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This movie was truly amazing. I never found myself bored, not even for a second. The underlying dry humor in a lot of the scenes really made the storyline comical to the viewer (if you understood the humor). I have a whole new appreciation for old time movies and Humphrey Bogart. The dialog was perfect, the characters sucked you in so much that at times I forgot it was just a movie. I also may have been the only person who was thoroughly happy with the unusual ending that in my eyes wasn't predictable. That's the most I can say without giving it away. It had an array of comical and lovable characters that I couldn't help finding myself wishing that they'd have a happy ending. Especially Sam, the piano player, although he barely said two words throughout the film his charisma and cheerfulness in an otherwise very depressed time made him so lovable as a character. Rick Blaine was a strong character that you couldn't help feeling some sympathy for, but his character displayed selfless and humble qualities that made the movie all the better.
I have always watched and enjoyed movies produced all over the world
but I feel its high time I put my thoughts on paper for the sake of
records at least . Also, these will have the potential to create some
nostalgic value later.
Coincidentally, I watched Casablanca for the first time (emotionally) few days back. The movie which is largely known as one of the greatest love stories of all time is not one, its much more than a mere love story.
It is a work of a man who at the time of making this piece seemed to have acquired such levels of skills in his art form that it is next to impossible to be able to find a flaw in this work even for the finest of the observers.
How do I even start here? I should very well start with the image which has not left me ever since I have finished watching the movie. There is no doubt that Ingrid Bergman is one of the most naturally beautiful actresses Hollywood has seen in the last century, but in my opinion she is also one of the very few actors who could speak through their eyes exactly what was there in the heart of the character she was playing. This is a skill/gift which is found in a rare breed of actors. The scene where she looks at Rick (Humphrey Bogart) after all those years of separation is a perfect example of the role eyes ought to play to emote ones feelings without utterance of a single alphabet. Its hard to believe how she did not receive an Oscar nomination for this movie as she ended up receiving seven of them in a long glittering career. The prospect of watching all of those is a temptation that can not be defined.
I haven't seen all of Bergman's fine performances but in the few that I have seen, one can easily conclude that she has the ability to give multiple layers to her character which is the case in Casablanca as well. The flair with which she has been able to shift between various moods of innocence, mystery and sheer passion is remarkable. Of course, credit must also go to Curtiz who orchestrated this mood dance.
The character of Rick is like an iceberg which has been put in fire to melt and vanish and just before it starts to lose its identity it takes inspiration from itself and extinguishes the fire with the water it had lost. There could not have been a better choice for this role than Humphrey Bogart, every square inch of whose countenance reflects the state of mind he is in. Moreover, he is a true style icon in this movie and fits the part to the hilt which pops up the following question: was the role of Rick written for him or he was the best fit for the role!
As is seems, the image of protagonists is at the top of my mind their role in the greatness of the movie is certainly not limited to being the faces of the movie. Having said that, below the surface its the work of a master who has engineered multiple components into a giant which overpowers most others in its proximity. This fine piece of work makes its entry straight into the list of Cinema Extraordinaire because of its universal appeal, unique treatment, essentially real yet whimsical script, gripping screenplay and stupendous display of ever changing human behavior.
The range of emotions and situations this film has on offer at every stage of the movie makes it a sumptuous and delicious meal for audiences of varying taste. The movie reaches its climax in 95 minutes and it feels like that perfectly timed dessert which is an extremely rare delight.
The manner in which any two characters have been linked in this movie is the most unique to say the least. There are many two way relationships which have been portrayed with considerable depth on screen in such a small time that you start wondering by the time movie reaches its final moments that how was it even possible to experience so much in such a short time.
Every character leaves an indelible mark even though all it did in the movie was hit a few guitar strings or pick pocket at a restaurant. Every scene in the movie is a study in itself.
This is a must watch for anyone who has ever thought of himself as a movie fan. Casablanca without doubt makes its way in my all time top 5 list!
Romance. Drama. Humphrey Bogart. 3 Academy Awards, including Best
Picture. Put them together and what do you get? Warner Brothers'
"Casablanca". Set in Casablanca during WWII, this film tells the story
of Rick Blaine (Bogart), a bar owner bitter after an abruptly-ended
romance with the lovely Ilsa (Ingrid Bergman). Rick's doing okay, that
is until Ilsa walks back into his bar and his life, bringing her
husband (Paul Henreid) with her. Add into the cast great talents like
Claude Rains, Peter Lorre and Sidney Greenstreet and how can you lose?
Arguably the best movie of all time, "Casablanca" is well-worth viewing. If you haven't seen it, get it and watch it. If you have seen it, get it and watch it again. Watch it, Sam. Watch "Casablanca".
Lauren Bacall was wonderful as Ilsa...in a parallel universe. Too bad
it was Ingrid Bergman who ended up with the role, I just couldn't buy
the Bogie'n Bergman love story and would have loved to see Lauren
instead! So I gave this movie a 4, as soon as I was done watching.
Because Bergman failed to convince me and I cringed at their Paris
scenes. I mean Bogie, romantic?! Are you kiddin' me?! (I was even more
shocked to see Bogie smile!) I was bored through the story, the men's
thick black eyeliner looked like an ethnic joke, their white eyeliner
was a little less distracting, but I've seen worse, so I decided what
the heck, I'm 1/4th through this movie might as well keep going since
it's not like it's starring *insert your most insipid actress and
buffoon of an actor here* And OK, since I'm well-endowed in the
"suspend disbelief" department, I'll pretend I'll buy Ingmar Bergman or
whatever as the love interest.
Since some of the dialog was amazing, I thought I'd actually give this a 7. For effort. Plus the "last night was so long ago/tonight? I don't plan that far ahead" exchange was awesome. (I'm gonna have to memorize these lines, I'm sure to use them sometime!) And the music was not bad. So what the heck, it doesn't deserve a 7 but I'm not in a bad mood tonight and it's Christmas, right?! But what the **** happened to "Play it again, Sam!"? I never once heard it and I felt ripped off throughout the movie! I heard "Play it, Sam" Who misquotes a movie, really? OUTRAGEOUS!!! Just for that, I felt like I needed a refund, and let me tell you, that 7 was quickly turning into a 5. Plus I'd seen the final scene, the Bogie/Bergman exchange, final scene, it says so on You Tube. Right? So who cares, I already know how it ends.
It wasn't the final scene after all! WTH??! After years of believing that's how it ended, now they ripoff the ending too by adding some insipid action? Couldn't they have been done at that scene since it's *supposed* to be the only end anyone cares about? (After all, it's the only one "they" ever show!! What else could there be, really?!) Well, in the end--and sorry to put it this way if you kinda like this film--but what do you think I could possibly give this sorry little B&W film maker's menial effort of a wanna-be movie? Well, if you should know I only gave it a mere TEN! That's right! Was I glad I stuck with it till the end! It got better and better until it became one of the best movies ever! I didn't expect the surprise ending, that's for sure! Blown away!
This one is definitely worth a re-watch sometime soon, minus my "Dancing-with-the-Stars-judge-raising-score-on-a-panel-every-5-secs" attitude. I don't think I've ever seen a movie where I went from "who gives a c^^p about you?" to absolutely blown away by the characters and their turn of events. In a sense I went from caring about Rick just about as little as Rick himself did to making a 180 degree turnabout. Sort of like Rick did at the end! Amazing!! And Ingrid Bergman was indeed good, certainly not my first choice for Ilsa--still would have loved to see Bacall--but she held her own. Here's looking at you, Kid! It's like after the movie was over, I came to the realization that I had been a Rick of sorts throughout. And the movie took me through my own 180.
Does everyone feel like this when watching this movie? Is it supposed to turn us all into Ricks and then flip-flop us around leaving us utterly dazed and not knowing what hit us there for a second? Or is it just me? It almost felt like a spiritual experience! Almost! It was simply amazing! 10/10. Come what may, I'll always have Casablanca in my DVD collection!
A true classic! Anyone who is a fan of movies must see this film. Simply one of the best movies of all time. Bogart at his absolute best. Great casting (reuniting Bogart, Peter Lorre and Sydney Greenstreet, who played together so well in ' Tha Maltese Falcon', was brilliant). Absolutely one of my favorites. One of Bogart's most sympathetic characters, in one of the most quoted (and misquoted) movies of all-time. Simply fantastic movie-making from a great era in American cinema. This movie, and Bogart's character of 'Rick' most notably, are reminiscent of other great genres of American cinema of the time, like film noir and the hard-boiled detective story (of which Bogart was a mainstay at the time). Anyone who considers his or herself a fan of love stories, drama, or American cinema (or nostalgia) must see this movie. It is the quintessential 40's American movie.
*** This review may contain spoilers ***
There is no term to describe this other than classic, but not the type
of classic that a film like THE WIZARD OF OZ or GONE WITH THE WIND are.
That is because when this film was being made, it was just another
assembly line production from it's studio (Warner). When you see it
today, the cast appears so great that you would think it was something
special, but this supporting cast, great as it is, worked together
often. What this has in common with the WIZARD is a great script.
The writers of CASABLANCA came up with a script that tops all other films in classic moments of quotes that have become a part of Americana. So many quotes from this film are used in other films & media that they have become cliché almost. Even miss-quotes like "Play It Again, Sam" from this film have become American folk-lore. "Round up the Usual Suspects" has become it's own film later. "You & Me, Kid"- the list goes on & on.Other than the Great Oz, these quotes just flow from this film to 100's of other works since this film was made.
What makes this film really special is the unfulfilled love between Bogart & Bergman's character that is left hanging at the end. In an era, where love always had to have a happy ending, this movie gloriously leaves us with people in love who are forced away from each other by circumstances beyond either of their control.
This theme is closer to real life than most Hollywood products of any era. Almost everybody can identify with it because haven't we all had a love in our life who we yearned for very much, but due to circumstances beyond us, we never had a chance to fulfill? That is too me what makes this film stand above all others.
This is a film that has action, but not much of it. This film has comedy, but only enough to make the film great. It has subtle patriotic themes that carry the film along. Most importantly, this film has the heart of every viewer who ever watches it because the film, by accident, touches themes that many films aspire to reach, but never achieve.
Ironically, this all happened by the greatest of chance & rarely has any movie ever come close to what this film is. If I were a filmmaker, actor, or had a career in this industry, this would be the film I wish I had worked on. Nothing gets better than this one.
*** This review may contain spoilers ***
SPOILERS Possibly contained
Ok, Casablanca can simply be described in six words "The Greatest Movie Of All Time".
In this film we get to witness Bogart & Bergman in their best performances, in one of the greatest (if not THE greatest) love stories of all time. The way the romance develops, disintegrates, develops again & finishes on a sad note, is one of the best film plots of all time. The acting is superb, the plot is majestic, the film may be in black and white (an idea which is often sadly dated in modern society, but not in this case) but it survives & by the end of this film, possibly the most famous movie scene of all time is shown, climaxing in what can be argued as the greatest line of all time.
I guess the problem with writing reviews is that it's often easy to write vast ammounts about a film you hate, but when it comes to a film you love, you embrace it to such a degree that it's almost impossible to think of anything fresh and original to write.
so, with that last statement in mind, let me say this. If you have never seen Casablanca, you must be mad. If you have seen Casablanca and dislike it, you must be even madder. This film is genius, pure, classical genius.
I first became aware of this film's existence back when I was around
nine years old, but never actually saw it. At the time, I highly doubt
that was a great loss for me, as if I did see "Casablanca" when I was
that young, there probably wouldn't have been many words for me to use
to describe what I thought of it, other than "boring." However, I
finally watched it for the first time about eleven years later, earlier
this year, and was very impressed, even though I wouldn't have given it
a 10/10 at the time. Since then, for me, it has improved with more
The film is set during World War II in Casablanca, Morocco, where many European refugees, fleeing from the Nazis, had to come in order to have any hope of getting to Lisbon, then to America. Rick Blaine is an American in exile who runs a nightclub in the Moroccan city. He is very cynical and "sticks his neck out for nobody." After it is announced that two German couriers have been murdered, Ugarte, the murderer, comes to Rick's club and asks him to hold on to two letters of transit for a while. Shortly afterwards, Ugarte is arrested, so Rick is stuck with these letters. The nightclub owner is then informed that Victor Laszlo, the European Resistance leader, is coming to Casablanca, and Major Strasser of the Gestapo tells him to make sure Victor doesn't escape from the city. Victor comes to Casablanca with Ilsa Lund, Rick's former love who left him in Paris! At first, Rick is not pleased to see Ilsa again. Ilsa and Victor have come for the two letters, but convincing Rick to give them to the couple won't be easy!
It has been 65 years since "Casablanca" was first shown to the public, and since then, many people from generation after generation have seen it and have been blown away! With its poignancy, suspense, strong dialogue, romance, etc., this 1942 motion picture is a work of genius, and there's nothing surprising about its wide appeal! So, if you want to see a stunning love story, set and made during WWII, and movies don't require a whole ton of action to impress you, I would say "Casablanca" is a must-see! If you don't love it right away, maybe you never will, or maybe it will grow on you with a second or third viewing!
*** This review may contain spoilers ***
It has to be a crowning achievement for a movie to have entered into public consciousness to such a point that even when the average person may not even have a passing idea as to what this remarkable movie might be about, they assume, from the title, from the poster, that it has to be "one of those unforgettable love affairs between Ingrid Bergman and Humphrey Bogart". Of course, the more you do know about CASABLANCA the clearer the in-jokes and the subtle yet potent lines become: as a matter of fact, CASABLANCA has now become one of the most quoted pictures of the last one hundred years. With a convoluted story which is really a romantic love affair between Rick, Ilsa, and her husband Victor Lazlo as well as a denouncement of the Nazis in this otherwise relatively safe haven that is Rick's cafe in Casablanca, Morocco, CASABLANCA becomes a ferociously sophisticated tale that has overtones of film-noir and that overwhelming chemistry that both Bogart and Bergman possess, their romance surpassing everything else and being the barometer for which romantic drama has been measured up against. If anything, of the supporting cast, Paul Henreid, for all his third billing, is the more thankless since he doesn't get much to do other than play the somewhat befuddled Lazlo (although he does get to find out that Rick and Ilsa have a little more than common than they'd like to admit). Sydney Greenstreet, Peter Lorre (who also appeared with Bogart in THE MALTESE FALCON), Conrad Veidt also appear here as well as Claude Rains who has one of the most memorable supporting parts as the general who is "shocked! shocked!" that any gambling is taking place at Rick's... as he smoothly takes his winnings from an employee. Also featuring one of the most deeply, lush ballads, "As Time Goes By" and that powerful scene of defiance as the occupants sing for France, CASABLANCA has become an emblem more than just another feature film -- the stuff that dreams are made of.
I'd have to say my favorite scene is the one in which Paul Henreid
leads the singing in Rick's. As one writer put it, "One by one, the
habitués of the bar join in the "Marseillaise." The Germans sing still
louder, but they're no match for the pro-French civilians. Drowned out,
the soldiers give up in disgust. The "Marseillaise" comes to its
stirring conclusion, and with tears in their eyes the patriots in the
bar cry out, "Vive la France!"
This scene always brings tears to my eyes which illustrates, among other things, the power of music in movies.
What is your favorite scene in 'Casablanca'?
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