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Cat People (1942)

7.5
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Ratings: 7.5/10 from 10,421 users  
Reviews: 127 user | 98 critic

An American man marries a Serbian immigrant who fears that she will turn into the cat person of her homeland's fables if they are intimate together.

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Title: Cat People (1942)

Cat People (1942) on IMDb 7.5/10

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Cast

Complete credited cast:
...
Kent Smith ...
Tom Conway ...
...
...
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Storyline

Irena Dubrovna, a beautiful and mysterious Serbian-born fashion artist living in New York City, falls in love with and marries average-Joe American Oliver Reed. Their marriage suffers though, as Irena believes that she suffers from an ancient curse- whenever emotionally aroused, she will turn into a panther and kill. Oliver thinks that is absurd and childish, so he sends her to psychiatrist Dr. Judd to cure her. Easier said than done... Written by Ken Yousten <kyousten@bev.net>

Plot Summary | Plot Synopsis

Taglines:

The most terrifying menace of them all! See more »


Certificate:

Approved | See all certifications »
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Details

Country:

Language:

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Release Date:

25 December 1942 (USA)  »

Also Known As:

La marca de la pantera  »

Box Office

Budget:

$134,000 (estimated)

Gross:

$4,000,000 (USA)
 »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

(RCA Sound System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

The film was in theaters for so long that critics who had originally bashed the film were able to see it again and many rewrote their reviews with a more positive spin. See more »

Goofs

When the shepherd arrives and finds the dead sheep, there's a live sheep sitting behind him. After a brief shot of the footprints that he's examining, the film returns to a shot of the shepherd, and the sheep is gone. See more »

Quotes

Woman at pet shop: You can fool everybody, but laudie dearie me, you can't fool a cat. They seem to know who's not right.
See more »

Crazy Credits

[From the opening credits] "Even as fog continues to lie in the valleys, so does ancient sin cling to the low places, the depression in the world consciousness."- "The Anatomy of Atavism"- Dr. Louis Judd See more »

Connections

Referenced in Mystery Science Theater 3000: The Magic Sword (1992) See more »

Soundtracks

Do, Do, Baby, Do
Traditional French folk lullaby
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Vastly underrated and hugely influential
27 February 1999 | by (Columbia, Missouri) – See all my reviews

I have this theory about the horror films of Val Lewton. It is my contention that these movies caused a sea change in the content and tone of the movies of Alfred Hitchcock. The reason I say this is simple, really: Lewton is the only filmmaker I have ever caught Hitchcock cribbing scenes from. He did it twice. Once from The Seventh Victim (dir. by Mark Robson), which I swear to god provides the first half of the Shower Scene from Psycho. The second from Cat People, which provided the pet store scene in The Birds. This second scene is almost a shot for shot swipe. Both of these steals are evidence that Hitch knew and admired the Lewton movies. More than that, though, there is a change in the subtext of Hitchcock's thrillers after the Lewton movies. The movies he made before them were cut from the Fritz Lang mold of political thrillers. After the Lewton movies, Hitch's movies became more psychosexual in nature. Vertigo, for instance, could easily fit into Lewton's output.

Cat People is the first of the Lewton movies and sets the tone for them. It pretends to be about a McGuffin (serbian were -panthers), but is actually about something else (in this case, frigidity and repressed lesbianism). This represents a huge change in the evolution of the horror movie. Cat People is the first horror movie to explore these themes as central concerns rather than as sub-rosa undercurrents. It also pioneered the techniques of film noir (which as a genre didn't really exist yet). Cat People is strikingly stylized and its effect is of stranding the viewer in the middle of a darkened room with some dreadful beast circling just outside his sphere of perception. This has a hell of an impact--particularly if you have the good fortune to see this in a theater. I'm not going to claim that Cat People is one of the best horror movies ever made (it does have flaws), but it is one of the four most influential horror movies ever made (along with The Cabinet of Dr. Caligari, Psycho, and Night of the Living Dead). But unlike its brethren, its influence spreads corrosively through the entirety of cinema through both film noir and the films of Alfred Hitchcock. You would be hard pressed to find any film short of Citizen Kane or Rashomon that is nearly as influential.


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