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‘Dunkirk’ Blu-ray Review

Stars: Fionn Whitehead, Tom Hardy, Mark Rylance, Tom Glynn-Carney, Cillian Murphy, Kenneth Branagh, Harry Styles, Aneurin Barnard | Written and Directed by Christopher Nolan

On paper, Christopher Nolan’s follow-up to Interstellar couldn’t be more different to the puzzle boxes which have defined his movies to date. Here’s a real historic event portrayed in well under two hours, with no room for sci-fi elements or high concept hooks. That it feels, in the end, very much like you’ve watched a Christopher Nolan film is surprising, for reasons both pleasing and not-so-pleasing.

We’re thrown into the nightmare of 1940, when more than 300,000 British Expeditionary Force troops were trapped on the titular beach, with the German hordes moving in. (In one of the film’s many authentic touches, we get to see the German propaganda leaflets promising the Allies’ imminent destruction.)

Three stories – and here’s where the narrative is Nolanised.
See full article at Blogomatic3000 »

Horrible Histories: the 15 greatest songs

Catherine Pearson Nov 20, 2017

With reports of a Horrible Histories feature film in development, we salute the genius songs of a magnificent show...

Ah, Horrible Histories. The show that brings all the slapstick humour and wordplay of Blackadder and Monty Python to a young audience. It’s a rare and marvellously British televisual feast (points for citing the reference, there): a bunch of hugely talented actors charging around in historical outfits, singing songs and starring in genius pop culture-inspired spoofs to deliver the darker side of history to school children.

See related Taskmaster: one of TV's funniest, most unexpected comedies Taskmaster: the top 11 tasks so far Taskmaster: Alex Horne on series 5, casting, remakes, the future

Terry Deary’s famous books were an obvious choice for a Cbbc adaptation, but it was a bold choice to assemble a writing team and cast known for their work in the
See full article at Den of Geek »

Dunkirk: a spoiler-filled look at its ending

Ryan Lambie Jul 22, 2017

Christopher Nolan’s Dunkirk is a nail-biter from start to finish. With inevitable spoilers, we take a quick look at its ending...

Nb: This is your final warning for major Dunkirk spoilers.

See related Vikings renewed for season 5

Although it takes place in one of the most dramatic chapters of World War II, Dunkirk isn’t really about conflict, or violence, or the horrors of combat. It’s really about what ordinary people do in desperate situations, when they’re being assaulted from all sides by the roar of bombs and gunfire.

It’s surely telling that one of the leads among writer-director Christopher Nolan’s ensemble, Ffion Whitehead’s rank-and-file soldier, Tommy, doesn’t get to indulge in the kind of macho heroics that we used to see in the war movies of the 50s and 60s. For much of the film, he’s simply trying to survive,
See full article at Den of Geek »

'Dunkirk' Review: Christopher Nolan's WWII Epic May Be the Greatest War Film Ever

'Dunkirk' Review: Christopher Nolan's WWII Epic May Be the Greatest War Film Ever
From first frame to last, Christopher Nolan's Dunkirk is a monumental achievement, a World War II epic of staggering visual spectacle (see it in IMAX if you can) that hits you like a shot in the heart. Leave it to a filmmaking virtuoso at the peak of his powers to break both new ground and all the rules – who else would make a triumphant war film about a crushing Allied defeat? And who but Nolan, born in London to a British father and an American mother, would tackle WWII without America in it?
See full article at Rolling Stone »

Film Review: Christopher Nolan’s ‘Dunkirk’

Film Review: Christopher Nolan’s ‘Dunkirk’
Steven Spielberg laid claim to the Normandy beach landing, Clint Eastwood owns Iwo Jima, and now, Christopher Nolan has authored the definitive cinematic version of Dunkirk. Unlike those other battles, however, this last was not a conventional victory, but more of a salvaged retreat, as the German offensive forced a massive evacuation of English troops early in World War II. And unlike those other two directors, Nolan is only nominally interested in the human side of the story as he puts his stamp on the heroic rescue operation, offering a bravura virtual-eyewitness account from multiple perspectives — one that fragments and then craftily interweaves events as seen from land, sea and air.

Take away the film’s prismatic structure and this could be a classic war picture for the likes of Lee Marvin or John Wayne. And yet, there’s no question that the star here is Nolan himself, whose attention-grabbing approach alternates among three strands, chronological
See full article at Variety - Film News »

‘Pimpernel’ Smith

How could England have won the war without him? Horatio Smith sneaks about in Nazi Germany, liberating concentration camp inmates right under the noses of the Gestapo. Leslie Howard directed and stars in this wartime escapist spy thriller, as a witty professor too passive to be suspected as the mystery spy.

‘Pimpernel’ Smith


Olive Films

1941 / B&W / 1:37 flat Academy / 121 min. / Street Date November 15, 2016 / available through the Olive Films website / 29.98

Starring Leslie Howard, Francis L. Sullivan, Mary Morris, Allan Jeayes, Peter Gawthorne, Hugh McDermott, David Tomlinson, Raymond Huntley, Sebastian Cabot, Irene Handl, Ronald Howard, Michael Rennie.

Cinematography Mutz Greenbaum

Camera Operators Guy Green, Jack Hildyard

Film Editor Douglas Myers

Original Music John Greenwood

Written by Anatole de Grunwald, Roland Pertwee, A.G. Macdonell, Wolfgang Wilhelm based on a character by Baroness Emmuska Orczy

Produced by Leslie Howard, Harold Huth

Directed by Leslie Howard

Reviewed by Glenn Erickson

I like movies
See full article at Trailers from Hell »

Doctor Who's take on UK prime ministers

Winston Churchill, Harriet Jones, Harold Saxon... As we all head to the voting booths, how have UK prime ministers fared in Doctor Who?

Incarnations of the Doctor are a bit like British prime ministers. They usually last four to five years in real time and, despite having different faces, a cynic could say that they're all pretty much the same beneath the surface. But that's the stuff of Media Studies dissertations, in fact, Doctor Who has a far dimmer view of the UK executive in the show itself.

Over the course of fifty-odd years, the office of prime minister has been both the target and agent of satire and parody in a show that deals with an onslaught of alien activity on British soil in the past, present and future.

As we're all going to the polls today to pick who we want in Downing Street, here's our look back
See full article at Den of Geek »

Patricia Medina obituary

A spirited damsel in distress and a familiar face in postwar Hollywood films

Although the actor Patricia Medina, who has died aged 92, had a cut-glass English accent, her voluptuous Latin looks often prevented her from playing English characters. As her name suggests, she was half-Spanish, born in Liverpool, the daughter of a Spanish father – a lawyer and former opera singer – and an English mother.

Medina, who appeared in more than 50 feature films, many of them costume dramas, was seldom called upon to display much acting ability, though she was an unusually spirited damsel in distress. However, she used the one chance she had to work with a director of magnitude, Orson Welles, in Mr Arkadin (also known as Confidential Report, 1955), to show what she was capable of. As Mily, in this breathless, globetrotting film, she is an earthy nightclub dancer who attempts to seduce the amnesiac billionaire Welles. It was
See full article at The Guardian - Film News »

The Royal Wedding Live Blog

The Royal Wedding Live Blog
Credit: Dominic/Lipinski/Getty Images Prince William spoke to his bride, Catherine, as she held the hand of her father as the ceremony began.

Speakeasy live-blogged the Royal Wedding of Prince William and Kate Middleton.

The Wall Street Journal had reporters covering the event across London, and monitored reactions in the U.S., India, Australia, and elsewhere.

Among the members of the team: Cassell Bryan-Low and David Enrich outside Westminster Abbey; Paul Sonne and Sara Munoz on the parade route
See full article at Speakeasy/Wall Street Journal »

Leslie Howard personal film footage found by documentary-maker

Gone with the Wind star shown in private moments including being an affectionate father and flirting with actress

A British documentary-maker has discovered several hours of lost personal film footage of Leslie Howard, one of Britain's most revered actors and a matinee idol.

The legendary star of classic films such as Gone with the Wind, The Scarlet Pimpernel and Pygmalion in the 1930s and 1940s can be seen for the first time in five hours of home movies, described yesterday by one historian as "a treasure chest".

Howard, whose life was cut short when his plane was shot down in the second world war, is remembered as enigmatic and distant, partly due to his most famous role as Ashley Wilkes, the southern gentleman who resists Vivien Leigh in Gone with the Wind.

Now the discovery of his movies, made from the 1920s onwards, shows him in a new light – on film sets,
See full article at The Guardian - Film News »

Alan Hume obituary

Cinematographer known for his work on the Carry On films

Despite, or because of, the ancient, dirty jokes, schoolboy humour, double entendres, and a string of hammy actors tele- graphing each jest with pursed lips, rolling eyes or a snigger, the Carry On films have an army of devotees. Among the most regular actors were Kenneth Williams, Charles Hawtrey, Sid James, Joan Sims and Kenneth Connor, and behind the camera, on almost all of the 30 Carry On movies, was the cinematographer Alan Hume, who has died aged 85.

Hume started as camera operator on the very first, Carry On Sergeant (1958), soon becoming director of photography (Dp) on Carry On Regardless (1961), and continuing as Dp until Carry On Columbus (1992) ended the franchise. Though few would make any artistic claims for the films, they were competently shot, rapidly, on a shoestring. Because of the rapport Hume built up over a long period with
See full article at The Guardian - Film News »

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