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Dr. Renault's Secret (1942)

Dr. Larry Forbes visits the château of Dr. Robert Renault, uncle of his fiancée Madelon, who is idolized by Renault's assistant, a strange émigré from Java.

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Cast

Complete credited cast:
...
...
Dr. Larry Forbes (as John Shepperd)
...
...
...
Hotel Proprietor
Eugene Borden ...
Coroner
...
Mr. Austin
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Storyline

A young man visits his fiancée in a remote French villa where her scientist father resides. There he meets Noel, Dr. Renault's mysterious assistant, who has a strange attraction to Renault's daughter. Soon he learns Noel's true identity: he is an ape that was turned into a man by Renault's bizarre experiments! Written by Jeremy Lunt <durlinlunt@acadia.net>

Plot Summary | Add Synopsis

Taglines:

IT'S THRILLING! IT'S CHILLING! (original print ad-all caps) See more »


Certificate:

Approved | See all certifications »
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Details

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Release Date:

19 October 1942 (USA)  »

Also Known As:

Buried Alive  »

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Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Inspired by Gaston Leroux's novel "Balaoo". See more »

Goofs

When J. Carrol Naish lifts Mike Mazurki to throw him off the mill the wires used to hoist him up are clearly visible. See more »

Quotes

Jacques, a detective: [after a body lands near them] He fell out of that window!
Inspector Duval: You can't fall out of a closed window!
Jacques, a detective: Then it's murder!
See more »

Connections

Remake of Balaoo (1913) See more »

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User Reviews

 
Strangely watchable and engaging
6 December 2001 | by (The Land of Mortis) – See all my reviews

I don't know if it was the spectacle (for me anyways) of seeing J. Carroll Naish in something that wasn't "Frankenstein vs. Dracula" (my all-time favorite so-bad-its-good film), Naish's decent "pitiable villain" or the rather flimsy "Island of Dr. Moreau" reworking, but somehow this movie really held my intention. It's mercifully short (any longer would've been far too much), and fairly typical of horror films of its day. Definitely takes a page out of Wells' book, although the action this time has been relocated to France. There are definite signs of its era and its budget-very set bound, french accents that come and go, random Euro-sounding accents instead of french accents, the "monster" that redeems himself in the end, the odd (and racist, if we want to get all PC, which I don't usually bother for a film of this era that isn't being deliberate about it's racism) notion that a man from Java and an ape made to look like a man would be indistinguishable. Leaving all of these criticisms aside, if you're a fan of horror films, whose interested in the history of the genre and not just in the latestest "Scream" knock-off or still hoping they'll come out with a tenth Friday the 13th or a similar sequel machine, I say check it out. If you're into B-pictures of the era, check it out. It shows the general qualtity of studio horror films of the era, and its got a little something extra I can't put my finger on.


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