Tumak, member of the prehistoric Rock tribe, is exiled and makes his way to the more peaceful Shell tribe, where he is taken in and taught manners by the lovely Loana. Forced to leave the ... See full summary »
Hal Roach Jr.,
Lon Chaney Jr.
Nan Spencer is on a boat bound for Havana which runs aground. The man sent to rescue her is engaged and she doesn't understand his disinterest. Gambler is interested, to the annoyance of his girlfriend.
Set at the turn of the century, smooth talking con man Eddie Johnson weasels his way into a job at friend and rival Joe Rocco's Coney Island night spot. Eddie meets the club's star ... See full summary »
A circus performer becomes a ballerina and then begins her life of a career versus marriage and a home-life. She marries her first husband, her mentor and instructor, primarily out of ... See full summary »
Betty Grable and Dan Dailey are a married song and dance team who cannot have children. The movie follows the travails as they try and adopt and keep the kids they adopt while performing on their TV show.
Conceited World Champion boxer Tommy Lundy decides to test his popularity in a Broadway show. Tommy always has an eye for the ladies and he starts paying attention to beautiful chorus girl Pat Lambert. Pat's boyfriend Bill Smith isn't impressed with Tommy even though Tommy gets him a boxing part in the show. When Tommy finds out that Pat and Bill were secretly together the night before the show opens, he angrily plans to turn the boxing scene with Bill into a real bout. Written by
Gary Jackson <firstname.lastname@example.org>
Unused in the release print, footage of Betty Grable and chorus girls performing "I'll Be Marching to a Love Song" (music by Ralph Rainger, lyrics by Leo Robin) would wind up in the all-star short subject, Hollywood Victory Caravan (1945). In the 1942 feature, a brief bit of this number, serving as the coda, was done by Miss Grable, John Payne, Victor Mature and chorus. Another deletion was a slapstick dance routine by Miss Grable and Mr. Payne. See more »
This is a pleasant musical vehicle for Betty Grable, made early in the war, and photographed in stunning black and white by Lee Garmes. Victor Mature and John Payne literally fight over Betty in this one, while Phil Silvers is the comedy relief, and Jimmy Gleason adds some spice. Footlight Serenade is fairly small scale for a Grable pic, which makes it interesting. Most (if not all) of her subsequent films were done in color. Black and white adds just a touch of menace to the film, and Mature and Payne seem to not really like each other, which gives the movie a slight edginess that works in its favor (if you like edge). Grable's later pictures are much more bland. She didn't need all that Technicolor, as she proves here.
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