Up 12,008 this week

There Was a Father (1942)
"Chichi ariki" (original title)

Not Rated  |   |  Drama  |  November 1982 (USA)
Your rating:
    1 2 3 4 5 6 7 8 9 10 -/10 X  
Ratings: 7.8/10 from 1,307 users  
Reviews: 12 user | 22 critic

Shuhei Horikawa, a poor schoolteacher, struggles to raise his son Ryohei by himself, despite neither money nor prospects.


0Check in

On Disc

at Amazon

IMDb Picks: May

Visit our IMDb Picks section to see our recommendations of movies and TV shows coming out in May, sponsored by COVERGIRL.

User Lists

Related lists from IMDb users

a list of 22 titles
created 01 Sep 2011
a list of 27 titles
created 13 Jul 2012
a list of 46 titles
created 27 Nov 2012
a list of 27 titles
created 10 Mar 2013
a list of 40 titles
created 10 months ago

Related Items

Connect with IMDb

Share this Rating

Title: There Was a Father (1942)

There Was a Father (1942) on IMDb 7.8/10

Want to share IMDb's rating on your own site? Use the HTML below.

Take The Quiz!

Test your knowledge of There Was a Father.
Learn more

People who liked this also liked... 

Tokyo Story (1953)
    1 2 3 4 5 6 7 8 9 10 8.3/10 X  

An old couple visit their children and grandchildren in the city; but the children have little time for them.

Director: Yasujirô Ozu
Stars: Chishû Ryû, Chieko Higashiyama, Sô Yamamura
    1 2 3 4 5 6 7 8 9 10 7.7/10 X  

Two geisha sisters lead a hard life in the Gion district of Kyoto. After one of them feels obliged to support a bankrupt businessman, the other sister sets up various schemes to get rid of him.

Director: Kenji Mizoguchi
Stars: Isuzu Yamada, Yôko Umemura, Benkei Shiganoya
The Only Son (1936)
    1 2 3 4 5 6 7 8 9 10 7.8/10 X  

In 1923, in the province of Shinshu, the widow and simple worker of a silk factory Tsune Nonomiya (O-Tsune) decides to send her only son to Tokyo for having a better education. Thirteen ... See full summary »

Director: Yasujirô Ozu
Stars: Chôko Iida, Shin'ichi Himori, Masao Hayama
    1 2 3 4 5 6 7 8 9 10 7.7/10 X  

A man returns from World War II to find his desperate wife has resorted to one night of prostitution to pay for their son's hospital bills.

Director: Yasujirô Ozu
Stars: Kinuyo Tanaka, Shûji Sano, Chieko Murata
    1 2 3 4 5 6 7 8 9 10 7.6/10 X  

When the patriarch of the Toda family suddenly dies, his widow discovers that he has left her with nothing but debt and married children who are unwilling to support her--except for her most thoughtful son, just returned from China.

Director: Yasujirô Ozu
Stars: Mieko Takamine, Shin Saburi, Hideo Fujino
Comedy | Drama
    1 2 3 4 5 6 7 8 9 10 8/10 X  

A businessman clashes with his elder daughter over her choice of a husband.

Director: Yasujirô Ozu
Stars: Shin Saburi, Kinuyo Tanaka, Ineko Arima
Early Summer (1951)
    1 2 3 4 5 6 7 8 9 10 8.2/10 X  

A family chooses a match for their daughter Noriko, but she, surprisingly, has her own plans.

Director: Yasujirô Ozu
Stars: Setsuko Hara, Chishû Ryû, Chikage Awashima
    1 2 3 4 5 6 7 8 9 10 5.9/10 X  
Director: Yasujirô Ozu
Stars: Tatsuo Saitô, Mitsuko Yoshikawa, Tomio Aoki
Kagamijishi (1936)
Documentary | Short
    1 2 3 4 5 6 7 8 9 10 6.4/10 X  
Director: Yasujirô Ozu
Stars: Kikugoro Onoe, Kinjirou Onoe, Shigeru Onoe
    1 2 3 4 5 6 7 8 9 10 4.9/10 X  
Director: Yasujirô Ozu
Stars: Tokuji Kobayashi, Yurie Hinatsu, Mariko Aoyama
Nikutaibi (1928)
    1 2 3 4 5 6 7 8 9 10 7.1/10 X  
Director: Yasujirô Ozu
Stars: Chôko Iida, Kenji Kimura, Chishû Ryû
Short | Comedy
    1 2 3 4 5 6 7 8 9 10 6.3/10 X  
Director: Yasujirô Ozu
Stars: Atsushi Watanabe, Hisao Yoshitani, Eiko Takamatsu


Credited cast:
Shûji Sano ...
Shin Saburi ...
Yasutaro Kurokawa
Takeshi Sakamoto ...
Makoto Hirata
Mitsuko Mito ...
Fumiko Hirata
Masayoshi Ôtsuka ...
Seiichi Hirata
Shin'ichi Himori ...
Minoru Uchida
Haruhiko Tsuda ...
Ryohei as a child
Rest of cast listed alphabetically:
Shôtarô Fujimatsu
Chiyoko Fumiya
Masao Hayama
Kanji Kawahara ...
Teacher of junior high school
Teruo Kisaragi
Shôichi Kotôda
Masami Kubota


A father and his son, a son and his father. Horikawa is a widower, a teacher, and a good father to Ryohei, who's about 10. After a tragedy, Horikawa resigns from teaching and takes Ryohei from Tokyo to the town of Ueno, enrolling him in junior high; to the lad's sorrow, he will be a boarder. Horikawa returns to work in Tokyo, their separation is complete. Jump ahead more than ten years: with dad's help, Ryohei has finished college and has a teaching job in Akita. Horikawa considers living with his son, which Ryohei wants, but the elder's notions of duty and hard work preclude it. Ryohei arranges a ten-day vacation with his father. Heartbreak comes quietly, nearly hidden by dignity. Written by <>

Plot Summary | Add Synopsis




Not Rated | See all certifications »




Release Date:

November 1982 (USA)  »

Also Known As:

There Was a Father  »

Company Credits

Production Co:

Show detailed on  »

Technical Specs

Sound Mix:

Aspect Ratio:

1.37 : 1
See  »

Did You Know?


Referenced in The Life and Works of Yasujiro Ozu (1983) See more »

Frequently Asked Questions

This FAQ is empty. Add the first question.

User Reviews

Immovable vision
16 March 2012 | by (Greece) – See all my reviews

One more step in Ozu's long journey of trying to balance between a cinematic eye that sees with clarity into the disasters of dramatic life and reflections of that eye, his most famous films still ahead of him. French and Soviet silent filmmakers innovated in the 20's by looking to see the seeing eye in action, shaping, morphing world with vision. Ozu introduced something altogether different: non-mind, nothingness between eye and world.

This was a completely novel thing at the time in terms of cinema - although it's supported by a rich Buddhist tradition.

Even Ozu seemed unsure how to handle it. Cultivating this took him time. It is possible for example, that being a young Japanese cinephile fascinated with modern Western culture, he thought for a time that he was only reworking Chaplin, a visual story, pared down to essentials. He dabbled for a time with a fluid camera, after Sternberg. He did a chamber drama, controlled, stagebound environment, very German.

But at some point, he must have suspected this had potential to go much deeper than anyone had envisioned at the time. I believe the key transition was Dragnet Girl from '33: a gangster film, very upbeat and jazzy, pure Sternberg razzle-dazzle, that is until the finale, where the modern movie night of danger and intrigue gave way to the clarity and stillness of the first morning light.

This was great. He had discovered the eye, a landscape painter's eye, but not yet the right landscape. He spent the next couple of films looking. It should be life, he knew this much, but what kind of life?

Now this. The story is about a teacher scarred by an accident he couldn't prevent, and efforts of his surrounding world to extricate him from the exile of self-imposed guilt. He sends his son away, to study, work hard and advance himself. He keeps himself away, somewhere in Tokyo, and only periodically surfaces back from we presume a frugal existence. At a class reunion with his former pupils, he is reminded, urged to consider, that the world is moving ahead, still turning. All his pupils are grown men, married, most of them with kids.

So what a change from earlier fathers Ozu portrayed, often itinerant bums, a source of dismay or embarrassment for their kids. Here's a father who is hardened, by his own failures no less, resolute, preaching to his son that "work should be considered every man's mission" and to "serve your country".

There is of course the obvious comment to be made about wartime allegory and the call for patriotic action, by itself not very interesting. Sons of Japan urged forward by a strict but well-meaning father. Incidentally, that same year was when tides of war started turning in the Pacific, blowing back towards Tokyo and destruction.

But there is more here, for the first time. Now if we only listen to the story, the father is a tragic hero and a model to emulate. The dutiful son goes away in the finale, presumably to strive to fulfil his father's wishes. The parting image is one of many poignantly still shots.

So far Ozu had favored dramatic resolution of that stillness - Floating Weeds, Tokyo Inn - and at first glance this is no different. But these images reveal a more complicated world beneath the story.

Consider the plot again. The traumatizing event occurs because the father is not there to see. This is understandable; we cannot keep the whole world in check. It turns independent of us, transient, impermanent flow. The event also happens away from our sight, but in place of it we have a perspective the father lacks. At the crucial moment, Ozu cuts away to a shot of an ornamental stone top on a vertical post of a bridge. Now images of bridges feature prominently in Japanese iconography, signifiers among other things of what the Buddhist understand as the floating world. Distances in old Japan were traditionally measured from the great Nihonbashi bridge, the center of a symbolic axis mundi.

There is no motion from this point of stillness in our film, although we know a plot is being set in motion in the flow of transient waters below, a life being lost.

How does the father handle this? Distraught from the tragedy, he takes off with his son on a train. Not having made his peace with the fact, he later removes himself from sight of his son, who needs him more than anything else. And how does the son? He becomes the father he's been effectively deprived of, this broken man infused with values from that loss. In the finale he sails off into the night, onboard another train.

Trains; man-made, mechanical structures of life, human karmas in motion.

On the other hand, an immovable spot above the waters, clarity, dispassion, centered vision.

3 of 3 people found this review helpful.  Was this review helpful to you?

Message Boards

Recent Posts
On TCM June 16, 2008, 2am dautkomm
on DVD dcbill-1
Criterion archsleep
Discuss There Was a Father (1942) on the IMDb message boards »

Contribute to This Page

Create a character page for: