This MGM short, part of the Crime does not Pay series, focuses on industrial sabotage during wartime. After a valuable shipment of manganese is blown up at a plant, the FBI try to find out ... See full summary »
This MGM short, part of the Crime does not Pay series, focuses on industrial sabotage during wartime. After a valuable shipment of manganese is blown up at a plant, the FBI try to find out how information on the manganese shipment was found out. They get a lead on one of the plotters, Beulah Anderson, who as a waitress in a café gets to pick up all kinds of scuttlebutt from the innocent but loose talking clients. Once they figure out how she is sending the information she gathers, the FBI sets a trap. The moral of the story is: Don't Talk! Written by
Dwight Frye plays a saboteur trying to stop the shipment of machine tools from a defense plant. Somewhat ironic as when he died the year after this was made, the death certificate had him listed as being a tool designer since he was working at Lockheed to do his bit in the war effort. See more »
MGM Crime Reporter:
Once again, as the MGM crime reporter, it is my privilege to bring you another episode in our Crime Does Not Pay series. For obvious reasons, the events and characters depicted herein are fictitious. My I present Mr. Jack Sampson, special agent in charge of a field division office of the Federal Bureau of Investigation.
FBI Agent Jack Sampson:
Our war program, the most unprecedented in history, calls not only for the production of tanks and guns, planes and ships, but also for the building of a defense ...
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Part of the MGM Crime Does Not Pay series, Don't Talk is supposed to serve as a stern warning to not be talking too freely about your work in war related industries. In this case some nasty Axis saboteurs are operating out of both a beauty shop and a hash house.
In this rather dated short personally I liked Gloria Holden as the waitress who listens for information from the factory workers at a tool& dye plant and passes it on to her superiors. But intrepid FBI agent Barry Nelson is definitely on to her and eventually catches on to how she passes the information. Quite clever really.
This Oscar nominated short subject is part of the propaganda the FBI under J. Edgar Hoover encouraged the film industry to make. Funny thing is that they did do a good job in preventing sabotage which was more of a threat then folks would admit today. And Hoover's historic reputation would be in great shape if he had retired in 1945.
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