Because boxing is a considered an illegal and disreputable enterprise in 1880's San Francisco, wealthy and influential members of the prestigious Olympic Club vow to make the sport a "gentlemanly" one. They sponsor a brash, extroverted young bank clerk named Jim Corbett, who quickly becomes an accomplished fighter under the new Marquis of Queensbury Rules. Despite his success, the young Irish-American's social pretensions and boastful manner soon estrange him from his benefactors, who plot to give their conceited former protege a well-deserved comeuppance. Despite this, his dazzlingly innovative footwork helps him to beat a succession of bigger and stronger men, and he finally finds himself fighting for the world's championship against his childhood idol, John L. Sullivan. Written by
Gabe Taverney (email@example.com)
The grandest story of the Naughty "Nineties" becomes the gayest picture of the Fighting "Forties!"
Did You Know?
According to "Variety," the real Corbett was "self-effacing" and had a "quiet personality.," which is at odds with the brash extrovert that is pictured in the film. See more
In the fight scene at the beginning of the movie, when the police swarm in and begin beating the two fighters with their night sticks, you can clearly see several of them flexing as they are being swung. This is particularly evident with the officer on the left as he repeatedly hits "The Mauler". It's obvious they are made of rubber. See more
...you know there really aren't two sides of the tracks to San Francisco. There's only the lucky and the unlucky, those that happened to grab the right moment and those that didn't, and don't you let this Nob Hill crowd deceive you either. After all, we all started out with the same wooden washtubs.
Referenced in Summer of '42
Auld Lang Syne
Traditional Scottish 17th century music
In the score during the opening credits and in scenes after the Sullivan fight See more