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The Andrews Sisters
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Secretary Emily Borden is in love with her boss, Henry Summers, but he is too involved with Constance Powell to notice. Ralph is interested in Emily, but she has no interest in him. Emily's... See full summary »
Set at the turn of the century, smooth talking con man Eddie Johnson weasels his way into a job at friend and rival Joe Rocco's Coney Island night spot. Eddie meets the club's star ... See full summary »
Snooty concert pianist Eric Phillips is tired and beginning to fear he's losing his talent. His condition is not helped when he discovers he's the owner of an apartment building and the ... See full summary »
With his sidekick Rusty, Jeff Harper sails to paradisiacal tropical isle Ahmi-Oni to bargain on behalf of his cattle baron father for land owned by transplanted Irishman Dennis O'Brien. But... See full summary »
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Carolyn Sayres gets a Hollywood contract from talent scout Brooke but is later rejected because she's too young. She falls in love with Bud Borden, another contractee who helps her to ... See full summary »
Conceited World Champion boxer Tommy Lundy decides to test his popularity in a Broadway show. Tommy always has an eye for the ladies and he starts paying attention to beautiful chorus girl Pat Lambert. Pat's boyfriend Bill Smith isn't impressed with Tommy even though Tommy gets him a boxing part in the show. When Tommy finds out that Pat and Bill were secretly together the night before the show opens, he angrily plans to turn the boxing scene with Bill into a real bout. Written by
Gary Jackson <email@example.com>
Unused in the release print, footage of Betty Grable and chorus girls performing "I'll Be Marching to a Love Song" (music by Ralph Rainger, lyrics by Leo Robin) would wind up in the all-star short subject, Hollywood Victory Caravan (1945). In the 1942 feature, a brief bit of this number, serving as the coda, was done by Miss Grable, John Payne, Victor Mature and chorus. Another deletion was a slapstick dance routine by Miss Grable and Mr. Payne. See more »
Will you come into my dressing room? Said the spider to the fly.
Oh, thank you, Mr. Spider, but I'm very, very shy.
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Good early Grable backstage musical despite not being in Technicolor...
As in A YANK IN THE R.A.F., BETTY GRABLE proved with this one that she didn't need Technicolor to sparkle. As it is, she could (as she herself modestly said) sing a little, dance a little, and act a little. Well, she turned those abilities into a show biz personality on screen that kept her popular at the box-office, especially during wartime America in World War II as the nation's number one pin-up girl.
Here she doesn't expand too much on those talents, but does well as a chorus girl who becomes the love interest of reliable Fox stars VICTOR MATURE and JOHN PAYNE, as boxers. When you watch both of them fighting for Betty's affection, it reminds you why they were so often chosen to co-star opposite vivacious Betty.
It's also fun to see a supporting cast that includes JANE WYMAN (still playing sharp-tongued chorines at this stage in her career), JAMES GLEASON and PHIL SILVERS. None of the songs are particularly memorable, but it's all good fun as backstage musicals go.
Since I'm used to recalling Grable in all of her Technicolor films, it seems strange to see her in glorious B&W, but her fans should enjoy this one--and her co-stars are just fine, particularly Mature as the overly cocky boxer who can't take his mind off Grable. No wonder COBINA WRIGHT, JR. is his jealous sweetheart.
My favorite line: Victor Mature saying in all seriousness to Betty Grable: "You know, you're right. I never do think of myself first."
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