|Page 5 of 103:||              |
|Index||1024 reviews in total|
A true classic! Anyone who is a fan of movies must see this film. Simply one of the best movies of all time. Bogart at his absolute best. Great casting (reuniting Bogart, Peter Lorre and Sydney Greenstreet, who played together so well in ' Tha Maltese Falcon', was brilliant). Absolutely one of my favorites. One of Bogart's most sympathetic characters, in one of the most quoted (and misquoted) movies of all-time. Simply fantastic movie-making from a great era in American cinema. This movie, and Bogart's character of 'Rick' most notably, are reminiscent of other great genres of American cinema of the time, like film noir and the hard-boiled detective story (of which Bogart was a mainstay at the time). Anyone who considers his or herself a fan of love stories, drama, or American cinema (or nostalgia) must see this movie. It is the quintessential 40's American movie.
*** This review may contain spoilers ***
There is no term to describe this other than classic, but not the type
of classic that a film like THE WIZARD OF OZ or GONE WITH THE WIND are.
That is because when this film was being made, it was just another
assembly line production from it's studio (Warner). When you see it
today, the cast appears so great that you would think it was something
special, but this supporting cast, great as it is, worked together
often. What this has in common with the WIZARD is a great script.
The writers of CASABLANCA came up with a script that tops all other films in classic moments of quotes that have become a part of Americana. So many quotes from this film are used in other films & media that they have become cliché almost. Even miss-quotes like "Play It Again, Sam" from this film have become American folk-lore. "Round up the Usual Suspects" has become it's own film later. "You & Me, Kid"- the list goes on & on.Other than the Great Oz, these quotes just flow from this film to 100's of other works since this film was made.
What makes this film really special is the unfulfilled love between Bogart & Bergman's character that is left hanging at the end. In an era, where love always had to have a happy ending, this movie gloriously leaves us with people in love who are forced away from each other by circumstances beyond either of their control.
This theme is closer to real life than most Hollywood products of any era. Almost everybody can identify with it because haven't we all had a love in our life who we yearned for very much, but due to circumstances beyond us, we never had a chance to fulfill? That is too me what makes this film stand above all others.
This is a film that has action, but not much of it. This film has comedy, but only enough to make the film great. It has subtle patriotic themes that carry the film along. Most importantly, this film has the heart of every viewer who ever watches it because the film, by accident, touches themes that many films aspire to reach, but never achieve.
Ironically, this all happened by the greatest of chance & rarely has any movie ever come close to what this film is. If I were a filmmaker, actor, or had a career in this industry, this would be the film I wish I had worked on. Nothing gets better than this one.
*** This review may contain spoilers ***
SPOILERS Possibly contained
Ok, Casablanca can simply be described in six words "The Greatest Movie Of All Time".
In this film we get to witness Bogart & Bergman in their best performances, in one of the greatest (if not THE greatest) love stories of all time. The way the romance develops, disintegrates, develops again & finishes on a sad note, is one of the best film plots of all time. The acting is superb, the plot is majestic, the film may be in black and white (an idea which is often sadly dated in modern society, but not in this case) but it survives & by the end of this film, possibly the most famous movie scene of all time is shown, climaxing in what can be argued as the greatest line of all time.
I guess the problem with writing reviews is that it's often easy to write vast ammounts about a film you hate, but when it comes to a film you love, you embrace it to such a degree that it's almost impossible to think of anything fresh and original to write.
so, with that last statement in mind, let me say this. If you have never seen Casablanca, you must be mad. If you have seen Casablanca and dislike it, you must be even madder. This film is genius, pure, classical genius.
What could have been another piece of dreary American propaganda for
WWII, turned out- by a strange piece of magic- to be a cinematic
masterpiece, and ultimately a legend. Was it the director, Michael
Curtiz? Was it the black and White photography, was it Dooley Wilson's
haunting voice. Was it the superb casting? Who knows? but to think of
anyone else playing the roles would have been insanity. Another Sydney
Greenstreet, Peter Lorre, Conrad Veidt, Bogart or Bergman. Impossible.
About four years ago I was travelling around south-east Asia and in Phnom Penh (in Cambodia) and one night I went to the Foreign Correspondants club. It was my birthday and I was on my own so I stayed for a few drinks. I then found out that the club was showing THE ORIGINAL Casablanca. The benches the audience sat on were wooden. There were geckos running around the ceiling, no air conditioning, and it was heaven. The visa pronounced vezay, the gloved hand holding the 'aeroplane' Sydney Greenstreet swatting flies. Wonderful.
I'd have to say my favorite scene is the one in which Paul Henreid
leads the singing in Rick's. As one writer put it, "One by one, the
habitués of the bar join in the "Marseillaise." The Germans sing still
louder, but they're no match for the pro-French civilians. Drowned out,
the soldiers give up in disgust. The "Marseillaise" comes to its
stirring conclusion, and with tears in their eyes the patriots in the
bar cry out, "Vive la France!"
This scene always brings tears to my eyes which illustrates, among other things, the power of music in movies.
What is your favorite scene in 'Casablanca'?
*** This review may contain spoilers ***
This movie can compete with the most famous and timeless love stories
in history, like Romeo & Julia, the beauty and the beast, Julia Roberts
and Richard Geere.
Always remember while you watch it: 1942. Not such a nice time for the world! Not such a nice time for romance. Not such a nice time to stand up against something. It must have been quite an effort to shoot this film during such harsh times. I mean, it's quite a political movie and the scene with the Marseillaise must have been a punch in the face of every fascist.
But all the political quarrels are combined with an amazing love story that hasn't lost a single ounce of its attraction or beauty throughout the years.
But what really made a classic out of the picture is, in my opinion, Humphrey Bogart. I consider him the man of the millennium, a guy with so much masculine attitude and yet so much feeling. It's just an eye-catching experience to see him walk and talk and, most impressive, drink. Any other actor drinks quite ordinary. It's not a big deal to empty a glass of booze. But when Bogie does it, you can feel his pain. You can feel his grief and his anger. You can feel the person behind the scene. If you ask me for the man I respect the most in movie history, it has to be Humphrey Bogart.
Sure, the rest of the cast does a great job as well, Ignrid Bergmann is responsible for half of the chemistry between Rick and Ilsa but well, I can only see them in the shadow of Bogie.
This is one of those movies, you hear so much talking about and you begin to ask what's so great about a dusty old flick, but after you've watched it, you realize what everybody was talking about. At least, that's how I did.
A truly timeless tale about romance with the perfect cast and probably the most memorable quotes in history. Terrific!
"Here's looking at you, kid."
"This could be the beginning of a beautiful friendship."
"I don't stick my neck out for nobody."
"Round up the usual suspects."
"I'm shocked, SHOCKED, to find that gambling is going on in here!"
"Did you abscond with the church funds?"
"We'll always have Paris."
These are just some of the lines from this movie which have made their way into our lexicon. Of course, I did save the most famous one for last: "Of all the gin joints in all the towns in all the world, she walks into mine."
Welcome to "Casablanca", regarded as one of the most popular movies of all time. I know, I know, everybody says that, but it's true. When people criticize movies today, Casablanca is usually one of the "go-to" films they turn to when they say "They don't make 'em like they used to."
And, they would be correct.
Ask any woman to name her top-five most romantic movies, and "Casablanca" will likely show up on her list. And when it comes to movie romances, men's eyes usually glaze over at the mere mention of them. Well, I am here to tell you there is plenty to keep a man's attention in this film and, in the end, he may actually walk away in a non-catatonic state.
First, you have Humphrey Bogart as Rick Blaine, owner and proprietor of Rick's Café Americain in the city of Casablanca. An expatriated American, Rick is a cynic whose establishment is just this side of illegal, yet he manages to stay in business and make a good living at it. And besides, it's Bogey!
Then there's Claude Rains as the local chief of police, Louis Renault. Captain Renault is slippery as an eel, especially when it comes to dealing with those in authority above him. He's also inquisitive, intelligent, and hypocritical.
Up next are the Nazis. Morocco was French territory in 1941, and the Germans occupied France during that time. Here, they are presented as ambitious warmongers bent on world domination (and that would be correct). With the Nazis around, there is an inbred conflict from the get-go, as Casablanca is portrayed as a hub for the French Resistance during World War II. I should also point out that this is the earliest American film I know of that not only uses the term "concentration camp" by name, but it also suggests that people have died within them.
Throw in a murder or two, and you have the makings of a good film-noir. Okay, so "film-noir" officially sprang up after World War II, but it still feels like one. The camera angles, shot composition, lighting, use of shadow, a brooding leading man (Bogart), and a tormented femme fatale (Ingrid Bergman) all add up toward the formula.
All of this is capped off with sardonic wit and tight drama, signs of a well-written script (which, interestingly enough, was cobbled together right up to the very end of filming). Also, the timing of this movie is what made it such a hit. It ranks right up there with "On the Waterfront" (1954), "The China Syndrome" (1979), "Guess Who's Coming to Dinner" (1967), "In the Heat of the Night" (1967), and "The Deer Hunter" (1978) in terms of topicality within the society of the day.
So, you men out there, when your woman suggests watching "Casablanca", throw some popcorn in the microwave. Trust me, you'll be able to sit through this one!
For years when I was younger I thought I had seen Casablanca, but it
wasn't until I was 17 that I actually SAW the entire thing from start
to finish. Before that, I had seen some of the most indelible scenes
from the picture (I don't remember them all, but one had Peter Lorre,
another was when Bogie is drunk in the bar after the bar is closed and
Bergman's Isla goes to him and he tells her off, another was, of
course, the last scene). It's when one sees all of the story put
together and all of those really terrfic scenes in the club that it
really does gell as being a classic. It might not be up there for me
with the very great films ever like Citizen Kane or One Flew Over the
Cuckoo's Nest, but there's never a minute, a line, or a performance in
Casablanca that turns out to be dull or un-watchable. It's by turns
very funny in a few spurts even though it's a romantic drama of the
highest Hollywood order. For some on the level of movies dealing with
loves lost and found and lost again it's no wonder that this takes the
cake. Even the last scene, the lines of which have been parodied God
knows how many times now, still has that ring of emotion in the
greatest escapist sense. It's a must-see-once kind of movie, even if
you find that you don't like the movie.
And the cast is probably one of the best reasons to see it. It's really got the best crop of stars and character actors from Warner brothers and beyond. Bogart and Bergman have their spotlight on them here at full blast and they each deliver impeccable performances in roles that aren't too unexpected, but never less than stylish and dramatic. Then there's Peter Lorre, Peter Greenstreet, and of course Claude Raines who probably gives if not his most memorable performance one of his most striking. It's rare that an actor is given such a part that really fits him and still keeps a hold on the viewer so many years later. From the story intrigue and deception and danger involving the Nazis, the heroism and sacrifice that gets involved, and at the core of it- after the club which Bogie owns- is the love triangle that gets resolved in a somber way that makes for a sensational ending. In fact, it's main goal is to be sensational, and for the most part it's truly successful, from its 'a kiss is just a kiss' song to the sweet one-liners.
*** This review may contain spoilers ***
"Who thinks 'Casablanca' is the number one movie of all time?" That is
a game many play, but I refuse to play it, because I don't think it
matters. I have seen many movies over the past five decades, and
'Casablanca' is one of my all time favorites. It is set in a mysterious
place at a very mysterious time, and has many mysterious figures
running through the story. It has war, it has friendship, it has love,
it has sacrifice. All the elements combine to form an entertaining but
gripping film that always seems as fresh as the first time you viewed
This is perhaps my favorite Humphrey Bogart role, as Rick Blaine the exiled American who owns and operates his own gin joint. We know he isn't totally a good man, but we also sense that inside he is not a bad man at all. Mostly he just wants to do his job and be left alone. But danger lurks at the turn of every page of script.
Most SPOILERS follow. The crux of the story involves Rick, Ilsa (Ingrid Bergman) and Victor (Paul Henreid). Rick and Ilsa have a history, they parted under suspicious circumstances when she failed to meet him at the train leaving town. Now she shows up with a husband that Rick never knew she had. Victor and Ilsa want safe passage to America, and Rick holds the papers that can get them there. Still in love with Ilsa, he realizes that true love will give her what she needs, and he does. Safe passage for her and her husband.
Casablanca has quite a good ensemble cast, with stars in their own rights Claude Rains as Capt. Louis Renault, Conrad Veidt as Maj. Heinrich Strasser, Sydney Greenstreet as Signor Ferrari, and Peter Lorre as the shady Guillermo Ugarte.
The DVD is superb!!
Every thing positive everyone has ever said about this movie is true. Still
compelling after all these years, one of my top ten movies, I can go back
and watch every few years.
This movie works on every level, drama, love story, suspense, but most of all it is a war propaganda movie. Pro war, pro allies, anti Nazi, even a little anti French, this movie was made smack in the middle of WWII when the outcome was still in doubt and designed get the public behind the war effort. It sure was more fun then those 'Victory gardens, paper drives and gas rationing' and other techniques to get public support. It is impossible for a film made for this purpose to stand the test of time, but Casablanca has, and that's why it is such an incredible film.
|Page 5 of 103:||              |
|Plot summary||Plot synopsis||Ratings|
|Awards||Newsgroup reviews||External reviews|
|Parents Guide||Official site||Plot keywords|
|Main details||Your user reviews||Your vote history|