A young Canadian nurse (Betsy) comes to the West Indies to care for Jessica, the wife of a plantation manager (Paul Holland). Jessica seems to be suffering from a kind of mental paralysis ... See full summary »
On a Greek island during the 1912 war, several people are trapped by quarantine for the plague. If that isn't enough worry, one of the people, a superstitious old peasant woman, suspects ... See full summary »
Dr. John Holden ventures to London to attend a paranormal psychology symposium with the intention to expose devil cult leader, Julian Karswell. Holden is a skeptic and does not believe in ... See full summary »
Nell Bowen, the spirited protege of rich Lord Mortimer, becomes interested in the conditions of notorious St. Mary's of Bethlehem Asylum (Bedlam). Encouraged by the Quaker Hannay, she tries... See full summary »
A private eye escapes his past to run a gas station in a small town, but his past catches up with him. Now he must return to the big city world of danger, corruption, double crosses and duplicitous dames.
Martin Scorsese narrates this tribute to Val Lewton, the producer of a series of memorable low-budget horror films for RKO Studios. Raised by his mother and his aunt, his films often ... See full summary »
Tom Merriam signs on the ship Altair as third officer under Captain Stone. At first things look good, Stone sees Merriam as a younger version of himself and Merriam sees Stone as the first ... See full summary »
Irena Dubrovna, a beautiful and mysterious Serbian-born fashion artist living in New York City, falls in love with and marries average-Joe American Oliver Reed. Their marriage suffers though, as Irena believes that she suffers from an ancient curse- whenever emotionally aroused, she will turn into a panther and kill. Oliver thinks that is absurd and childish, so he sends her to psychiatrist Dr. Judd to cure her. Easier said than done... Written by
Ken Yousten <firstname.lastname@example.org>
Several actors in studio records and casting call lists did not appear in the movie. These were (with their character names) George Ford (Whistling cop), Leda Nicova (Patient), and Bud Geary (Mounted policeman). See more »
When Irena is alarmed by the woman in the restaurant, she makes the sign of the cross left-to-right, as a Western Catholic would. However, as a Serb, she would more likely have made it right-to-left, as Orthodox and Eastern Catholics do. And if she was Orthodox, she would join three fingers (thumb, index and middle finger) to make the sign of the cross, not use the whole hand. See more »
[From the opening credits] "Even as fog continues to lie in the valleys, so does ancient sin cling to the low places, the depression in the world consciousness."- "The Anatomy of Atavism"- Dr. Louis Judd See more »
Not since the heyday of James Whale in the early and mid-thirties had there been anything like this one, a horror art movie. As persuasively acted by Kent Smith and Simon Simon, it concerns a young American architect, romantic if somewhat dry, and his Serbian-born wife, who has an irrational fear of turning into a cat. Since our introduction to her has her standing in front of the lion cage at the zoo, we are inclined to believe her.
The couple's sexual difficulties (we see him sleeping on the sofa) lead the husband to suggest psychotherapy, which turns out to have tragic consequences, as it gets the poor woman too in touch with her feelings. Very little of the horror in this film is shown. Cat People was revolutionary in this respect, and had a huge impact on many films that followed, not just horrors. The picture also put its producer, Val Lewton, on the map, making him the first and last wunderkind of B movies, as he became somewhat of a celebrity from this point on, turning out high quality fright films for the next four years. Never before or since has a B level producer achieved such status.
Director Jacques Tourneur deserves the lion's share of credit for this movie, bringing his light touch, in itself almost feline, to every scene; and in making the story seem far more intelligent than it is. Like Lewton, Tourneur was a gifted man whose natural refinement was both his making as well as his undoing, since a man of his taste and sensibility could never thrive in Hollywood, and could only expect success in fits and starts, as indeed would prove to be the case.
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