Farm family Frake, with discontented daughter Margy, head for the Iowa State Fair. On the first day, both Margy and brother Wayne meet attractive new flames; so does father's prize hog, ... See full summary »
Steve Raleight wants to produce a show on Broadway. He finds a backer, Herman Whipple and a leading lady, Sally Lee. But Caroline Whipple forces Steve to use a known star, not a newcomer. ... See full summary »
Roy Del Ruth
Bob Gordon is staging a new Broadway Show, but he is short of money. He gets an offer of money by the young widow Lilian, if she can dance in his new show. Bert Keeler, a paper man, gets ... See full summary »
On a trip to France, millionaire Jervis Pendelton sees an 18 year old girl in an orphanage. Enchanted with her, but mindful of the difference in their ages, he sponsors her to college in ... See full summary »
In Philadelphia, the soprano Prudence Budell returns from Europe after a period of five years training in the best Europeans music schools. Her millionaire grandmother Abigail Trent Budell ... See full summary »
Shiek Yousseff, poses as a friend of the French while secretly plotting to overthrow them. Apposing Yousseff are the Riffs, whose secret leader, The Red Shadow, is Paul Bonnard, a professor... See full summary »
H. Bruce Humberstone
Set during WW I, Palmer and Hayden team up as vaudeville artists. Harry Palmer deliberately injures his hand to avoid being drafted to the army. Later, he makes up for this. WW I patriotism for a WW II audience, very sentimental, great musical episodes and songs. Written by
Gerhard Gonter <firstname.lastname@example.org>
In 1943 Gene Kelly made "For Me And My Gal". It was a film starring that rising star of MGM Judy Garland, set in the years from 1915 - 1919. Garland wanted Kelly to appear in this film as her lover, Harry Palmer. It was an unusual film debut for Kelly, now recalled for his masterful dancing in musicals like "Singing In The Rain" and "An American In Paris". Instead, although it was a musical (using many tunes of the Tin Pan Alley period, it really was a character study. It looked at Kelly's opportunistic anti-hero, who does love Garland, but who is career centered to the point that he injures himself (he thinks it will be a slight injury) to avoid the draft.
It is a passably good film, due to the chemistry of the leads and such supporting film actors as Keenan Wynn (as Kelly's long suffering agent, who gets to tell him off), and George Murphy (as the would-be lover of Garland, who can't get her attention away from the unworthy Kelly).
The interest I have in the film is why Garland chose Kelly for this part. She apparently insisted that he be used for this film. The reason is that his biggest Broadway success was the 1941 show "Pal Joey", where he played the first anti-hero in Broadway history. Joey is a user of women, who wants to own a fancy nightclub in Chicago. He never rises above the sleazy dive he acts as M.C. at. He could be Harry Palmer's distant, slightly cousin. Garland would have seen Kelly play a role of a heel where he sang a golden flow of Rogers and Hart melodies, and do some good hoofing as well. It was the perfect "screen test" for Kelly to use to prove his ability to play Palmer. So he got his first role, and then went on to the major achievements of his career.
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