Gentleman Jim (1942)

User Rating:

7.7/10   

Director:

Raoul Walsh

Writers:

Vincent Lawrence (screenplay) and
Horace McCoy (screenplay) ...

Release Date:

25 November 1942 (USA)

Genre:

Biography | Comedy | Drama | Romance | Sport

Tagline:

The grandest story of the Naughty "Nineties" becomes the gayest picture of the Fighting "Forties!"

Plot:

As bareknuckled boxing enters the modern era, brash extrovert Jim Corbett uses new rules and dazzlingly innovative footwork to rise to the top of the top of the boxing world.

Plot Keywords:

Boxing | Irish American | Extrovert | Bank | Benefactor

Cast

Errol Flynn	...	James J. Corbett / Gentleman Jim
Alexis Smith	...	Victoria Ware
Jack Carson	...	Walter Lowrie
Alan Hale	...	Pat Corbett
John Loder	...	Carlton De Witt
William Frawley	...	Billy Delaney
Minor Watson	...	Buck Ware
Ward Bond	...	John L. Sullivan
Madeleine Lebeau	...	Anna Held
Rhys Williams	...	Harry Watson
Arthur Shields	...	Father Burke
Dorothy Vaughan	...	Ma Corbett

Runtime:

104 min

Country:

USA

Language:

English

Color:

Black and White

Aspect Ratio:

1.37 : 1

Sound Mix:

Mono (RCA Sound System)

Certification:

USA:Approved (No. 8440) | Norway:A (1950) | Germany:12 | Finland:K-16 | Sweden:15

Filming Locations:

Baldwin Estate, Santa Ana, California, USA

Company:

Warner Bros. Pictures

Trivia:

According to "Variety," the real Corbett was "self-effacing" and had a "quiet personality.," which is at odds with the brash extrovert that is pictured in the film.

Goofs:

Boom mic visible: The night the Corbetts are moving out of their old home to go to the one that Jim had bought for them, the shadow of the boom mic is clearly seen moving along the left wall as they come down the outside steps.

Quotes:

Victoria Ware: You're thinking about Sullivan?
James J. Corbett aka Gentleman Jim: Yeah. I can see him now walking back to his room, alone, lying there all night and thinking, 'What's the use of ever getting up again?' John L! He'll never thump another bar and shout, 'I can lick any man in the world.' He must be lost.

Movie Connections:

Referenced in Summer of '42 (1971)

Soundtrack:

Auld Lang Syne

Flynn's Favorite Role, in Boxing Classic!

GENTLEMAN JIM, Errol Flynn's last film of 1942, the year that saw his tempestuous personal life become public, was one of his greatest successes, and his personal favorite, as well. In the story of the 'father' of modern boxing, James J. Corbett, loosely based on the boxer's autobiography, the actor a had a chance to display a favorite hobby (Flynn was quite good, and had an off-screen habit of goading bar patrons into fights, just to 'show off' his skills), as well as play a character closer to his own flamboyant personality than the heroic cavaliers he had been 'typed' as, for nearly a decade.

The 'favorite son' in a brawling blue-collar family (Alan Hale, his friend and frequent co-star, portrays his father), Corbett has aspirations far beyond his job as a lowly bank clerk, and 'uses' socialite Victoria Ware (Alexis Smith) to get into the prestigious 'Olympic Club'. The snobbish members of the club, offended by his enormous ego, talk him into a 'little boxing exhibition' with a European champion. Expecting to see the young man flattened, Victoria and the millionaires are stunned when, displaying fancy footwork and natural skills, Corbett knocks out the professional. A drunken brawl at a post-fight social event lands Corbett and friend Walter Lowrie (Jack Carson) in Salt Lake City, penniless. Boxing provides a means to buy train tickets home, and the realization that, through pugilism, he can 'break into' society. A legendary career is thus begun...

Boxing, at the turn of the century, was a far more brutal sport than today, with the fighters seldom wearing gloves, and the fights running 30 rounds, or more, yet Corbett scores victory after victory, without a scar on his handsome face. Becoming a celebrity, he even stars in a popular stage show, dressed in a top hat and tails, and quoting Shakespeare, taking advantage of his nickname, 'Gentleman Jim'. While Victoria professes hating his cockiness, she feels drawn to him, although he has a way of always saying the wrong thing!

Meanwhile, in another stage show, the World Boxing Champion, legendary John L. Sullivan (Ward Bond, in one of his greatest screen roles), jumps rope and displays his prodigious strength to his adoring fans. Corbett goads the older man, constantly, finally forcing the champ to meet him in the ring. In an epic bout that would test both men's endurance, Sullivan 'meets his match', and Corbett learns humility...

Director Raoul Walsh obviously enjoyed working with Flynn (this was their third of eight teamings), and the actor felt far more comfortable with him than Michael Curtiz, whom he despised, despite their star-making work together. GENTLEMAN JIM was the best collaboration between Walsh and Flynn, and the film accurately captures the 'feel' of the era, striking a perfect balance of humor and drama. It, unfortunately, also marked the last major 'peak' in Flynn's Warner Brothers career; despite good reviews and box office, the WB, anticipating a public backlash over Flynn's highly-publicized rape trial, would move him into a series of war films, gradually lowering the quality of his productions.

The halcyon years for Errol Flynn were, sadly, coming to an end, even as he savored his greatest personal triumph...