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Cat People (1942)

7.5
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Ratings: 7.5/10 from 10,174 users  
Reviews: 127 user | 98 critic

An American man marries a Serbian immigrant who fears that she will turn into the cat person of her homeland's fables if they are intimate together.

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Title: Cat People (1942)

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Cast

Complete credited cast:
...
Kent Smith ...
Tom Conway ...
...
...
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Storyline

Irena Dubrovna, a beautiful and mysterious Serbian-born fashion artist living in New York City, falls in love with and marries average-Joe American Oliver Reed. Their marriage suffers though, as Irena believes that she suffers from an ancient curse- whenever emotionally aroused, she will turn into a panther and kill. Oliver thinks that is absurd and childish, so he sends her to psychiatrist Dr. Judd to cure her. Easier said than done... Written by Ken Yousten <kyousten@bev.net>

Plot Summary | Plot Synopsis

Taglines:

She knew strange, fierce pleasures that no other woman could ever feel! See more »


Certificate:

Approved | See all certifications »
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Details

Country:

Language:

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Release Date:

25 December 1942 (USA)  »

Also Known As:

La marca de la pantera  »

Box Office

Budget:

$134,000 (estimated)

Gross:

$4,000,000 (USA)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Sound System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Several actors in studio records and casting call lists did not appear in the movie. These were (with their character names) George Ford (Whistling cop), Leda Nicova (Patient), and Bud Geary (Mounted policeman). See more »

Goofs

When Irena is alarmed by the woman in the restaurant, she makes the sign of the cross left-to-right, as a Western Catholic would. However, as a Serb, she would more likely have made it right-to-left, as Orthodox and Eastern Catholics do. And if she was Orthodox, she would join three fingers (thumb, index and middle finger) to make the sign of the cross, not use the whole hand. See more »

Quotes

Oliver 'Ollie' Reed: You cold?
Alice Moore: A cat just walked over my grave.
See more »

Crazy Credits

[From the closing credits] "But black sin hath betrayed to endless night. Holy world, both parts and both parts must die."- "Holy Sonnets"- John Donne See more »

Connections

Referenced in Mystery Science Theater 3000: The Magic Sword (1992) See more »

Soundtracks

Do, Do, Baby, Do
Traditional French folk lullaby
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Vastly underrated and hugely influential
27 February 1999 | by (Columbia, Missouri) – See all my reviews

I have this theory about the horror films of Val Lewton. It is my contention that these movies caused a sea change in the content and tone of the movies of Alfred Hitchcock. The reason I say this is simple, really: Lewton is the only filmmaker I have ever caught Hitchcock cribbing scenes from. He did it twice. Once from The Seventh Victim (dir. by Mark Robson), which I swear to god provides the first half of the Shower Scene from Psycho. The second from Cat People, which provided the pet store scene in The Birds. This second scene is almost a shot for shot swipe. Both of these steals are evidence that Hitch knew and admired the Lewton movies. More than that, though, there is a change in the subtext of Hitchcock's thrillers after the Lewton movies. The movies he made before them were cut from the Fritz Lang mold of political thrillers. After the Lewton movies, Hitch's movies became more psychosexual in nature. Vertigo, for instance, could easily fit into Lewton's output.

Cat People is the first of the Lewton movies and sets the tone for them. It pretends to be about a McGuffin (serbian were -panthers), but is actually about something else (in this case, frigidity and repressed lesbianism). This represents a huge change in the evolution of the horror movie. Cat People is the first horror movie to explore these themes as central concerns rather than as sub-rosa undercurrents. It also pioneered the techniques of film noir (which as a genre didn't really exist yet). Cat People is strikingly stylized and its effect is of stranding the viewer in the middle of a darkened room with some dreadful beast circling just outside his sphere of perception. This has a hell of an impact--particularly if you have the good fortune to see this in a theater. I'm not going to claim that Cat People is one of the best horror movies ever made (it does have flaws), but it is one of the four most influential horror movies ever made (along with The Cabinet of Dr. Caligari, Psycho, and Night of the Living Dead). But unlike its brethren, its influence spreads corrosively through the entirety of cinema through both film noir and the films of Alfred Hitchcock. You would be hard pressed to find any film short of Citizen Kane or Rashomon that is nearly as influential.


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