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Escape from Crime (1942)

 -  Crime | Drama  -  25 July 1942 (USA)
6.1
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Ratings: 6.1/10 from 95 users  
Reviews: 5 user | 2 critic

Ex-con Red O'Hara becomes a daring news photographer, but his old ways get him into trouble.

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(screenplay), (story)
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Title: Escape from Crime (1942)

Escape from Crime (1942) on IMDb 6.1/10

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Cast

Complete credited cast:
Richard Travis ...
Red O'Hara
Julie Bishop ...
Molly O'Hara
...
Convict (as Jackie C. Gleason)
...
Cornell
Rex Williams ...
Slim Dugan
Wade Boteler ...
Lieutenant 'Biff' Malone
Charles C. Wilson ...
Reardon (as Charles Wilson)
...
Dude Merrill
Ruth Ford ...
Myrt
John Hamilton ...
Rafferty
Ann Corcoran ...
Belle Mason
Ben Taggart ...
Warden Kirby
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Storyline

Red O'Hara, just released from prison after serving an unjust sentence on a frame engineered by Dude Merrill, leaves his wife Molly and tries unsuccessfully to land a news photographer's job. He finally gets a position after photographing a bank robbery, and tops this later by catching Dude in the midst of a crime and preventing the killing of a detective. Written by Les Adams <longhorn1939@suddenlink.net>

Plot Summary | Add Synopsis

Taglines:

I loved a guy with a gun --

Genres:

Crime | Drama

Certificate:

Approved
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Details

Country:

Language:

Release Date:

25 July 1942 (USA)  »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

(RCA Sound System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Harry Arras died of a heart attack on set while shooting a scene for this film. See more »

Goofs

Charles Sherlock is seen as the killer of the policeman during the bank robbery, and as Butch Medford is reported to be one of the three to be executed. After the executions, he is still seen as one of the gangsters in the gunfight at the end, then called Charlie. See more »

Connections

Remake of Picture Snatcher (1933) See more »

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User Reviews

 
So what would you do for $1,000?
20 August 2002 | by (Corrales, NM) – See all my reviews

Fast-paced crime drama loosely based upon James Cagney's `Picture Snatcher (1933).' Richard Travis plays a photographer ex-con trying to go straight. He lucks out by being at the scene of a bank robbery, takes photos of the shooting of a cop, and is rewarded by a job in the professional paparazzi. When offered a raise, a $1,000 bonus, and a writing assignment (vice getting fired) to take pictures of his old gangster friend's execution, our hero talks his parole officer into getting him into prison where he takes the picture. On the way out, he is discovered and has to struggle to get the film to his editor. En-route back to prison for violating parole, our hero rescues his captor who has become embroiled in a shoot-out with another gangster from Travis' old days.

OK, this plot is somewhat convoluted, let alone trying to do it all in 51 minutes on what is obviously a very low budget. Not much time for character development and the cast comes and goes with great speed. Continuity is provided by the interactions of Travis and Wade Boteler who plays Police Lieutenant Riff Malone (a.k.a. `Irish' and `Lucky'). The policeman alternates between hounding the ex-con and supporting his escape from crime. Boteler had nearly 400 films to his credit – typical of a number of the cast members. The `Great One' Jackie Gleason has a small part as a con in the beginning of the movie but is never seen again.

Themes include: crime does not pay; the inability to get a job after being released from prison (Travis was not guilty of the first crime); overcoming adversity to do the right thing (the hero must and does get rewarded for his efforts); and loyalty to friends vs. duties to family. Not too bad to try to do all this in 51 minutes. Perhaps a little longer might have been better.

One good scene uses shadows to depict strapping a man into the electric chair.

The film is worth seeing if only to witness 12 shots fired into what obviously is a bulletproof trash can – not harming our hero hiding behind. They don't make them like this anymore.


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