A private detective is hired to retrieve a valuable antique coin that was stolen from its owner by her son, who used it to pay off a blackmailer. The private eye soon finds himself up to ... See full summary »
Philip Marlowe gets involved when limp-wristed and snidely Leslie Murdock steals a rare doubloon from his mother to give to a newsreel photographer in exchange for film that is being used ... See full summary »
One night in New York, beefy escaped convict Moose Malloy goes hunting for his ex-girlfriend Velma, leaving a trail of mayhem behind him. Velma seems to be well-hidden, and adventurer The Falcon, intrigued, investigates on his own, approaching the heart of the mystery via a varied sequence of shady characters and attractive women. Written by
Rod Crawford <email@example.com>
This is the third Falcon entry in a row in which Hans Conried plays a different character. See more »
In a night club scene The Falcon and Diana Kenyon are sitting close together talking. There is a plant pot on a ledge behind them, partially obscured and on the table a champagne glass is in front of Diana Kenyon. In the next shot, there is a gap separating the two, the flower pot is now centrally placed between them and the champagne glass has moved position. See more »
This is an odd mix. The humor of the Falcon grafted into a Cliff notes version of Raymond Chandler that doesn't do either justice.
The plot of Moose Malloy trying to find his Velma and leaving a trail of bodies in his wake has been done several times all very seriously. Here the case is taken from Phillip Marlowe and given to George Saunders as the Falcon and its almost is a classic.
The problem is that the two styles, the Falcon's wisecracking doesn't mix with the seriousness of the source material. The two parts the humor and the crime drama are perfectly done when each takes the center stage but the shifting from one to the other doesn't really work well. Saunders is so good a hard boiled private dick that I really wonder what would have happened had be been allowed to play a real tough guy.
The worst flaw of the film is only apparent to those who know the original story and that is the speed at which its told. We fly through this story at light speed, and while it works here as a programmer, its shortening is glaring and jarring to those who love the other versions.
On its own terms its a very very good movie. As a representation of a Raymond Chandler book its a mere curio. I suggest you just take it for what it is for a good nights entertainment.
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