By the late 1920's aircraft designer R.J. Mitchell feels he has achieved all he wants with his revolutionary mono-planes winning trophy after trophy. But a holiday in Germany shortly after ... See full summary »
By the late 1920's aircraft designer R.J. Mitchell feels he has achieved all he wants with his revolutionary mono-planes winning trophy after trophy. But a holiday in Germany shortly after Hitler assumes power convinces him that it is vital to design a completely new type of fighter plane and that sooner or later Britain's very survival may depend on what he comes to call the Spitfire. Written by
Jeremy Perkins <firstname.lastname@example.org>
The film was shot at Ibsley (now no longer in existence either as a base or a beacon, though you can see the remnants) which was in Hampshire, and in 1942 an active fighter station. The group of airmen listening to David Niven recounting the story of Mitchell were real RAF airmen. The filming did not stop for the war. If the bell went to scramble, filming would temporarily be halted while those airmen would run to their spitfires, go off and fight the war, before returning and carry on filming as though nothing had happened. At the end, Niven was so impressed with those heroes that he sent them off to The Savoy in London for the weekend, ringing the manager with instructions to give them whatever they wanted: women, drink, food, making sure the bill was sent direct to him. Difficult to imagine our pampered "stars" doing likewise these days! How do I know so much? One of those unsung heroes was my adored uncle Peter Howard-Williams, who had been in 19 Squadron flying out of Duxford during the Battle of Britain, but happened to be at Ibsley when the station was chosen for the film.
39 of 39 people found this review helpful.
Was this review helpful to you?