was actually the final dress rehearsal. For much of the performance, Chaney stumbled about, picking up breakaway props he was supposed to destroy and then setting them back down. See more »
When the monster appears outside Elsa's window, it casts a
nearly full-body shadow on the library wall, with one arm fully visible, but in the close-ups of the monster the arm in question is obscured behind the window frame. Later in the same sequence, Ygor pops up over the monster's shoulder, yet the shadow cast seconds later shows only the monster. See more »
[Erik arrives on a carraige]
Where are you going Erik?
Hello Elsa. I didn't see you. Where's your father? I must speak with him.
What are you doing driving around the countryside in the middle of the day? Town prosecutor should be in his office working.
Sometimes my work takes me out of my office. I came to see your father.
That's pretty. I flattered myself that you came way out here just to take me for a drive.
I wish that were the case darling. Nothing would make me happier. But this is a very...
[...] See more »
An often overlooked and under-appreciated entry in Universal's classic "Frankenstein" series that succeeds as an atmospheric, effortlessly paced monster movie. Dark, stormy nights, crashing thunder and lightning -- all add in setting the stage for a thoroughly satisfying night of chills.
Coming after FRANKENSTEIN, BRIDE OF FRANKENSTEIN and SON OF FRANKENSTEIN, this comparatively "B" production benefits from a fine cast who is able to make the unconventional plot line seem quite believable. The dignified Cedric Hardwicke plays the more reserved, second son of the original Frankenstein, who is visited by the ever-sinister Ygor (Bela Lugosi, reprising one of his greatest roles that originated in SON OF FRANKENSTEIN), who now urges that the scientist restore strength to his misshapen friend, The Monster (newly played by Lon Chaney). Working with the dubious help of a spurned medical assistant (the always delightful Lionel Atwill), Frankenstein hopes to right the wrongs of his father by transplanting an educated brain into the monster's head.
After having played the definitive version of Frankenstein's Creation three times already, Boris Karloff vowed not to continue with the series at this point. It must have been a formidable task for Lon Chaney to take over the part for THE GHOST OF FRANKENSTEIN, but while he doesn't make as compassionate a monster as Karloff did, Lon does manage to endow the character with an awesome display of brute strength with his otherwise stone-faced performance.
This also features the lovely Evelyn Ankers as Frankenstein's daughter, and Ralph Bellamy as her heroic fiancé. Special consideration must be given to Hans J. Salter, who fashioned an excellent music score which perfectly compliments the impressive work of director Earl C. Kenton, who was able to take a gradually declining storyline and charge it up with some life. *** out of ****
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