From the Twitch Live Stage at New York Comic Con 2017, IMDb LIVE host Kevin Smith talks to Marvel Chief Creative Officer Joe Quesada about the development of the Marvel franchise, his history at Comic Con and more.
Carolyn Ellenson double-crosses five people who cross her path and is murdered by one of them. After marrying Harlow Grant for his money, she leaves him but carries on her infidelities so ... See full summary »
Rags-to-riches-to-rags story features Benny Goodman vocalist Martha Tilton as an unemployed big band singer who takes a job as an operator at a jukebox company. After falling in love with a... See full summary »
When the Japanese capture the principal radio station of the American Radio Communications Company in the Philippines, the staff manages to escape into the jungle, tie up with a band of ... See full summary »
Connie Ward is in seventh heaven when Gene Morrison's band rolls into town. She is swept off her feet by trumpeter Bill Abbot. After marrying him, she joins the bands tour and learns about ... See full summary »
The plot pits Hornleigh and Bingham against a clever gang of Nazi espionage agents. Most of the action takes place aboard a speeding train, with our heroes never quite certain who can be ... See full summary »
Nora and her uncle get railroaded into spending the night at a broken-down hotel in Canada. After Nora falls for the handsome owner, she convinces her uncle to invest in the inn and ... See full summary »
Cesar Romero stars in another Fox B movie, but not as the Cisco Kid this time. Now he's a Runyonesque bookie who gets entangled with Carole Landis, a failing art gallery and a gang of art forgers.
Ray McCarey fills out the smaller roles with longtime and rising comics, including Dell Henderson, Syd Saylor and Milton Berle as the lead comic; even J. Carrol Naish gets a very funny role as the forger. It looks like Fox was getting ready to move Romero up to leads in the As, but he double-crossed them and joined the Coast Guard for the duration.
The constant shuffling between low comedy and more serious moments occasionally seems a little forced, given the unvarying paces of the secondary leads. Add in the rather low-lit lighting choices cinematographer Charles Clarke makes to emphasize the picture's serio-comic nature and the net effect may seem a touch off-putting to the overly critical. A movie watcher looking for a good time, however, will have no complaints.
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