Shy sailor Casey Kirby suddenly becomes known as a sea wolf when his picture is taken with a famous actress. His buddies then make a bet with some other sailors that Casey can defrost an ... See full summary »
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Shy sailor Casey Kirby suddenly becomes known as a sea wolf when his picture is taken with a famous actress. His buddies then make a bet with some other sailors that Casey can defrost an icy night club singer known as the Countess. Written by
Daniel Bubbeo <dbubbeo@cmp.com>
"Hey there, mister! You'd Better Hide Your Sister, 'Cause the Fleet's In!" That is the vivacious opening of a film that captures the spirit of an era fondly remembered by those who lived it. I remember the film specially since it was one of the first I ever saw. I saw it as a teenager when it came out, and enjoyed it greatly. There were laughs, which would sound rather dated now, perhaps, but charmingly innocent. William Holden as an innocent young sailor is a wonderful contrast to the roles he played later. In spite of the impression left by the words of the opening song, the sailors were very polite, and the film is a romance as well as a comedy. The high point for me was an extraordinarily beautiful vocal by Betty Hutton, in a serious vein, of the song: "It's Somebody Else's Moon Above, Not Mine." Dorsey's orchestra is fine, and Helen O'Connell, but Betty Hutton's heartbroken rendering of that moving song steals the show. A winner.
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"Hey there, mister! You'd Better Hide Your Sister, 'Cause the Fleet's In!" That is the vivacious opening of a film that captures the spirit of an era fondly remembered by those who lived it. I remember the film specially since it was one of the first I ever saw. I saw it as a teenager when it came out, and enjoyed it greatly. There were laughs, which would sound rather dated now, perhaps, but charmingly innocent. William Holden as an innocent young sailor is a wonderful contrast to the roles he played later. In spite of the impression left by the words of the opening song, the sailors were very polite, and the film is a romance as well as a comedy. The high point for me was an extraordinarily beautiful vocal by Betty Hutton, in a serious vein, of the song: "It's Somebody Else's Moon Above, Not Mine." Dorsey's orchestra is fine, and Helen O'Connell, but Betty Hutton's heartbroken rendering of that moving song steals the show. A winner.