IMDb > Cat People (1942)
Cat People
Quicklinks
Top Links
trailers and videosfull cast and crewtriviaofficial sitesmemorable quotes
Overview
main detailscombined detailsfull cast and crewcompany credits
Awards & Reviews
user reviewsexternal reviewsawardsuser ratingsparents guidemessage board
Plot & Quotes
plot summarysynopsisplot keywordsmemorable quotes
Did You Know?
triviagoofssoundtrack listingcrazy creditsalternate versionsmovie connectionsFAQ
Other Info
box office/businessrelease datesfilming locationstechnical specsliterature listingsNewsDesk
Promotional
taglines trailers and videos posters photo gallery
External Links
showtimesofficial sitesmiscellaneousphotographssound clipsvideo clips

Cat People (1942) More at IMDbPro »

Photos (See all 16 | slideshow) Videos (see all 3)
Cat People -- Irena Dubrovna, a beautiful and mysterious Serbian-born fashion artist living in New York City, falls in love with and marries average-Joe American Oliver Reed...

Overview

User Rating:
7.4/10   10,799 votes »
Your Rating:
Saving vote...
Deleting vote...
/10   (delete | history)
Sorry, there was a problem
MOVIEmeter: ?
Down 29% in popularity this week. See why on IMDbPro.
Director:
Writer:
DeWitt Bodeen (written by)
Contact:
View company contact information for Cat People on IMDbPro.
Release Date:
25 December 1942 (USA) See more »
Genre:
Tagline:
She knew strange, fierce pleasures that no other woman could ever feel! See more »
Plot:
An American man marries a Serbian immigrant who fears that she will turn into the cat person of her homeland's fables if they are intimate together. Full summary » | Full synopsis »
Plot Keywords:
Awards:
1 win & 2 nominations See more »
User Reviews:
A howl in a concrete jungle See more (128 total) »

Cast

  (in credits order) (verified as complete)

Simone Simon ... Irena Dubrovna Reed
Kent Smith ... Oliver Reed
Tom Conway ... Dr. Louis Judd
Jane Randolph ... Alice Moore

Jack Holt ... The Commodore
rest of cast listed alphabetically:
Henrietta Burnside ... Sue Ellen (uncredited)
Alec Craig ... Zookeeper (uncredited)
Eddie Dew ... Street Policeman (uncredited)
Elizabeth Dunne ... Mrs. Plunkett (uncredited)
Dynamite ... The Panther (uncredited)
Dot Farley ... Mrs. Agnew (uncredited)
Mary Halsey ... Blondie (uncredited)
Theresa Harris ... Minnie (uncredited)
Charles Jordan ... Bus Driver (uncredited)
Donald Kerr ... Taxi Driver (uncredited)
Connie Leon ... Neighbor Who Called Police (uncredited)
Murdock MacQuarrie ... Sheep Caretaker (uncredited)

Alan Napier ... Doc Carver (uncredited)
John Piffle ... Café Proprietor (uncredited)
Betty Roadman ... Mrs. Hansen (uncredited)
Elizabeth Russell ... The Cat Woman (uncredited)
Stephen Soldi ... Organ Grinder (uncredited)

Directed by
Jacques Tourneur 
 
Writing credits
DeWitt Bodeen (written by)

Produced by
Val Lewton .... producer
 
Original Music by
Roy Webb 
 
Cinematography by
Nicholas Musuraca (director of photography)
 
Film Editing by
Mark Robson 
 
Art Direction by
Albert S. D'Agostino 
Walter E. Keller 
 
Set Decoration by
A. Roland Fields (set decorations) (as Al Fields)
Darrell Silvera 
 
Costume Design by
Renié (gowns)
 
Makeup Department
Mel Berns .... makeup artist (uncredited)
 
Second Unit Director or Assistant Director
Doran Cox .... assistant director
 
Sound Department
John L. Cass .... recordist
 
Special Effects by
Vernon L. Walker .... special effects (uncredited)
 
Visual Effects by
Linwood G. Dunn .... photographic effects (uncredited)
 
Music Department
C. Bakaleinikoff .... musical director
John Leipold .... orchestrator (uncredited)
Leonid Raab .... orchestrator (uncredited)
 
Other crew
Richard C. Craven .... humane representative (uncredited)
Mel Koontz .... animal trainer (uncredited)
Lou L. Ostrow .... supervisor (uncredited)
 
Crew verified as complete


Production CompaniesDistributorsOther Companies

Additional Details

Also Known As:
Runtime:
73 min
Country:
Language:
Aspect Ratio:
1.37 : 1 See more »
Sound Mix:
Mono (RCA Sound System)
Certification:
Argentina:13 | Australia:PG | Canada:PG (Ontario) | Finland:K-16 (1978) | Netherlands:18 (original rating) (1952) | Sweden:15 | UK:A (original rating) | UK:PG (tv rating) | UK:PG (re-release) (1999) | UK:PG (video rating) (1998) | USA:Approved (PCA #8693) | West Germany:12 (video rating)

Did You Know?

Trivia:
R.K.O. gave Val Lewton only $150,000 to make the film, resulting in "creative" producing. This forced many of the scenes requiring special effects to be done in shadows which many believe increased the suspense of the film. When studio execs insisted that more footage of the panther be included in the movie, Lewton was able to maintain the budget and the suspense of the film by limiting how many scenes the panther could be visibly seen and told the cinematographer to "keep the panther in the shadows." Thus the panther was only visible in the office and zoo cage.See more »
Goofs:
Continuity: The wadded up paper that Irena throws toward the garbage changes shape between when she throws it and when Oliver picks it up and throws it away.See more »
Quotes:
Irena Dubrovna:Oh, it's alright. It's just that cats don't seem to like me.See more »
Movie Connections:
Referenced in The 100 Greatest Scary Moments (2003) (TV)See more »
Soundtrack:
Do, Do, Baby, DoSee more »

FAQ

Why did Dr Judd purposely "forget" his walking stick?
Did Irena really turn into a panther?
Where did the dead sheep come from?
See more »
35 out of 39 people found the following review useful.
A howl in a concrete jungle, 6 October 1999
Author: Forester-2 from Glasgow, Scotland

One doesn't want for a second to take credit away from screenwriter DeWitt Bodeen, one of the most intelligent scenarists the horror film evr had the benefit of. But it's a matter of record that producer Val Lewton, here as on all his horror pictures, was responsible for the initial premise and the screenplay's final draft. And one wonders how much of Lewton - one of those male writers who tended to form his most empathetic bond with his female characters - there is in Irene: like him an eastern european immigrant (she from Serbia, he from Russia, albeit second generation he grew up in an essentially Russian household) living in the very different world of 40's America, both hyper-sensitive (particularly over morbid fantasies regarding cats) and artists of an essentially solitary and modest nature, but prone to fits of violent temper. Certainly, Irene is one of the most vivid and haunting protagonists any horror film ever had. Some critics may disparage the film as inferior to its follow-up, 'I Walked With a Zombie', but although that's a more completely achieved work, none of its characters captures the imagination as Irene does. One scarcely needs to heap more praise on the most celebrated suspense sequences, but the rest of the movie is more than just a set-up for these. It is, for one thing, oneof the supreme evocations of spiritual loneliness in the cinema. As Irene huddles by the doorknob between her and husband Oliver, while the panther in the nearby zoo calls out through the wintery night, this is an evocation of an isolation more than merely physical and tragically irrevocable. Lewton also had on his side, in this instance, the best of his directors, Jacques Tourneur, a sensualist (which could scarecely be said of his successors, Mark Robson and Robert Wise) who makes of the story a sort of tactile poem in the textures of the black fur of Irene's coat, the silk of her stockings, the flakes of falling snow on Irene and Oliver's wedding night, the wet tarmac across which Jane Randolph has to make her scary walk home, the ebony of an Egyptian cat-statue, the fabric of a couch torn by Irene's fingernails, the white enamel of Irene's bath-tub and the gleaming dusky hunch of her wet shoulders as she sits weeping within. This is a subtle movie, but also an intensely physical one. If there is a weak spot, it lies with the casting of Kent Smith as 'good plain Americano' Oliver Reed. His boy next door charm is hopelessly inadequate to the context of Irene's drama and he increasingly seems doltish and blindly insensitive in the blandness of his responses to her torment. The film might have been greater still if Lewton had cast an edgier, fierier actor, one whose incomprehension of Irene might have betrayed its own violent streak and extended the 'cat people' metaphor beyond Irene herself. Think of someone like John Garfield in the role! But Garfield would have been out of Lewton's budget range and one can scarcely harangue the producer for being too modest, in the production of his first quickie horror, for fully grasping how rich a work of film poetry he and his collaborators were in the process of creating. But poetry it is. The horror genre has never produced as much of that as it ought to have done, so for heaven's sake, make the most of this and the other Lewton productions.

Was the above review useful to you?
See more (128 total) »

Message Boards

Discuss this movie with other users on IMDb message board for Cat People (1942)
Recent Posts (updated daily)User
How on earth is this rated so high........... theghostofleifericson
Cats havde 9 lives;;;;what if??? cmichal427
Where did the sheep come from? emmas_place2003
Really Bad Acting lcherner
I've just gotta mention this. hotmomoko
I didn't like it. koomy
See more »

Recommendations

If you enjoyed this title, our database also recommends:
- - - - -
Cat People The Postman Always Rings Twice The Grudge King Kong Fur: An Imaginary Portrait of Diane Arbus
IMDb User Rating:
IMDb User Rating:
IMDb User Rating:
IMDb User Rating:
IMDb User Rating:
Show more recommendations

Related Links

Full cast and crew Company credits External reviews
News articles IMDb Horror section IMDb USA section

You may report errors and omissions on this page to the IMDb database managers. They will be examined and if approved will be included in a future update. Clicking the 'Edit page' button will take you through a step-by-step process.