In Nazi Germany in 1936 seven men escape from a concentration camp. The camp commander puts up seven crosses and, as the Gestapo returns each escapee he is put to death on a cross. The ... See full summary »
A classic film featuring a boy who is able to hear what the racehorses at the track are thinking. He bases their moods on how well he thinks they'll do, and tells his older brother who is ... See full summary »
Jackie 'Butch' Jenkins,
Madeleine Damien is the fashion editor of a slick Manhattan magazine by day and a lively party girl by night. Unfortunately, the pressures of her job, including kowtowing to a hefty ... See full summary »
Susan Miller works behind the girdle counter in a department store and dreams about the beautiful clothes and glamour she can never hope to have. Enter May Worthington and Warren, a pair of... See full summary »
Blind detective Duncan Maclain is visited by old friend Norma Lawry, looking for help in getting rid of one of her old beaus, who is courting Norma's 17-year old step-daughter. When the old beau is found murdered, Norma is the chief suspect until Duncan (aided by his guide-dog Friday) pays a visit to her home and uncovers a plot to steal her husband's military secrets for the enemy. Written by
Ron Kerrigan <email@example.com>
The failure of the original copyright holder to renew the film's copyright resulted in it falling into public domain, meaning that virtually anyone could duplicate and sell a VHS/DVD copy of the film. Therefore, many of the versions of this film available on the market are either severely (and usually badly) edited and/or of extremely poor quality, having been duped from second- or third-generation (or more) copies of the film. See more »
[talking to Duncan Maclain's dog]
I'm off to the Harlem Squash and Tennis Club to meet my dream girl.
[Alistar opens the door and the dog flattens him to pursue a female canine in the street]
Why, you wolf!
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There's some gimmicky silliness in the film, especially the dog - but fortunately the detective's blindness is not used as a gimmick (except perhaps in a fight scene, which thus allows stalwart character actor Edward Arnold to exercise considerable acting muscle here - he does a splendid job - as does a young, energetic Donna Reed.
The film has a professional polish to it. The pacing could have been a little swifter, but not by much; generally the tension is maintained throughout.
Very much of its time, but worth preserving for strong performances and solid direction.
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